50 Cent, along with Eminem, led an era of hard hitting, chart topping, heart stopping rap. Maybe not so much heart stopping, I just thought it sounded cool to rhyme. Now I don't want to sound old, but this is the 50 I miss. Not just 50 Cent, but being backed by as powerful of a group as there was back in their heyday, G-Unit was the group to take out of the number one spot for a decent number of years in the early 2000s. Now it seems they want to recapture the times that they once enjoyed at the top...but is it too late for them to do so?
The hip-hop world has been abuzz with a number of G-Unit tracks leaking as of late, all remixes up until the most recent track "Come Up." Their track record since the beginning of the year has led to remixes of Chris Brown's "Loyal," YG and Drake's "Who Do You Love," Future's "Move That Dope" and a few more. The crowd reaction up to this point has been pretty good, but will they be able to keep up the buzz in time for their projects' release this year?
Yes, I said projects' as in plural, supposedly the Unit has plans for not only a comeback album, but also a mix tape to come shortly before the album as well. The first place they really made noise with their reunion if you remember was during Hot 97's Summer Jam of this year back in the beginning of June. They took the attention of over 50,000 people in East Rutherford, New Jersey, and even though many fans believe the rest of G-Unit to have just been "hype men" to 50 Cent during his performance, they certainly stole the show from a very star studded line up that included other names like Nas, Nicki Minaj, Drake, Lil Wayne, Jhene Aiko, and many more.
Game has also voiced his opinion on the reunion. He recently stated in an interview this year that he thought the reunion was "cool" and is "very happy for them," especially for his still long time friend in the group, Young Buck. He also said this about the reunion in an interview with Power 106 FM; "With all the money he got, he (50 Cent) don't need music no more. He's giving Banks, Yayo, and definitely Buck, because that's my partner, a chance to get back out there and do shows and make more money. G-Unit the name will pack a building and they get to split that up and I think that's cool. That was my first and only thought about it."
So it sounds as if Game is happy for the reunion, but probably doesn't want anything to do with the group after his and 50's falling out awhile back. I'm sure if the fans had a choice, Game would be there with all of them sharing the glory, but if we know Game is going to do one thing, it's voice his opinion rather clearly. So what do you think of the reunion? Do you think it's for real, or is it just another scheme for 50, Yayo, Banks and Buck to get together and make more money off of each other? I'd personally love to see them share more success together and make good music once again, but the opinion of the masses is what counts! Let me know what you think of the reunion on Twitter (@SuperNovaRover) or Google+ (Geoffrey Guy). G-g-g-g-g-g-g- u-NIT!
Tuesday, July 29, 2014
Wednesday, July 23, 2014
What's Beef? Not What It Used To Be; Hip Hop's Attitude
Why is hip-hop so awesome? I'm asking because I want to know what the eyes of the people who listen to the music see. But it doesn't just come down to the music. Hip hop really is a culture as a whole. People who live it come in all different types of shapes and sizes. Not even a specific city or state can define how you will see people act, or define what they listen to. In hip hop it is argued that your area does define who you're listening to to a point. Sometimes, in the minds of the people psychologically, where you're from is what you listen to. Anyone who showed respect to these other areas are cool with them because they paid homage. But to those who didn't.....well something needed to happen. This is how it was. But how is it now? Has hip hop lost some of its attitude because the people aren't real enough anymore? Let's examine this point, because I believe the people (myself included) have it screwed up to where someone's life being put in danger makes headlines for all the wrong reasons.
Now what is beef really? No not the meat smart asses, the rap kind. How does it start out and where does it stem from? If you asked 20 different rappers, you'd probably get 20 different answers. Ultimately when it comes down to it, beef is problems that other rappers have with each other. But beef has evolved since the days of before. If you really think about beef on a grand scale, you probably think Tupac vs. Biggie. Not one other hip hop beef has shook the media, along with the east and west coasts both as much as this beef did. The publicity was unheard of, something that rap hadn't gotten much of up to that point, but for the wrong reasons. Both of these men died because of rumors circulating about each one of them. Merely rumors and pride is all that this beef came down to, in layman's terms. Today beef is much different of course, not as much bloodshed (unless you're 40 Glocc), but ultimately it is better because lives aren't put at risk. At least, we'd like to think so.
Now there's a lot of different types of beef in hip hop today, if we started from about the year 2000 and came all the way up to 2014, you would definitely notice the differences with beef in the past. Social media sites like twitter make things a little more clear, but also complicates things at the same time. When you talk about something as little as the Iggy Azalea and Nicki Minaj "beef," (and that may be putting it heavily even describing it as that) social media sites and blogs and web sites of all kinds blew this out of proportion about 5 times more than what it actually was. The headlines were hilarious: "Nicki Minaj throws shade at Iggy Azalea with her acceptance speech?" People and their imaginations are wild. But the blogs and the web sites have it correct in this sense: PEOPLE LOVE BEEF.
As bad as this may sound, any publicity is good publicity, especially to a rapper or singer. Standing up for yourself sometimes is all you can do. But it's the opinions of the people that get the stories incorrect. I grew up in an era of Eminem and 50 Cent dominating the webs and album sales (yeah, so I'm young, what of it?), so even in my opinion, it's just like Drake says; nothing was the same. Even with 50 Cent vs. Ja Rule, Shady Records vs. Murda Inc. in the early to mid 2000s it was different. Without social media how do we all last? (The sad part is some people wouldn't have an answer for you, but I don't know if I have a right to talk, trying to make a living on the internet and all.)
An interesting aspect of beef itself is that only hip hop really deals with it, no matter how big or how small the problem may be (word to Meek Mill and Wale, grow up you two before we get Rozay on you). I believe a lot of this stems from rappers not being afraid to voice their opinions about others. Some may call it being thirsty for attention, which you wouldn't be wrong some of the time, but rappers certainly like to "keep it 100" with people when it comes to talking about being cool or having a problem with someone else. But the fact of the matter is, no one really knows what happens in beef between 2 people except for those 2 people!
I believe there are certain types of beef, 2 in particular. The first beef is having a problem with somebody outside of the music itself. If a rapper gets disrespected, most of the time, they will let not only that person, but sometimes will even let the entire country know about this problem (which can lead back to social media). That is the first type, and not too many people care about these issues too much. They usually resolve themselves, and are forgotten in a couple months (less if something bigger happens). But the second type of beef is musically. Verse-wise, when you get disrespected in a song, it isn't uncommon for this rapper to go back at the person throwing shots with some shots of their own. In rap, clearly how your rap is perceived is something that people buy, something that you can sell to willing customers. If your abilities get disrespected, you go back at this person questioning their abilities as well, sort of like a more main stream form of battle rapping. In my opinion this is what I love to see, this is what makes hip hop entertaining, and this is what adds to the competitive nature of hip hop. It has sort of been this way since Kendrick dropped "Control." Now I know, I know, "Control" doesn't deserve any more attention than its already gotten, but there is a point to it. Let me ask you some questions; since "Control" dropped, have you not been more entertained with rappers at each others throats going bar for bar and showing some of the best rap capabilities we've seen in a decade or more? Hasn't rap finally gotten back to a competitive state where each rapper is rapping their tail off to prove they're the best? I'll let you mull these questions over yourselves (get back to me on Twitter @SuperNovaRover, or Google+ Geoffrey Guy with your opinion).
So how would you define beef? I can truly say it's nowhere near where it used to be on the entertainment side of things. But as a whole, this could be better for the publicity it gets. Rappers have to be cocky and confident to keep up appearances and make themselves look like they're the best, but the violence is lowering. The day when people focus more on the competitive aspect of rapping and not the killing part of it is the day they can say "we made it." Isn't it more entertaining to hear rappers go bar for bar instead of them going bullet for bullet? If people understood the fun in hearing a fire verse as opposed to hearing a hollow point, then they would understand. If you get disrespected, do what you do best to prove it wrong: rap about it. Take it to the booth.
Now what is beef really? No not the meat smart asses, the rap kind. How does it start out and where does it stem from? If you asked 20 different rappers, you'd probably get 20 different answers. Ultimately when it comes down to it, beef is problems that other rappers have with each other. But beef has evolved since the days of before. If you really think about beef on a grand scale, you probably think Tupac vs. Biggie. Not one other hip hop beef has shook the media, along with the east and west coasts both as much as this beef did. The publicity was unheard of, something that rap hadn't gotten much of up to that point, but for the wrong reasons. Both of these men died because of rumors circulating about each one of them. Merely rumors and pride is all that this beef came down to, in layman's terms. Today beef is much different of course, not as much bloodshed (unless you're 40 Glocc), but ultimately it is better because lives aren't put at risk. At least, we'd like to think so.
Now there's a lot of different types of beef in hip hop today, if we started from about the year 2000 and came all the way up to 2014, you would definitely notice the differences with beef in the past. Social media sites like twitter make things a little more clear, but also complicates things at the same time. When you talk about something as little as the Iggy Azalea and Nicki Minaj "beef," (and that may be putting it heavily even describing it as that) social media sites and blogs and web sites of all kinds blew this out of proportion about 5 times more than what it actually was. The headlines were hilarious: "Nicki Minaj throws shade at Iggy Azalea with her acceptance speech?" People and their imaginations are wild. But the blogs and the web sites have it correct in this sense: PEOPLE LOVE BEEF.
As bad as this may sound, any publicity is good publicity, especially to a rapper or singer. Standing up for yourself sometimes is all you can do. But it's the opinions of the people that get the stories incorrect. I grew up in an era of Eminem and 50 Cent dominating the webs and album sales (yeah, so I'm young, what of it?), so even in my opinion, it's just like Drake says; nothing was the same. Even with 50 Cent vs. Ja Rule, Shady Records vs. Murda Inc. in the early to mid 2000s it was different. Without social media how do we all last? (The sad part is some people wouldn't have an answer for you, but I don't know if I have a right to talk, trying to make a living on the internet and all.)
An interesting aspect of beef itself is that only hip hop really deals with it, no matter how big or how small the problem may be (word to Meek Mill and Wale, grow up you two before we get Rozay on you). I believe a lot of this stems from rappers not being afraid to voice their opinions about others. Some may call it being thirsty for attention, which you wouldn't be wrong some of the time, but rappers certainly like to "keep it 100" with people when it comes to talking about being cool or having a problem with someone else. But the fact of the matter is, no one really knows what happens in beef between 2 people except for those 2 people!
I believe there are certain types of beef, 2 in particular. The first beef is having a problem with somebody outside of the music itself. If a rapper gets disrespected, most of the time, they will let not only that person, but sometimes will even let the entire country know about this problem (which can lead back to social media). That is the first type, and not too many people care about these issues too much. They usually resolve themselves, and are forgotten in a couple months (less if something bigger happens). But the second type of beef is musically. Verse-wise, when you get disrespected in a song, it isn't uncommon for this rapper to go back at the person throwing shots with some shots of their own. In rap, clearly how your rap is perceived is something that people buy, something that you can sell to willing customers. If your abilities get disrespected, you go back at this person questioning their abilities as well, sort of like a more main stream form of battle rapping. In my opinion this is what I love to see, this is what makes hip hop entertaining, and this is what adds to the competitive nature of hip hop. It has sort of been this way since Kendrick dropped "Control." Now I know, I know, "Control" doesn't deserve any more attention than its already gotten, but there is a point to it. Let me ask you some questions; since "Control" dropped, have you not been more entertained with rappers at each others throats going bar for bar and showing some of the best rap capabilities we've seen in a decade or more? Hasn't rap finally gotten back to a competitive state where each rapper is rapping their tail off to prove they're the best? I'll let you mull these questions over yourselves (get back to me on Twitter @SuperNovaRover, or Google+ Geoffrey Guy with your opinion).
So how would you define beef? I can truly say it's nowhere near where it used to be on the entertainment side of things. But as a whole, this could be better for the publicity it gets. Rappers have to be cocky and confident to keep up appearances and make themselves look like they're the best, but the violence is lowering. The day when people focus more on the competitive aspect of rapping and not the killing part of it is the day they can say "we made it." Isn't it more entertaining to hear rappers go bar for bar instead of them going bullet for bullet? If people understood the fun in hearing a fire verse as opposed to hearing a hollow point, then they would understand. If you get disrespected, do what you do best to prove it wrong: rap about it. Take it to the booth.
Friday, July 18, 2014
Kendrick and J. Cole's joint album: Where is it?
Nowadays in hip hop, its gotten harder and harder to find the ones that are truly different from your every day average rapper. Money, cars, clothes and hoes are all very nice things (word to T.I.), but at the end of the day people love music that relates to them, along with original, refreshing topics and subject matter. And if there are two rappers in the entire genre that provide this type of music to their listeners, they are Kendrick Lamar and J. Cole. Kendrick is arguably one of the top 5 lyricists in the game, and Cole's not too far behind. Putting that together with both of their amazing story-telling abilities, what would we have? An album for the ages. But where is this album that they have been teasing us about for 3 years?
Now when you think of Kendrick and J. Cole as rappers by themselves, you know what you get from each for the most part. Two very good, lyrical rappers with distinctive voices, writing abilities, and mass appeal like Gang Starr. Both are huge deals in the main stream rap music media, reaching gold and platinum selling status on albums like "Good Kid Maad City," "Cole World: The Sideline Story," and "Born Sinner." Not only on albums, but singles for each artist hit gold and platinum status as well. For Cole some of these songs were "Work Out," "Crooked Smile," and "Power Trip." For Kendrick, "Poetic Justice" and "Swimming Pools" have gone gold and platinum, respectively.
Now there isn't much work the two have done together, but from what we have gotten from the two collaborating, it surely didn't disappoint. Cole has produced two songs for Kendrick, the first being a single from his "Section.80" album, "HiiiPoWeR." The second cut is "The Jig Is Up," which if you recall came out shortly after "Good Kid Maad City" dropped in 2012, and includes Kendrick name-dropping Shyne, mainly because of Shyne voicing his opinion on how much he didn't like Kendrick's album publicly. To return the favor, Kendrick has featured on Cole's latest album, "Born Sinner," specifically on the hook of the song "Forbidden Fruit." Just a couple of small teases of work from the two emcees, but are they hints at what's to come?
Fans of both can only hope so, although there hasn't been much talk of the project from either rapper since last year. Kendrick has stated in an interview that the project will have no release date, and will "drop out of the sky" when they see fit. I suppose this method will stop heart attacks everywhere, or at least limit them, but the day I get online and find out a J. Cole/Kendrick Lamar album has dropped? I'll need an inhaler, and I don't even have asthma! But regardless of my medical issues, the fans are ready for a J. Cole and Kendrick Lamar collaborative album. But is hip-hop ready?
The only real reasons for delays of the album (according to Cole) has been that both rappers have had their own projects to release and promote, Kendrick with "GKMC," and Cole with "Born Sinner." Cole has spoken on the album in early 2013, a few months before "Born Sinner" came out. He says the collaboration is "still happening," and speaks on the competitiveness between the two in the studio with writing verses and going back and forth; "it's mad competitive, there's pride to who has a better verse on each song, but we also wanna focus on making better songs." He also had this to say on the challenges of working with another rapper with different ideas on a project: "mentally it's hard because both artists at times can have their minds set on different stuff."
So hopefully the two wordsmiths can come together and make time for something bigger. Just the mere rumor of this possible collaboration has the hip hop world in a frenzy, although not since last year. The expectations for this project would be higher than Wiz Khalifa on a plane, but if they do focus on making quality songs and having their ideas come together as one, I'm sure they'll have no problem living up to them. Quality songs with a message and a great beat behind it are just a couple ways to make a song, but I'm sure if this project did happen we'd be seeing some good old fashion going back and forth with the lyrical, energetic, punch line filled brand of rap that these two can provide just as well as anyone in rap. Now us impatient, not-so-fond-of-games type of fans have to sit and play the waiting game. Hopefully you see the problem in this...
Now when you think of Kendrick and J. Cole as rappers by themselves, you know what you get from each for the most part. Two very good, lyrical rappers with distinctive voices, writing abilities, and mass appeal like Gang Starr. Both are huge deals in the main stream rap music media, reaching gold and platinum selling status on albums like "Good Kid Maad City," "Cole World: The Sideline Story," and "Born Sinner." Not only on albums, but singles for each artist hit gold and platinum status as well. For Cole some of these songs were "Work Out," "Crooked Smile," and "Power Trip." For Kendrick, "Poetic Justice" and "Swimming Pools" have gone gold and platinum, respectively.
Now there isn't much work the two have done together, but from what we have gotten from the two collaborating, it surely didn't disappoint. Cole has produced two songs for Kendrick, the first being a single from his "Section.80" album, "HiiiPoWeR." The second cut is "The Jig Is Up," which if you recall came out shortly after "Good Kid Maad City" dropped in 2012, and includes Kendrick name-dropping Shyne, mainly because of Shyne voicing his opinion on how much he didn't like Kendrick's album publicly. To return the favor, Kendrick has featured on Cole's latest album, "Born Sinner," specifically on the hook of the song "Forbidden Fruit." Just a couple of small teases of work from the two emcees, but are they hints at what's to come?
Fans of both can only hope so, although there hasn't been much talk of the project from either rapper since last year. Kendrick has stated in an interview that the project will have no release date, and will "drop out of the sky" when they see fit. I suppose this method will stop heart attacks everywhere, or at least limit them, but the day I get online and find out a J. Cole/Kendrick Lamar album has dropped? I'll need an inhaler, and I don't even have asthma! But regardless of my medical issues, the fans are ready for a J. Cole and Kendrick Lamar collaborative album. But is hip-hop ready?
The only real reasons for delays of the album (according to Cole) has been that both rappers have had their own projects to release and promote, Kendrick with "GKMC," and Cole with "Born Sinner." Cole has spoken on the album in early 2013, a few months before "Born Sinner" came out. He says the collaboration is "still happening," and speaks on the competitiveness between the two in the studio with writing verses and going back and forth; "it's mad competitive, there's pride to who has a better verse on each song, but we also wanna focus on making better songs." He also had this to say on the challenges of working with another rapper with different ideas on a project: "mentally it's hard because both artists at times can have their minds set on different stuff."
So hopefully the two wordsmiths can come together and make time for something bigger. Just the mere rumor of this possible collaboration has the hip hop world in a frenzy, although not since last year. The expectations for this project would be higher than Wiz Khalifa on a plane, but if they do focus on making quality songs and having their ideas come together as one, I'm sure they'll have no problem living up to them. Quality songs with a message and a great beat behind it are just a couple ways to make a song, but I'm sure if this project did happen we'd be seeing some good old fashion going back and forth with the lyrical, energetic, punch line filled brand of rap that these two can provide just as well as anyone in rap. Now us impatient, not-so-fond-of-games type of fans have to sit and play the waiting game. Hopefully you see the problem in this...
Wednesday, July 16, 2014
B.o.B's No Genre 2: Is this the B.o.B people want?
B.o.B started his career with incredible promise. Bringing in a sound like no one had heard before, the talent of a real musician and the writing skills to rap and hang with the best of them. His first album, the Adventures of Bobby Ray, brought in a lot of publicity for its music alone, but pulling an Eminem verse on your first album isn't exactly a bad thing either. Transitioning to his mix tapes, many would argue they are miles ahead of his album material. His albums have left a lot to be desired to this point, at least to fans of the the Adventures of Bobby Ray or the "Generation Lost" B.o.B. His mix tapes usually seem to contain a lot more of those fire verses and beats, as we know Bob is no slouch on the production side of things either. No Genre was arguably the best of all of his mix tapes. It's a bold move to follow it up, but No Genre 2 certainly brought us a new, yet familiar sounding B.o.B.
Now we've always known Bobby Ray to be that guy to sort of go against the grain, speaking out on issues of people, the world, and the people of the world rather comfortably. Songs like "Mission Statement" and "Many Rivers" are nice reminders of the old B.o.B, the one that spoke out against something he didn't like or something that wasn't right. This B.o.B I believe is the one people were looking for for quite some time, and you can definitely tell that even with the issues he's speaking on, he seems to be having fun making music.
The thing I find so interesting with Bob is his range. You can have fun listening to any of his songs, no matter the topic or the theme behind the song. The problem with his last mix tape, Fuck Em We Ball, seemed to be a surplus of party songs, but not many real thought provoking tracks. No Genre 2 certainly has a great mix of both. B.o.B shows us he still can make a banger or a nice party track when he wants to with songs like "Get Right," "Lambo," and "Drunk AF." The guitar being played throughout "Lambo" shows that he appreciates real musical instruments as he always has, as opposed to just the normal bass and synth heavy instrumental.
Bob's production really does shine throughout the tape as well. With great sampling on "Many Rivers," he puts nice 808s and drums behind a real jazzy sounding tune. My personal favorite track on the tape is "Swing My Way" featuring the beautiful R&B vocals of Sevyn Streeter. I haven't heard much of Sevyn before this song, but she certainly drew my attention with her smooth, dare I say Aaliyah like voice. Certainly catchy, just as much as his also self-produced "Follow Me," which also features more smooth guitar as B.o.B talks about more of the struggles, a lot of lying awake and getting no sleep, but learning to take things one day at a time. He certainly does encourage you to "follow" him down a path of what some call crazy, and others call greatness; but you can form your own opinion about it.
B.o.B's features can usually be a hit or miss on tracks it seems, on both his mix tapes and his albums. Sevyn Streeter provides a great hook for "Swing My Way," Mila J's vocals are used on "So What," while Victoria Monet's talents are used on "Lean On Me" and "The Nation." A great woman who can sing a nice hook has always been a weak spot for me, so maybe that's why I like these songs so much. As far as rap and feature verses go, Jake Lambo gives a couple of decent verses on the songs "The Nation" and "Lambo." Of course he had to be featured on "Lambo!" Would he really be Jake Lambo if he wasn't featured on a song called "Lambo?" This is another unanswered rap question I suppose. Anyways, seeing as its B.o.B, you know he had to pull a T.I. verse somewhere on this tape. "Chosen" is another great song and T.I. does exactly what Tip does on this one (wait, which is which?). The bottom line is that "Chosen" is a real nice trunk music type banger that puts B.o.B on a really catchy hook.
So are you not entertained? Is B.o.B finally doing right by his die hard fans? Being a fan of him since the "the Adventures of Bobby Ray" days, I'd like to believe that he is. Bob has always been arguably one of the most versatile rappers out there. With talk of rock albums, a history of singing, but also an ability to kill your favorite rapper on his own song, it seems B.o.B is doing whatever he chooses at this point in his career. You would be hard pressed to compare one B.o.B project to another, and this includes both his mix tapes and his albums. Too many people like to say that he "changed," or that he "sold out," and I used to be one of these people, but this project certainly turned me on to the perfect mix of the old B.o.B with the new. Is his music experimental? Some may call it that. I couldn't argue that it wasn't. Is B.o.B a musician trying to pose as a rapper? Of course not. B.o.B's roots come from rapping, but having the talent to play a nice piano or guitar riff doesn't hurt your range either. Does anybody really know what to call B.o.B anymore? They will call him what they will. But if you're being realistic about it all, all you can really say about him is that his artistry does not have a genre. No Genre, to be exact.
Now we've always known Bobby Ray to be that guy to sort of go against the grain, speaking out on issues of people, the world, and the people of the world rather comfortably. Songs like "Mission Statement" and "Many Rivers" are nice reminders of the old B.o.B, the one that spoke out against something he didn't like or something that wasn't right. This B.o.B I believe is the one people were looking for for quite some time, and you can definitely tell that even with the issues he's speaking on, he seems to be having fun making music.
The thing I find so interesting with Bob is his range. You can have fun listening to any of his songs, no matter the topic or the theme behind the song. The problem with his last mix tape, Fuck Em We Ball, seemed to be a surplus of party songs, but not many real thought provoking tracks. No Genre 2 certainly has a great mix of both. B.o.B shows us he still can make a banger or a nice party track when he wants to with songs like "Get Right," "Lambo," and "Drunk AF." The guitar being played throughout "Lambo" shows that he appreciates real musical instruments as he always has, as opposed to just the normal bass and synth heavy instrumental.
Bob's production really does shine throughout the tape as well. With great sampling on "Many Rivers," he puts nice 808s and drums behind a real jazzy sounding tune. My personal favorite track on the tape is "Swing My Way" featuring the beautiful R&B vocals of Sevyn Streeter. I haven't heard much of Sevyn before this song, but she certainly drew my attention with her smooth, dare I say Aaliyah like voice. Certainly catchy, just as much as his also self-produced "Follow Me," which also features more smooth guitar as B.o.B talks about more of the struggles, a lot of lying awake and getting no sleep, but learning to take things one day at a time. He certainly does encourage you to "follow" him down a path of what some call crazy, and others call greatness; but you can form your own opinion about it.
B.o.B's features can usually be a hit or miss on tracks it seems, on both his mix tapes and his albums. Sevyn Streeter provides a great hook for "Swing My Way," Mila J's vocals are used on "So What," while Victoria Monet's talents are used on "Lean On Me" and "The Nation." A great woman who can sing a nice hook has always been a weak spot for me, so maybe that's why I like these songs so much. As far as rap and feature verses go, Jake Lambo gives a couple of decent verses on the songs "The Nation" and "Lambo." Of course he had to be featured on "Lambo!" Would he really be Jake Lambo if he wasn't featured on a song called "Lambo?" This is another unanswered rap question I suppose. Anyways, seeing as its B.o.B, you know he had to pull a T.I. verse somewhere on this tape. "Chosen" is another great song and T.I. does exactly what Tip does on this one (wait, which is which?). The bottom line is that "Chosen" is a real nice trunk music type banger that puts B.o.B on a really catchy hook.
So are you not entertained? Is B.o.B finally doing right by his die hard fans? Being a fan of him since the "the Adventures of Bobby Ray" days, I'd like to believe that he is. Bob has always been arguably one of the most versatile rappers out there. With talk of rock albums, a history of singing, but also an ability to kill your favorite rapper on his own song, it seems B.o.B is doing whatever he chooses at this point in his career. You would be hard pressed to compare one B.o.B project to another, and this includes both his mix tapes and his albums. Too many people like to say that he "changed," or that he "sold out," and I used to be one of these people, but this project certainly turned me on to the perfect mix of the old B.o.B with the new. Is his music experimental? Some may call it that. I couldn't argue that it wasn't. Is B.o.B a musician trying to pose as a rapper? Of course not. B.o.B's roots come from rapping, but having the talent to play a nice piano or guitar riff doesn't hurt your range either. Does anybody really know what to call B.o.B anymore? They will call him what they will. But if you're being realistic about it all, all you can really say about him is that his artistry does not have a genre. No Genre, to be exact.
Sunday, July 13, 2014
Road To Total Slaughter: Episode 4 Recap
And now the moment of truth. With Total Slaughter nearing its close, each battler seemingly more annoyed with the others by the episode and the drama reaching a peak, you know it had to end some time. Normally I would be whining about not being able to see Total Slaughter the night of it airing, but I got the pleasure of actually having a Time Warner Cable connection at my disposal this past Wednesday night (thank you Lil B). Now to kick off the final episode recap of The Road Total Slaughter!
This episode starts off on a different note, but an interesting one at that with Dizaster singing in a room with Daylyt, Mook, and Joell Ortiz present. Mook and Ortiz are clearly impressed with his talent as they give him props for the quick ballad and Mook goes on to say that "nobody would expect that" out of him. And I certainly couldn't correct him when he said that. Diz goes on to say that he has always had interest in pursuing a musical career, but has been sidetracked on sticking with it because of battle rap. If my voice carried any weight, I certainly would encourage him to stick with this path as he clearly has talent not only in his lyrical miracle type of battle rap, but in his singing voice as well.
But this leads into one of the two final battles heading into the headlining event of Total Slaughter. The first battle up is T-Rex vs. Big-T; the battle of who would be the better T (better, not bigger, clearly Big T earned his name). This battle I had many questions for, especially after the battle, mostly stemming from why they would bring T-Rex in out of nowhere 1 episode in and just have him dominate everyone the way he has throughout the show? And when Mook says "may the Rex man, I mean, may the best man win." What is that? Why were they pulling for this guy throughout the entire show like they did? Personally I hated seeing it. I give respect where it is due, and Rex is one hell of a battle rapper, but why bring in a guy who no one has any clue about and have him dominate everybody? It almost ruins the competitive aspect of the show I think. It certainly added to the "expect the unexpected" aspect of the show, but watching it and not having a clue of who he was at first really threw off my focus from the other battlers. I like the unexpected a lot, especially in a show like this, but to bring him in with the timing they did, it didn't seem right to me.
Now aside from all the T-Rex hoopla (you can call it hate if you want, haters), we still had a whole second battle to deal with, and that battle was Dizaster vs. Daylyt. With all the drama surrounding these two, inside and outside of rap, how could this not be entertaining? Diz has come out saying if he didn't succeed he was going to quit rap for good, just recently the two had apparently gotten into a pretty big fist fight with each other before Total Slaughter aired (Google it, Twitter it, wherever you'll find it), and on top of that they're best friends? I didn't even know that until I watched this episode myself. This battle was nothing short of epic, very hard to pick a winner for anyone, although I had a winner in mind. No spoilers here except for the Cain and Able references for each? How did they even know to do that? Must of had discussions with each other beforehand. Regardless of all the chatter outside of the microphone, this battle was something to see.
And that does it for this recap of the final episode of 'The Road to Total Slaughter." Despite the downs and the negative attention it might have gotten, with the fights and egos colliding, all the way down to some contestants getting banned from battle rap circuits outside of Total Slaughter, most of the attention it got from people was very good. But you know what they say, any press is good press. Whoever those rap fans were that didn't know about battle rap before certainly know about it now, I know that was the case for me. As for the Total Slaughter event in NYC? Some disappointing news for Budden fans I hear. I haven't seen any of the footage yet, but I'll certainly be checking that out as soon as possible. All I can say is it sucks that it's over, but it's cool that it happened. I'll definitely be tuned in for next years edition, if they choose to continue it. Check out episode 4 in full below.
(*Disclaimer: I do not own this video or the rights to it*)
This episode starts off on a different note, but an interesting one at that with Dizaster singing in a room with Daylyt, Mook, and Joell Ortiz present. Mook and Ortiz are clearly impressed with his talent as they give him props for the quick ballad and Mook goes on to say that "nobody would expect that" out of him. And I certainly couldn't correct him when he said that. Diz goes on to say that he has always had interest in pursuing a musical career, but has been sidetracked on sticking with it because of battle rap. If my voice carried any weight, I certainly would encourage him to stick with this path as he clearly has talent not only in his lyrical miracle type of battle rap, but in his singing voice as well.
But this leads into one of the two final battles heading into the headlining event of Total Slaughter. The first battle up is T-Rex vs. Big-T; the battle of who would be the better T (better, not bigger, clearly Big T earned his name). This battle I had many questions for, especially after the battle, mostly stemming from why they would bring T-Rex in out of nowhere 1 episode in and just have him dominate everyone the way he has throughout the show? And when Mook says "may the Rex man, I mean, may the best man win." What is that? Why were they pulling for this guy throughout the entire show like they did? Personally I hated seeing it. I give respect where it is due, and Rex is one hell of a battle rapper, but why bring in a guy who no one has any clue about and have him dominate everybody? It almost ruins the competitive aspect of the show I think. It certainly added to the "expect the unexpected" aspect of the show, but watching it and not having a clue of who he was at first really threw off my focus from the other battlers. I like the unexpected a lot, especially in a show like this, but to bring him in with the timing they did, it didn't seem right to me.
Now aside from all the T-Rex hoopla (you can call it hate if you want, haters), we still had a whole second battle to deal with, and that battle was Dizaster vs. Daylyt. With all the drama surrounding these two, inside and outside of rap, how could this not be entertaining? Diz has come out saying if he didn't succeed he was going to quit rap for good, just recently the two had apparently gotten into a pretty big fist fight with each other before Total Slaughter aired (Google it, Twitter it, wherever you'll find it), and on top of that they're best friends? I didn't even know that until I watched this episode myself. This battle was nothing short of epic, very hard to pick a winner for anyone, although I had a winner in mind. No spoilers here except for the Cain and Able references for each? How did they even know to do that? Must of had discussions with each other beforehand. Regardless of all the chatter outside of the microphone, this battle was something to see.
And that does it for this recap of the final episode of 'The Road to Total Slaughter." Despite the downs and the negative attention it might have gotten, with the fights and egos colliding, all the way down to some contestants getting banned from battle rap circuits outside of Total Slaughter, most of the attention it got from people was very good. But you know what they say, any press is good press. Whoever those rap fans were that didn't know about battle rap before certainly know about it now, I know that was the case for me. As for the Total Slaughter event in NYC? Some disappointing news for Budden fans I hear. I haven't seen any of the footage yet, but I'll certainly be checking that out as soon as possible. All I can say is it sucks that it's over, but it's cool that it happened. I'll definitely be tuned in for next years edition, if they choose to continue it. Check out episode 4 in full below.
(*Disclaimer: I do not own this video or the rights to it*)
Monday, July 7, 2014
Road To Total Slaughter: Episode 3 Recap
The Road To Total Slaughter is just about wrapped up fellow hip hop heads, how will you manage without it? No really though, welcome to the official recap of episode 3 courtesy of yours truly. I'm not entirely sure what makes it the "official" recap, but saying it just made it sound that much cooler. Now I know you're dying to know if Arsonal had anything else to say about Joe's downright awful ruling of his and Daylyt's battle the last time out, so let's see what went down in episode 3.
With what seemed like a less drama filled episode at least in the beginning, this one starts out with the usual confidence of this week's contestants, Big T and Aye Verb, going back and forth telling each other that they are indeed not ready to battle one another. Big T goes on to say that his confidence comes from a different perspective, part of it knowing that rappers are not really about the life they rap about (who knew?). Big T goes on to discuss his getting shot, followed by driving himself to the hospital after getting shot. Needless to say, Big T is not too worried about what Verb, or really any rapper has to say in their raps. That's really about it for this one, don't worry folks, no spoilers for this battle, although I will say who I thought would win, did end up winning.
Now the next battle I will always question, only due to the fact that one of the battlers was a late entry, but another good one nonetheless. That battle was Marv Won vs. T-Rex. Much speculation in the house was that Marv Won had the upper hand because of his experience battling Eminem as an extra scene as part of one of the 8 Mile extra battles. Battling Eminem is certainly a great thing to have on your resume, but T-Rex is certainly no slouch either, as he proved when he quite literally kicked Cortez to the battle rap casting couch in his first battle. I will say that this battle probably wasn't quite as close as the Big T and Aye Verb match up.
After the battles, obviously 4 battlers are left in the Road to Total Slaughter tournament. The 2 losers of these battles (of whom I won't say lost) are left with a salty taste in their mouths, and it is definitely made known that their performances weren't at their highest levels. This discussion between all of the battlers is had in the car (I'm assuming on the way back to the house), where everyone decides that it just isn't right that the losers had to go out the way that they did. So one thing leads to another, and before you know it every battler, whether still in the tournament or not, is back at the house free styling to one another, some going straight off the head, some using material from earlier battles. This is actually quite a sight to see as everyone in the house gets some laughs off and it is clear that some stress had been relived during this process.
Say what you want about the results, at the end of this episode it is made very clear why every one of these battlers was chosen to be a part of The Road To Total Slaughter. True skill is shown by everyone who jumped in, and the best part about it was that you could tell no matter what the results of the tournament were, no matter how serious the competition got or will get, the battlers were having fun with it. After all, if you aren't having fun with it, why are you doing it anyways? At least that's how I view it. Anyways, another late post courtesy of that salty guy who wanted to see The Road To Total Slaughter when it aired on TV but didn't have Time Warner Cable. No, I will never get over this, don't ask me. Check out episode 3 below.
With what seemed like a less drama filled episode at least in the beginning, this one starts out with the usual confidence of this week's contestants, Big T and Aye Verb, going back and forth telling each other that they are indeed not ready to battle one another. Big T goes on to say that his confidence comes from a different perspective, part of it knowing that rappers are not really about the life they rap about (who knew?). Big T goes on to discuss his getting shot, followed by driving himself to the hospital after getting shot. Needless to say, Big T is not too worried about what Verb, or really any rapper has to say in their raps. That's really about it for this one, don't worry folks, no spoilers for this battle, although I will say who I thought would win, did end up winning.
Now the next battle I will always question, only due to the fact that one of the battlers was a late entry, but another good one nonetheless. That battle was Marv Won vs. T-Rex. Much speculation in the house was that Marv Won had the upper hand because of his experience battling Eminem as an extra scene as part of one of the 8 Mile extra battles. Battling Eminem is certainly a great thing to have on your resume, but T-Rex is certainly no slouch either, as he proved when he quite literally kicked Cortez to the battle rap casting couch in his first battle. I will say that this battle probably wasn't quite as close as the Big T and Aye Verb match up.
After the battles, obviously 4 battlers are left in the Road to Total Slaughter tournament. The 2 losers of these battles (of whom I won't say lost) are left with a salty taste in their mouths, and it is definitely made known that their performances weren't at their highest levels. This discussion between all of the battlers is had in the car (I'm assuming on the way back to the house), where everyone decides that it just isn't right that the losers had to go out the way that they did. So one thing leads to another, and before you know it every battler, whether still in the tournament or not, is back at the house free styling to one another, some going straight off the head, some using material from earlier battles. This is actually quite a sight to see as everyone in the house gets some laughs off and it is clear that some stress had been relived during this process.
Say what you want about the results, at the end of this episode it is made very clear why every one of these battlers was chosen to be a part of The Road To Total Slaughter. True skill is shown by everyone who jumped in, and the best part about it was that you could tell no matter what the results of the tournament were, no matter how serious the competition got or will get, the battlers were having fun with it. After all, if you aren't having fun with it, why are you doing it anyways? At least that's how I view it. Anyways, another late post courtesy of that salty guy who wanted to see The Road To Total Slaughter when it aired on TV but didn't have Time Warner Cable. No, I will never get over this, don't ask me. Check out episode 3 below.
(*Disclaimer: I do not own this video or the rights to it*)
Friday, July 4, 2014
Detroit vs. Everybody: Is Revenge A Bad Move?
Detroit is a city that people travel to with caution. Not only celebrities, but every day civilians certainly stay alert and keep an eye out as well. Detroit has always been known as a city to demand its respect, and take it from people when its not given to them. The motor city has bred its fair share of established artists, whether hip hop or any other genre such as Eminem, Royce Da 5'9, Big Sean, and many more. It seems Rick Ross hasn't earned the respect of the city yet, but is it possible that one song could make the city act as brash as it has been acting?
In case you haven't heard, Rick Ross was turned away from HIS OWN concert recently in Detroit. Supposedly, Ross shows up to a crowd of over 100 Detroit residents standing outside of the venue blocking his entrance. Ross had this to say on twitter about the matter: "Luv #Detroit I wuz ready to killm 2nite, heard it wuz a peace protest wit picket signs and locked gates haa." Doesn't seem to be a very disappointed man to me, but you have to question if he had already gotten paid before the actual concert occurred. It's a win/win situation if he does, not only getting paid but not having to worry about jumping around and saving your energy for a whole performance (just kidding about the jumping around part, come on, it's Rick Ross).
But I believe there is definitely more to this, if you've seen any more extended news on this, another fellow Detroit rapper Trick Trick has made a song called "No Fly Zone" featuring Royce Da 5'9. This song basically states the anger Detroit and its artists have towards artists from other areas who have not given Detroit the respect they feel it deserves. So what does this mean for the city? What does this mean for other big time rappers? I question this method. If you aren't making your city available or welcome to artists originating from other areas, how do you expect to get positive recognition or better the city?
This whole situation confuses me simply due to the fact that Big Sean, a known Detroit resident and representative of Detroit rap, has collaborated with Ross multiple times on his own and Ross' songs. Big Sean has also been called out on his collaborations though, most recently by Royce Da 5'9 for not calling him or showing him any love on guest verses, as Royce says in one of his latest songs "Keep It 100" off of Slaughterhouse's "House Rules" mix tape. So maybe its safe to say Sean is doing his own thing.
I've also wondered what Eminem has to do with this whole situation or if he has any say in it. We all know he is a known affiliate of Royce Da 5'9, most notably from their rap duo Bad Meets Evil. And I hope I wouldn't have to say Eminem is rather fond of Detroit. Anyways, its not in Eminem's nature to not be involved in something that includes Detroit, or really any sort of beef or diss records. Eminem built his reputation on hard hitting diss songs, but has he grown out of making them? Or does he really just not want to be associated with the Ross incident? Your guess is as good as mine.
Eminem or not, it seems Detroit is still laying down the law with this "No Fly Zone" policy. Trick Trick had this to say on the incident involving Ross: "All I did was teach brothers how to stand for something without being violent. What's the problem with that? Nobody got arrested, no bloodshed, nothing wrong happened other than some people getting disappointed in not seeing what they wanted to see. For that, I apologize. But me and that man's business, is me and that man's business."
So hopefully this doesn't turn into anything bigger than what it is. Beef in hip hop has always existed, we can go back to east coast vs. west coast, Tupac vs. Biggie in that matter, but we all know how that ended. Beef can be entertaining yes, and get loads of media coverage and recognition, but Detroit is already known too well for its problems. In the long run, Detroit bettering itself and making its city available for more collaborations and things involving the community is what's going to bring this city up to its pinnacle. Its not only the artists job, but the residents, and the fans job as well to focus on the positive, and take away the possibility of any negativity directed toward it. So its safe to say we all have things we can improve on. It doesn't take being Tupac to attempt to better your area yourself, and once we realize this, we're all in for a better tomorrow.
In case you haven't heard, Rick Ross was turned away from HIS OWN concert recently in Detroit. Supposedly, Ross shows up to a crowd of over 100 Detroit residents standing outside of the venue blocking his entrance. Ross had this to say on twitter about the matter: "Luv #Detroit I wuz ready to killm 2nite, heard it wuz a peace protest wit picket signs and locked gates haa." Doesn't seem to be a very disappointed man to me, but you have to question if he had already gotten paid before the actual concert occurred. It's a win/win situation if he does, not only getting paid but not having to worry about jumping around and saving your energy for a whole performance (just kidding about the jumping around part, come on, it's Rick Ross).
But I believe there is definitely more to this, if you've seen any more extended news on this, another fellow Detroit rapper Trick Trick has made a song called "No Fly Zone" featuring Royce Da 5'9. This song basically states the anger Detroit and its artists have towards artists from other areas who have not given Detroit the respect they feel it deserves. So what does this mean for the city? What does this mean for other big time rappers? I question this method. If you aren't making your city available or welcome to artists originating from other areas, how do you expect to get positive recognition or better the city?
This whole situation confuses me simply due to the fact that Big Sean, a known Detroit resident and representative of Detroit rap, has collaborated with Ross multiple times on his own and Ross' songs. Big Sean has also been called out on his collaborations though, most recently by Royce Da 5'9 for not calling him or showing him any love on guest verses, as Royce says in one of his latest songs "Keep It 100" off of Slaughterhouse's "House Rules" mix tape. So maybe its safe to say Sean is doing his own thing.
I've also wondered what Eminem has to do with this whole situation or if he has any say in it. We all know he is a known affiliate of Royce Da 5'9, most notably from their rap duo Bad Meets Evil. And I hope I wouldn't have to say Eminem is rather fond of Detroit. Anyways, its not in Eminem's nature to not be involved in something that includes Detroit, or really any sort of beef or diss records. Eminem built his reputation on hard hitting diss songs, but has he grown out of making them? Or does he really just not want to be associated with the Ross incident? Your guess is as good as mine.
Eminem or not, it seems Detroit is still laying down the law with this "No Fly Zone" policy. Trick Trick had this to say on the incident involving Ross: "All I did was teach brothers how to stand for something without being violent. What's the problem with that? Nobody got arrested, no bloodshed, nothing wrong happened other than some people getting disappointed in not seeing what they wanted to see. For that, I apologize. But me and that man's business, is me and that man's business."
So hopefully this doesn't turn into anything bigger than what it is. Beef in hip hop has always existed, we can go back to east coast vs. west coast, Tupac vs. Biggie in that matter, but we all know how that ended. Beef can be entertaining yes, and get loads of media coverage and recognition, but Detroit is already known too well for its problems. In the long run, Detroit bettering itself and making its city available for more collaborations and things involving the community is what's going to bring this city up to its pinnacle. Its not only the artists job, but the residents, and the fans job as well to focus on the positive, and take away the possibility of any negativity directed toward it. So its safe to say we all have things we can improve on. It doesn't take being Tupac to attempt to better your area yourself, and once we realize this, we're all in for a better tomorrow.
Tuesday, July 1, 2014
Road To Total Slaughter: Episode 2 Recap
Welcome back to another recap of The Road To Total Slaughter. For those of you who don't have Time Warner cable, or any sort of connection at all, know that I'm here for you. But seeing as you'd have to have a connection to see this anyways, maybe I'm not as much help as I'd like to think I was. But that's not the point, the point here is to recap the second episode of The Road To Total Slaughter! Many questions were left unanswered in the last episode, like is it possible for Daylyt to piss anyone else off? Did more egos collide? DO ANY MORE PEOPLE CARE ABOUT BATTLE RAP YET? Hopefully so, but we'll get into that right now.
Episode 2 begins with the battle coaches, Murda Mook and Loaded Lux, bringing out the big board, showing the contestants the bracket of the tournament match ups. The winner of this tournament gets the chance to make it to the Total Slaughter stage in New York. Today's match ups include Math Hoffa vs. Dizaster and Arsonal vs. Daylyt. Right off the bat, Dizaster makes it known that he's not as prepared as he believes the other contestants to be, but sending a direct message to Math, he sweats it little to none at all and shows all the confidence in the world going against Math unprepared.
Math Hoffa on the other hand gets pulled aside by legendary DJ Kay Slay, who really does sort of a check in with Math to see how he is feeling after getting banned from URL (Ultimate Rap League) for punching fellow battle rapper Serious Jones in the face during their battle. You can tell by the way Math is moving and talking about it that he's still hurt by it, and Kay Slay tells Hoffa to come forward and be a man about it and to apologize to Serious Jones for his action. Kay Slay continues on to say at the end of the day, Hoffa is still a man and he is responsible for his actions.
But before you know it, the first battle kicks off in rather spectacular fashion. Unlike any other battle rap league, Total Slaughter's tournament is set to 1 round for each battler, who get 1 minute and 30 seconds each to spit their verses, whereas in other leagues the norm is 3 rounds to about the same time on the clock. Now I won't spoil the match for people who want to watch, all I will say is in the beginning it is evident that there could be some bad blood between the two battlers as Dizaster hits the coin out of the air during the coin flip to decide who goes first. The tactics used by every battler are different, but very effective and may be visible throughout the series if you pay attention to them.
Now the second battle is personally one I was looking to be one of the best of the entire tournament, no matter what is still to come. That battle is Arsonal vs. Daylyt. I'll try to put it without spoiler alerts, but that may be hard. But both of these guys have bars for days (as Arsonal says, you can't spell bars without ars, which is true in a way I suppose), and both bring tons of energy to the stage in only a way the 2 of them could. Both bring a very unique flow and a sort of aura to the stage that makes them different from the rest.
But here's where the spoilers may take place. Before the battle, Arsonal talks about how he isn't sure how the judging would rule in his favor, because him and Joe Budden had a brief beef (say that 5x fast) where the 2 went back and forth. Only a song each for both emcees, Budden putting out a song called "Spring Training," mentioning Arsonal multiple times by name on the song. Arsonal says he was flattered by it in a way, I mean how often do you have Joe Budden diss you on his song, but being the true competitive emcee that he is, Arsonal fired back with his own song "Spring Cleaning," where Arsonal says he was "antagonizing and hurting that mans feelings." Because of this, Arsonal feels the battle might have been shifted in Daylyt's favor. Needless to say, Daylyt wins this battle, but by a split hair it seems.
Sorry for the spoiler, but I have to give my input. I believe Arsonal won this battle, it was an extremely close match-up, and Daylyt even says so in the interview after the battle. He basically says "there was a slip up or 2 by Ars, and although they were small, they worked out to my advantage." In my eyes, Arsonal brought not only better lines with a more effective crowd reaction, but he brought the energy as well, although his energy is always there. His in your face style is his trademark, but I believe confidence and how you come off rhyming is definitely a key factor in how successful you are with your delivery, and in this battle Arsonal's energy overpowered Daylyt's.
But there it is, I normally don't like to be that guy to spoil things, but it was kind of hard not too in this situation. I have a right to do it now anyways, because whoever has Time Warner Cable practically has no excuse, at least to me. Yes I may still be salty about not being able to see it on the regular Wednesday nights like the lucky people, but that's not the point. What's in store for next week? It's hard to tell right now, more battles and attitudes brewing, seems to me it's only a matter of time before they boil over. Will Arsonal confront Joe about his feelings on if their beef affected the outcome of his battle? We'll find out next week I suppose (or at least I will, you guys will find out before then, rub it in why don't you). Anyways, I should go before I start rambling. If you haven't already seen episode 2, check it out below, and stay tuned for episode 3 and a review next week.
Episode 2 begins with the battle coaches, Murda Mook and Loaded Lux, bringing out the big board, showing the contestants the bracket of the tournament match ups. The winner of this tournament gets the chance to make it to the Total Slaughter stage in New York. Today's match ups include Math Hoffa vs. Dizaster and Arsonal vs. Daylyt. Right off the bat, Dizaster makes it known that he's not as prepared as he believes the other contestants to be, but sending a direct message to Math, he sweats it little to none at all and shows all the confidence in the world going against Math unprepared.
Math Hoffa on the other hand gets pulled aside by legendary DJ Kay Slay, who really does sort of a check in with Math to see how he is feeling after getting banned from URL (Ultimate Rap League) for punching fellow battle rapper Serious Jones in the face during their battle. You can tell by the way Math is moving and talking about it that he's still hurt by it, and Kay Slay tells Hoffa to come forward and be a man about it and to apologize to Serious Jones for his action. Kay Slay continues on to say at the end of the day, Hoffa is still a man and he is responsible for his actions.
But before you know it, the first battle kicks off in rather spectacular fashion. Unlike any other battle rap league, Total Slaughter's tournament is set to 1 round for each battler, who get 1 minute and 30 seconds each to spit their verses, whereas in other leagues the norm is 3 rounds to about the same time on the clock. Now I won't spoil the match for people who want to watch, all I will say is in the beginning it is evident that there could be some bad blood between the two battlers as Dizaster hits the coin out of the air during the coin flip to decide who goes first. The tactics used by every battler are different, but very effective and may be visible throughout the series if you pay attention to them.
Now the second battle is personally one I was looking to be one of the best of the entire tournament, no matter what is still to come. That battle is Arsonal vs. Daylyt. I'll try to put it without spoiler alerts, but that may be hard. But both of these guys have bars for days (as Arsonal says, you can't spell bars without ars, which is true in a way I suppose), and both bring tons of energy to the stage in only a way the 2 of them could. Both bring a very unique flow and a sort of aura to the stage that makes them different from the rest.
But here's where the spoilers may take place. Before the battle, Arsonal talks about how he isn't sure how the judging would rule in his favor, because him and Joe Budden had a brief beef (say that 5x fast) where the 2 went back and forth. Only a song each for both emcees, Budden putting out a song called "Spring Training," mentioning Arsonal multiple times by name on the song. Arsonal says he was flattered by it in a way, I mean how often do you have Joe Budden diss you on his song, but being the true competitive emcee that he is, Arsonal fired back with his own song "Spring Cleaning," where Arsonal says he was "antagonizing and hurting that mans feelings." Because of this, Arsonal feels the battle might have been shifted in Daylyt's favor. Needless to say, Daylyt wins this battle, but by a split hair it seems.
Sorry for the spoiler, but I have to give my input. I believe Arsonal won this battle, it was an extremely close match-up, and Daylyt even says so in the interview after the battle. He basically says "there was a slip up or 2 by Ars, and although they were small, they worked out to my advantage." In my eyes, Arsonal brought not only better lines with a more effective crowd reaction, but he brought the energy as well, although his energy is always there. His in your face style is his trademark, but I believe confidence and how you come off rhyming is definitely a key factor in how successful you are with your delivery, and in this battle Arsonal's energy overpowered Daylyt's.
But there it is, I normally don't like to be that guy to spoil things, but it was kind of hard not too in this situation. I have a right to do it now anyways, because whoever has Time Warner Cable practically has no excuse, at least to me. Yes I may still be salty about not being able to see it on the regular Wednesday nights like the lucky people, but that's not the point. What's in store for next week? It's hard to tell right now, more battles and attitudes brewing, seems to me it's only a matter of time before they boil over. Will Arsonal confront Joe about his feelings on if their beef affected the outcome of his battle? We'll find out next week I suppose (or at least I will, you guys will find out before then, rub it in why don't you). Anyways, I should go before I start rambling. If you haven't already seen episode 2, check it out below, and stay tuned for episode 3 and a review next week.
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