"Let it rock, let it rock, LET IT ROCK!!!" This was one of the JAMS of 2008 (yes 2008, it's been that long), and I just bugged out remembering that this song actually existed. Bugging out being a good and bad thing; good thing because Kevin Rudolf was admittedly a guilty pleasure artist back in the day who bended the genre with his heavy guitar influenced music which included some huge rap features, but bad because PEOPLE ACTUALLY LISTENED TO THIS BACK THEN!
Kevin Rudolph didn't have the longest tenure in music (and to be honest I'm unsure if he still makes music), but the time he spent on top was time that people enjoyed. I was just leaving middle school going into high school when "Let It Rock" dropped, and you couldn't pass a hang out spot without an iPod blaring some "Let It Rock", or having Mr. Rudolph "welcome you to the world"! Rudolph gave a crisp new rock feel to an already rising popular hip hop genre, and boasting this new blended genre were big names like Lil Wayne, Rick Ross, and even Nas jumped on a song on Rudolph's 2008 (pretty sure it's his debut) album In The City.
But is it bad that people listened to this back then? Obviously hindsight is 20/20, so if you listened to Rudolph back then, would you use the excuse that "everybody was listening to it"? Does a "hip hop head" lose their credibility if they bump some Kevin Rudolph? HELL no. "Guilty pleasure music" shouldn't be a thing that exists, because if you liked listening to this music back then, then you don't have to explain shit. So shut up, quit thinking so much about it, and sit back and bump you some (for my era) classic Kevin Rudolph, included are 2 of his biggest hits below.
(*I do not own either one of these songs/videos, or the rights to them*)
Showing posts with label Rick Ross. Show all posts
Showing posts with label Rick Ross. Show all posts
Thursday, February 4, 2016
Monday, November 23, 2015
Rick Ross Says He's One Of The Biggest Ghostwriters In Rap
Oh the irony; Rick Ross came out in an interview with Time magazine recently and discussed his newest album Black Market (set for release on December 4th) and also said something else that definitely sparked some interest. Ross came out to say that he is "one of the biggest ghost writers in the rap game. Check out some quotes from his Time interview below.
How did your time in the headlines shape the direction of the album?
It most definitely made it a more personal record, it made it a more—I don’t want to use the word serious, but more a topic-driven record. I had a lot of time to just sit by myself, so I had a lot more things I wanted to address. That’s what I did on this LP. I spoke on different things. One of them goes by the name of “Ghostwriter.” I finally wrote a record telling the way it feels for me to be a ghostwriter, and not only a ghostwriter, but one of the biggest in the rap game. Because of my own personal success I’ve always been able to keep that in the shadows. On this record, I just felt it was so current. It was needed.
Ross then got asked about the Meek and Drake beef and what ghostwriting means in hip hop.
Ghostwriting was a big topic this year with the feud between Drake and Meek Mill. Do you think that having someone write rhymes for you is necessarily at odds with being an authentic artist?
It depends on really the point you’re looking at. If you’re a battle rapper on the block, the emcee battle challenger, not writing your rhymes could really hurt you. When you’re an artist where maybe the focus is really the talent and the different things you bring to the game, I believe it’s more understandable. Someone who may have another vision or just ideas that are priceless versus someone who’s like, “I’m basing my entire career off the words I’m finna tell you right now over this 30-second period.” I’m not speaking to anybody in particular, but let’s say for instance if you was DMX and had a ghostwriter, it’d maybe change the [perception] versus if you was will.i.am. I think that’s more about the music, the records.
I know I'm not the only one who thinks it's ironic that Ross is suddenly making a claim that he is "one of the biggest ghostwriters in rap" all of a sudden, but his claims do make the question inevitable; Does having a ghostwriter lower your value and authenticity as a rapper? I believe it does, although Ross does have a point that there is a difference when it comes to artistry, and then as a battle rapper (where you're supposed to "earn your keep" as an emcee who writes his own rhymes). It'll be interesting to see what Ross has to say on his "Ghost Writer" track on his upcoming album Black Market, set for release on December 4th.
How did your time in the headlines shape the direction of the album?
It most definitely made it a more personal record, it made it a more—I don’t want to use the word serious, but more a topic-driven record. I had a lot of time to just sit by myself, so I had a lot more things I wanted to address. That’s what I did on this LP. I spoke on different things. One of them goes by the name of “Ghostwriter.” I finally wrote a record telling the way it feels for me to be a ghostwriter, and not only a ghostwriter, but one of the biggest in the rap game. Because of my own personal success I’ve always been able to keep that in the shadows. On this record, I just felt it was so current. It was needed.
Ross then got asked about the Meek and Drake beef and what ghostwriting means in hip hop.
Ghostwriting was a big topic this year with the feud between Drake and Meek Mill. Do you think that having someone write rhymes for you is necessarily at odds with being an authentic artist?
It depends on really the point you’re looking at. If you’re a battle rapper on the block, the emcee battle challenger, not writing your rhymes could really hurt you. When you’re an artist where maybe the focus is really the talent and the different things you bring to the game, I believe it’s more understandable. Someone who may have another vision or just ideas that are priceless versus someone who’s like, “I’m basing my entire career off the words I’m finna tell you right now over this 30-second period.” I’m not speaking to anybody in particular, but let’s say for instance if you was DMX and had a ghostwriter, it’d maybe change the [perception] versus if you was will.i.am. I think that’s more about the music, the records.
I know I'm not the only one who thinks it's ironic that Ross is suddenly making a claim that he is "one of the biggest ghostwriters in rap" all of a sudden, but his claims do make the question inevitable; Does having a ghostwriter lower your value and authenticity as a rapper? I believe it does, although Ross does have a point that there is a difference when it comes to artistry, and then as a battle rapper (where you're supposed to "earn your keep" as an emcee who writes his own rhymes). It'll be interesting to see what Ross has to say on his "Ghost Writer" track on his upcoming album Black Market, set for release on December 4th.
Wednesday, October 21, 2015
Hey Meek... You Might Want To Stay Off of Social Media For Awhile (Wale interview, Meek instagram post)
Meek Mill and Wale make news again... and not in a good way (surprise!). Meek took to Instagram today to fire back at Wale for some comments he made in an interview with Power 105.1 about MMG and Meek, and Wale was not bashful speaking about the very much publicized (and meme'd) beef between Drake and Meek Mill. Here's what Wale had to say;
“I honestly feel like [Meek] brought a pencil to a gun fight," said Wale. "You can’t compete with somebody who has those types of relationship. I’m telling everyone who thought Meek lost just off the strength of losing, it doesn’t matter what he made, he could have made ‘Ether 3.0’, the opinions of the people would have been that of the kid from Toronto waxed him. Drake went to Apple and my man went to Funk Flex–and there’s nothing wrong with Flex–but we talking about Apple, breh.”
Interesting comments, they seem honest enough, especially considering all the flack Meek has gotten during the Drake beef drama (all the diamond, and now pencil emoji's fans/trolls have littered Meek's Instagram posts with), though Meek took these comments to heart and started spewing off of the dome (which is probably how he got himself into all of this so called "beef" in the first place). Meek's response to Wale's comments can be seen below;
"U not MMG NOMORE! This why u can't get my number you a hoe! ???? and u dead cracked right now @wale foh nuttttt! I wasn't even mad at you Fam u got some real issues with yaself and you jealous! Broke rapper! I don't speak on Mmg in interviews unless it's good! U a clown ... We don't wanna hear you nomore Fam! Go jump off a roof like u been tryna do chump! He not MMG IM MAKING THAT CALL ... He been tryna call me saying Rozay owe us money... He don't owe me shit and if he do I'll get it later .... Go that away!"
So... I guess you could say they're working it out. Naw... probably not. Wale's original interview with Power 105.1 can be seen below.
(*I do not own this video, or the rights to it*)
“I honestly feel like [Meek] brought a pencil to a gun fight," said Wale. "You can’t compete with somebody who has those types of relationship. I’m telling everyone who thought Meek lost just off the strength of losing, it doesn’t matter what he made, he could have made ‘Ether 3.0’, the opinions of the people would have been that of the kid from Toronto waxed him. Drake went to Apple and my man went to Funk Flex–and there’s nothing wrong with Flex–but we talking about Apple, breh.”
Interesting comments, they seem honest enough, especially considering all the flack Meek has gotten during the Drake beef drama (all the diamond, and now pencil emoji's fans/trolls have littered Meek's Instagram posts with), though Meek took these comments to heart and started spewing off of the dome (which is probably how he got himself into all of this so called "beef" in the first place). Meek's response to Wale's comments can be seen below;
"U not MMG NOMORE! This why u can't get my number you a hoe! ???? and u dead cracked right now @wale foh nuttttt! I wasn't even mad at you Fam u got some real issues with yaself and you jealous! Broke rapper! I don't speak on Mmg in interviews unless it's good! U a clown ... We don't wanna hear you nomore Fam! Go jump off a roof like u been tryna do chump! He not MMG IM MAKING THAT CALL ... He been tryna call me saying Rozay owe us money... He don't owe me shit and if he do I'll get it later .... Go that away!"
So... I guess you could say they're working it out. Naw... probably not. Wale's original interview with Power 105.1 can be seen below.
Monday, January 12, 2015
Who's On Your Rap Label? (A Point System Game)
I have a dream... well, I constantly have daydreams of what my perfect rap label would be like (if you were expecting some inspirational MLK shit there, sorry if I disappointed). There are literally so many rappers with so many different types of skills that it's insane to think about what they could all do together (or with different collaborators, you remember my "who are your dream collaborations" article awhile back? this is almost of the same vein). Too many times have I thought about how limited some of my favorite rappers are because of their label, or because of whose in their circle, or even because of who they frequently collaborate with. You never know what could have happened with some artists if their career paths may have went differently, or if they do in the near future (butterfly effects aside). This post is for those like me that think (probably waaay too much) about how things could be if they were different. All I want to know is this: who's on your rap label?
Now before we start the game I have to lay down some guidelines: first up is the point system. I tried to make it as simple as possible in terms of what rankings each rapper got, the best rappers get a 5 point ranking while the worst get a 1, and so on. A 5 point ranked rapper is what you would want to lead your label: in terms of selling records and being the fan favorite, this is your go to artist. A 1 point artist isn't necessarily just a label filler, they could be whatever you want them to be, it is YOUR label after all, although to make it challenging I have given each label a 12 point limit per label, though there is no limit to how many rappers/artists are on your label.
Next up are the label tags (or in NFL terms, the "franchise" tags). These tags basically define what each rapper is and how the public sees them (or at least how I see them, you may see them differently, all I ask is that you follow the guidelines). Some rappers/artists will get tags that others won't because it is all based on how unique that rapper/artist is musically, but these tags include; Chart Topper (CT), Lyrical Miracle (LM), Fan Favorite (FF), New Artist (NA), Party Music (PM), Thought Provoking (TP), Story Teller (ST) and Original Gangsta (OG). The only guidelines I have for the tags is that every label have at least 1 Chart Topper (CT), 1 New Artist (NA), and one Original Gangsta (OG). Every other artist is up to you, there is no limit to how many of each.
The last rule is that there are to be no label heads involved on your label, obviously because you would be taking their place. So this means Eminem, Jay Z, Nas, Diddy, Lil Wayne, Dr. Dre, Kanye West, T.I., Rick Ross and Birdman will not make the list. The rest of the rappers, however, are all fair game. I only define label heads as the MAJOR labels (Shady Records, Young Money, Cash Money, GOOD Music, Roc Nation, Mass Appeal, Grand Hustle, Bad Boy, Maybach Music Group), so labels like Drake's OVO and B.o.B's No Genre would not make this list. Whatever you believe the guidelines should be, they have been set and to play the game you must follow them (it's supposed to be a fun challenge as well, I hope to readers follow the guidelines and play the game fairly). Anyways, below is a list of most every rapper that qualifies to make the list, along with their tags and point totals next to them.
5 Points 4 Points
Kendrick Lamar (ST)(CT)(LM)(TP) Logic (ST)(FF)(TP)(LM)(NA)
J. Cole (ST)(CT)(LM)(TP) Lupe Fiasco (TP)(LM)(FF)
Mac Miller (FF)(TP)(PM)(LM) Big Sean (PM)(LM)
Tyler The Creator (LM)(PM)(FF) Meek Mill (PM)(LM)
Drake (ST)(PM)(FF)(CT) Young Jeezy (OG)(ST)(CT)(PM)
Nicki Minaj (LM)(FF)(CT) Fabolous (OG)(FF)(PM)(TP)
Big K.R.I.T (FF)(PM)(TP) A$AP Rocky (FF)(PM)
Slaughterhouse (LM)(FF) Schoolboy Q (PM)(FF)
Ab-Soul (FF)(TP)(LM)
Common (OG)(ST)(TP)
50 Cent (OG)(PM)(FF)(CT)
Pusha T (LM)(PM)(TP)
3 Points 2 Points
Andre 3000 (OG)(ST)(LM)(FF)(TP) Joe Budden (ST)(FF)(LM)(TP)
Big Boi (OG)(PM)(FF) Crooked I (LM)(TP)(FF)
Bun B (OG)(PM)(LM) Royce Da 5'9 (LM)(TP)(FF)
Dizzy Wright (NA)(PM) Joell Ortiz (LM)(TP)(FF)
Yelawolf (ST)(LM)(TP)(PM) Nipsey Hussle (PM)
Tech N9ne (LM)(FF) 2 Chainz (PM)(FF)
Ludacris (OG)(PM)(FF) Rittz (ST)(TP)(LM)(PM)(FF)
Earl Sweatshirt (LM)(PM)(FF) Cyhi The Prynce (TP)(LM)(NA)
Wiz Khalifa (PM) Mick Jenkins (NA)(PM)(TP)
B.o.B (LM)(PM)(TP) MGK (PM)(LM)
Juicy J (OG)(PM)(FF) Ty Dolla $ign (PM)
Game (OG)(ST)(PM)(TP) Young Thug (PM)
Curren$y (PM)(FF)(TP) Rich Homie Quan (PM)
Nelly (OG)(PM)(FF) DMX (OG)(PM)(FF)
Wale (PM)(TP) Trinidad James (PM)(NA)
A$AP Ferg (PM) Lil John (OG)(PM)(FF)
Asher Roth (LM)(PM)(TP) Kirko Bangz (HS)(PM)
Jay Rock (NA)(ST)(PM)(TP) Usher (HS)(FF)(PM)
French Montana (PM) Omarion (HS)(PM)
Kid Cudi (TP)(FF)(PM) Tyga (PM)
Joey Bada$$ (ST)(NA)(TP)(LM)(PM) Snow Tha Product (NA)(LM)(PM)(TP)Childish Gambino (PM)(TP)(FF) Rihanna (HS)(CT)(PM)
Jay Electronica (NA)(ST)(LM)(TP) King Chip (PM)(TP)
Chance The Rapper (PM)(TP)(NA) Skyler Grey (HS)
Freddie Gibbs (FF)(PM) Jeremih (HS)
Action Bronson (PM)(TP)(LM) T-Pain (HS)
Twista (OG)(FF)(LM) Trey Songz (CT)(HS)
Talib Kweli (OG)(ST)(TP)(LM)(FF) Chris Brown (HS)(CT)
Mos Def (OG)(ST)(TP)(LM)(FF) Riff Raff (PM)(HS)
YG (PM) Mick Jenkins (PM)(TP)
Future (HS)(PM) Lil Flip (PM)
Project Pat (OG)(FF)(PM) Chingy (PM)
Anthony Hamilton (HS) Akon (HS)
Kevin Gates (PM)(TP)(NA)(IDGT)(SMH) Kurupt (OG)(LM)(PM)
Iggy Azalea (CT)(HS)(PM)(FF) Bow Wow (PM)(FF)
Jhene Aiko (HS)(ST)(TP)(PM) Paul Wall (PM)(FF)
Lil Kim (OG)(LM)(PM) Chevy Woods (LM)(PM)
Busta Rhymes (OG)(LM)(PM) Obie Trice (OG)(LM)(TP)
Jadakiss (OG)(LM)(TP) Tuki Carter (PM)(NA)
Trae The Truth (PM)(LM)
Now with the absolutely humongoid, gigantic, mammoth, Andre The Giant-esque list I just gave you (with the exception of a few, let me know if I left any names off or if there are any others that you would include in your label), you should definitely have fun putting together your label. Now I want to see what the people come up with! Honestly I can't even tell you who I'd put on my label with the point limit at the moment, it may even take me a couple days before I can come up with my list. But just remember the guidelines/rules, and just have fun with it, it's all about the discussion! We can talk over who you put on your label and why on Twitter (@SuperNovaRover) or Google+ when you make your decisions, you important label heads you. Now go and do big things with your artists.
Now before we start the game I have to lay down some guidelines: first up is the point system. I tried to make it as simple as possible in terms of what rankings each rapper got, the best rappers get a 5 point ranking while the worst get a 1, and so on. A 5 point ranked rapper is what you would want to lead your label: in terms of selling records and being the fan favorite, this is your go to artist. A 1 point artist isn't necessarily just a label filler, they could be whatever you want them to be, it is YOUR label after all, although to make it challenging I have given each label a 12 point limit per label, though there is no limit to how many rappers/artists are on your label.
Next up are the label tags (or in NFL terms, the "franchise" tags). These tags basically define what each rapper is and how the public sees them (or at least how I see them, you may see them differently, all I ask is that you follow the guidelines). Some rappers/artists will get tags that others won't because it is all based on how unique that rapper/artist is musically, but these tags include; Chart Topper (CT), Lyrical Miracle (LM), Fan Favorite (FF), New Artist (NA), Party Music (PM), Thought Provoking (TP), Story Teller (ST) and Original Gangsta (OG). The only guidelines I have for the tags is that every label have at least 1 Chart Topper (CT), 1 New Artist (NA), and one Original Gangsta (OG). Every other artist is up to you, there is no limit to how many of each.
The last rule is that there are to be no label heads involved on your label, obviously because you would be taking their place. So this means Eminem, Jay Z, Nas, Diddy, Lil Wayne, Dr. Dre, Kanye West, T.I., Rick Ross and Birdman will not make the list. The rest of the rappers, however, are all fair game. I only define label heads as the MAJOR labels (Shady Records, Young Money, Cash Money, GOOD Music, Roc Nation, Mass Appeal, Grand Hustle, Bad Boy, Maybach Music Group), so labels like Drake's OVO and B.o.B's No Genre would not make this list. Whatever you believe the guidelines should be, they have been set and to play the game you must follow them (it's supposed to be a fun challenge as well, I hope to readers follow the guidelines and play the game fairly). Anyways, below is a list of most every rapper that qualifies to make the list, along with their tags and point totals next to them.
5 Points 4 Points
Kendrick Lamar (ST)(CT)(LM)(TP) Logic (ST)(FF)(TP)(LM)(NA)
J. Cole (ST)(CT)(LM)(TP) Lupe Fiasco (TP)(LM)(FF)
Mac Miller (FF)(TP)(PM)(LM) Big Sean (PM)(LM)
Tyler The Creator (LM)(PM)(FF) Meek Mill (PM)(LM)
Drake (ST)(PM)(FF)(CT) Young Jeezy (OG)(ST)(CT)(PM)
Nicki Minaj (LM)(FF)(CT) Fabolous (OG)(FF)(PM)(TP)
Big K.R.I.T (FF)(PM)(TP) A$AP Rocky (FF)(PM)
Slaughterhouse (LM)(FF) Schoolboy Q (PM)(FF)
Ab-Soul (FF)(TP)(LM)
Common (OG)(ST)(TP)
50 Cent (OG)(PM)(FF)(CT)
Pusha T (LM)(PM)(TP)
3 Points 2 Points
Andre 3000 (OG)(ST)(LM)(FF)(TP) Joe Budden (ST)(FF)(LM)(TP)
Big Boi (OG)(PM)(FF) Crooked I (LM)(TP)(FF)
Bun B (OG)(PM)(LM) Royce Da 5'9 (LM)(TP)(FF)
Dizzy Wright (NA)(PM) Joell Ortiz (LM)(TP)(FF)
Yelawolf (ST)(LM)(TP)(PM) Nipsey Hussle (PM)
Tech N9ne (LM)(FF) 2 Chainz (PM)(FF)
Ludacris (OG)(PM)(FF) Rittz (ST)(TP)(LM)(PM)(FF)
Earl Sweatshirt (LM)(PM)(FF) Cyhi The Prynce (TP)(LM)(NA)
Wiz Khalifa (PM) Mick Jenkins (NA)(PM)(TP)
B.o.B (LM)(PM)(TP) MGK (PM)(LM)
Juicy J (OG)(PM)(FF) Ty Dolla $ign (PM)
Game (OG)(ST)(PM)(TP) Young Thug (PM)
Curren$y (PM)(FF)(TP) Rich Homie Quan (PM)
Nelly (OG)(PM)(FF) DMX (OG)(PM)(FF)
Wale (PM)(TP) Trinidad James (PM)(NA)
A$AP Ferg (PM) Lil John (OG)(PM)(FF)
Asher Roth (LM)(PM)(TP) Kirko Bangz (HS)(PM)
Jay Rock (NA)(ST)(PM)(TP) Usher (HS)(FF)(PM)
French Montana (PM) Omarion (HS)(PM)
Kid Cudi (TP)(FF)(PM) Tyga (PM)
Joey Bada$$ (ST)(NA)(TP)(LM)(PM) Snow Tha Product (NA)(LM)(PM)(TP)Childish Gambino (PM)(TP)(FF) Rihanna (HS)(CT)(PM)
Jay Electronica (NA)(ST)(LM)(TP) King Chip (PM)(TP)
Chance The Rapper (PM)(TP)(NA) Skyler Grey (HS)
Freddie Gibbs (FF)(PM) Jeremih (HS)
Action Bronson (PM)(TP)(LM) T-Pain (HS)
Twista (OG)(FF)(LM) Trey Songz (CT)(HS)
Talib Kweli (OG)(ST)(TP)(LM)(FF) Chris Brown (HS)(CT)
Mos Def (OG)(ST)(TP)(LM)(FF) Riff Raff (PM)(HS)
YG (PM) Mick Jenkins (PM)(TP)
Future (HS)(PM) Lil Flip (PM)
Project Pat (OG)(FF)(PM) Chingy (PM)
Anthony Hamilton (HS) Akon (HS)
Kevin Gates (PM)(TP)(NA)(IDGT)(SMH) Kurupt (OG)(LM)(PM)
Iggy Azalea (CT)(HS)(PM)(FF) Bow Wow (PM)(FF)
Jhene Aiko (HS)(ST)(TP)(PM) Paul Wall (PM)(FF)
Lil Kim (OG)(LM)(PM) Chevy Woods (LM)(PM)
Busta Rhymes (OG)(LM)(PM) Obie Trice (OG)(LM)(TP)
Jadakiss (OG)(LM)(TP) Tuki Carter (PM)(NA)
Trae The Truth (PM)(LM)
Now with the absolutely humongoid, gigantic, mammoth, Andre The Giant-esque list I just gave you (with the exception of a few, let me know if I left any names off or if there are any others that you would include in your label), you should definitely have fun putting together your label. Now I want to see what the people come up with! Honestly I can't even tell you who I'd put on my label with the point limit at the moment, it may even take me a couple days before I can come up with my list. But just remember the guidelines/rules, and just have fun with it, it's all about the discussion! We can talk over who you put on your label and why on Twitter (@SuperNovaRover) or Google+ when you make your decisions, you important label heads you. Now go and do big things with your artists.
Saturday, December 6, 2014
Sneakerhead Rappers
So other than my love for hip hop, I have an absolutely tremendous love for sneakers. Nikes, Jordans, Adidas', I really don't discriminate style. When it comes to shoes, I'm always looking at peoples feet when I first meet them, and everybody does it, whether they want to admit it or not! What shoes somebody wears says a lot about their character (or maybe you'd think so). So I figured I'd put together a post of some of the biggest rap sneaker heads, and there are certainly a lot of them out there for sure. So let's get started, shall we?
Wale
Wale is a huge sneaker head. He rocks some of the most exclusive kicks you could find anywhere, I've seen him with some never before seen stuff before (how he gets them I don't know, you have to be tight with Nike headquarters to be able to get some of these kicks). Anyways, in the pictures above Wale is seen rocking a couple of pairs of LeBron 9s.
Stalley
Stalley is an Ohioan who has just as much love for sneakers as the next rapper. He's been involved in some big sneaker sites and interviews, including nicekicks.com, where he discussed his 25 favorite sneakers. In the pictures above Stalley is seen rocking the famous Jordan Retro 3s, along with some other retro Nikes, along with some Jordan boxes and what looks like they could be Durant's in the second picture.
Rick Ross
Rick Ross is a HUGE (literally) sneaker head and has been known to rock all types of big expensive and rare sneakers. Ross is actually a known endorser of Reebok, although there was a rumor some time ago that he lost his Reebok endorsement due to some lyrics he got in trouble for included in one of his songs "U.O.E.N.O" awhile back. In the pictures above Ross is seen rocking some cool grey Jordan retro 11 lows and some reeboks along with another big Reebok endorser, producer/hype man Swiss Beatz.
Game
Game is always on his "game" (corny? probably) when it comes to sneakers, and you can almost always see him rocking some special pairs of Jordans or Nikes when you catch him out. If you've seen his fight video against his usual nemesis 40 Glocc, Game actually says to his phone camera that he got some of 40 Glocc's blood on his retro sixes during the fight. Not a man you want to mess with, but discussing sneakers could be an interesting topic of conversation with Game. In the pics above Game is seen rocking some pretty exclusive LeBron 11s and some always fly looking retro 4s with the Bulls color way.
So these are just a few of the big rapper sneaker heads out there, and we barely even scratched the surface when it comes to rare and expensive sneaker finds, but I will have many more rapper-associated sneaker posts coming in the future. As I said above I am a huge sneaker fan and I'm always looking to cop some retros or fly Nikes when I get my chance (though they are insanely expensive and hard to find). I'll also be posting some pictures of a few of my pairs of sneaks that I have on my Google+ page, be sure to check them out if you get the chance, and definitely let me know your favorite finds and your "grails" as the sneaker heads call them. I'd love it if you tagged me in pictures of your newest pickups, and I'll be sure to do the same in other posts. So get at me on Google+ and Twitter (@SuperNovaRover) and lets talk sneakers!
Sunday, September 7, 2014
BET Hip Hop Awards 2014: Award Nominations and My Predictions (Or Wishes, Whatever)
It's getting to be that time of year again, the time when your favorite rappers get snubbed for an award, and when they give way too much recognition to an artist that doesn't deserve it, and of course the time of year in which seemingly every year an award category is made up in which nobody cares about. Of course I'm talking about none other than the BET Hip Hop Awards. With Uncle Snoop hosting this year there's bound to be some entertainment, but sadly enough you almost expect disappointment in there somewhere. Not because of Snoop of course, but because it's an award show (nowhere near as bad as the Grammy's for rap, but still) and someone is bound to be angry over something. At this point it's just not knowing what it could be. But I'm not focused on that right now because recently the award categories have been set, and I NEED to give my opinion on (what I believe to be) the most important categories, who should win each, and why. (Note: again, these are my personal views and opinions on who should win, no matter how biased or stupid the reasoning might be.)
Who Blew Up Award:
Iggy Azalea
Migos
Rich Homie Quan
Schoolboy Q
YG
Young Thug
Iggy. What's next? Oh am I supposed to elaborate? Is there any elaborating needed for this particular category? Not really. Not only did Iggy's lead single "Fancy" get certified double platinum by the RIAA, but she BROKE BILLBOARD RECORDS as the first artist since The Beatles (yes, those Beatles) to have their first two Billboard entries hit number 1 and number 2 simultaneously. Did anyone else on that list even have a number 1? Doesn't matter, moving on!
Hustler Of The Year Award:
Dr. Dre
Drake
Jay Z
Rick Ross
T.I.
What exactly are the details on this award? How does one become the "Hustler of The Year"? I suppose only a hustler would know. This award strikes me as odd, but noticing the common denominator in this list would be that most of them have become successful entrepreneurs. Not saying that I can detail piece by piece what Rick Ross and T.I. have done so importantly entrepreneur-wise this year, but in my opinion this one comes down to Dre and Jay. And Dre wins of course, I mean come on, 3 billy for selling a headphone line? Does it get more "Hustler" than that?
Best Collab, Duo, or Group:
Eminem ft. Rihanna - The Monster
Future ft. Pharrell, Pusha T and Casino - Move That Dope
Jay Z ft. Justin Timberlake - Holy Grail
Schoolboy Q ft. BJ The Chicago Kid - Studio
YG ft. Young Jeezy and Rich Homie Quan - My Hitta
This one might be a bit closer than some other categories. Being the Stan that I hate to admit I am, I'd like to see Em take this one home, and Rihanna is huge everywhere, but I certainly could see either Jay Z or Schoolboy Q win this one as well. That Studio jam had me bumping it since the video came out, and I didn't even listen to much of Oxymoron. Same goes for the Jay and Justin song; didn't listen to much of the album, but the song bumps. Props to the producers on both of those cuts, but if I’m picking a winner in this category, I’ll go with Schoolboy Q and the Chicago Kid.
Best Live Performer:
Drake
Jay Z
Kanye West
Kendrick Lamar
T.I.
T.I. being on this list confuses me... I mean I can't knock the guy, nor can I compliment him, but the other four performers on the list I have seen (or could see) people vouching for. Drake has been the people's pick for some odd years now, Jay Z is Jay Z, and Kendrick Lamar is Kendrick Lamar, and Kanye creates an aura around his performances that can't be matched by anyone. Now the arguments that Jay and Kendrick are themselves might not be the best points, but there are MANY people who would do unspeakable things to see Kendrick (including myself) as well as a legend like Jay Z (who knows how much longer he has left?). But my pick has to go to Kanye on this one, simply because the mere pictures I've seen of his performances (creepy metal masks, bringing a faux "Jesus" on stage, many people say its like Kanye is looking in a mirror, hilarious right?) are unlike anything you could see anywhere else.
Lyricist Of The Year:
Drake
Eminem
J. Cole
Jay Z
Kendrick Lamar
Nicki Minaj
This category is one of my favorites I'll admit. While I do like a good club banger I can party or bob my head to, the other half of it to me is lyrical capabilities. I enjoy sitting back and listening to some of the crazy metaphors Eminem can put together, as well as Kendrick's lyrical capabilities and Cole's great punch lines. I really couldn't tell you why Drake is on this list, he makes great music that people party to and vibe to even by themselves, but there's no way he matches up lyrically with Em, Kendrick, Cole, or even Nicki for that matter. My pick here is obviously Em, but if he doesn't get it (for some VERY odd reason) I see Kendrick taking this one home again.
Producer Of The Year:
DJ Mustard
Drumma Boy
Hit-Boy
Mike WiLL Made It
Pharrell
Timbaland
Interesting list here. Every one of these producers had at least one (probably more) smash hit that you couldn't go a day without hearing on the radio. My personal favorite was Hit-Boy's masterful production on Drake's "Trophies" banger that came out at the very end of 2013. It seems that Pharrell and Timbaland are always in the running for best producer of the year, but as much as I hate to do it I have to go with Mustard winning this one. Too many hits. Jeezy's "R.I.P", B.o.B's "Headband", Ty Dolla Sign's "Paranoid", YG and Drake's "Who Do You Love?", and that's not even scratching the surface.
Album Of The Year:
Drake - Nothing Was The Same
Eminem - Marshall Mathers LP 2
Rick Ross - Mastermind
Future - Honest
Schoolboy Q - Oxymoron
Yo Gotti - I Am
In terms of sales, this list isn't the most impressive. Only two of these albums have gone at least platinum, (Nothing Was The Same doing so for Drake and Shady's Marshall Mathers LP 2 has gone double platinum) but all of these albums are critically acclaimed obviously (or else they probably wouldn't be in this conversation). Although in the past 10 years or so, album sales haven't really been the greatest for any hip hop artist other than Eminem, Drake, Kendrick or Nicki. In fact, they are the only hip hop artists to receive a platinum plaque for their efforts in quite a few years (I thought I read at least 10 somewhere, I don't remember at the moment). But regardless of sales, I don't see anybody but Eminem or Drake taking this one home. The years both of them had were incomparable to anyone else.
I'll stop with the predictions right about there, although there are many more awards and nominations to get to, the ones I listed just seemed the most important (to me, at least). Check out the rest of the awards that will be given and their nominees below.
Best Hip Hop Video:
Drake - Worst Behavior
Future ft. Pharrell Pusha T & Casino - Move That Dope
Iggy Azalea ft. Charli XCX - Fancy
J. Cole ft. TLC - Crooked Smile
Nicki Minaj - Pills N Potions
Wiz Khalifa - We Dem Boyz
Made You Look Award (Best Hip Hop Style):
A$AP Rocky
Jay Z
Kanye West
Nicki Minaj
Young Thug
Best Hip Hop Online Site:
AllHipHop.com
Complex.com
HotNewHipHop.com
NecoleBitchie.com
RapRadar.com
WorldStarHipHop.com
Best Club Banger:
Future ft. Pharrell Pusha T & Casino -Move That Dope (Prod. by Mike WiLL Made It)
K Camp ft. Lil Boosie, YG & Too Short - Cut Her Off (Remix) (Prod. by Will-A-Fool)
Migos - Fight Night (Prod. by Stack Boy Twaun)
Wiz Khalifa - We Dem Boyz (Prod. by Detail)
YG ft. Jeezy & Rich Homie Quan - My Hitta (Prod. by DJ Mustard)
Young Thug - Stoner (Prod. by Dun Deal)
Video Director of The Year:
Benny Boom
Chris Robinson
Director X
Dre Films
Hype Williams
DJ Of The Year:
DJ Drama
DJ Envy
DJ Khaled
DJ Mustard
DJ Scream
Best Mixtape:
Action Bronson - Blue Chips 2
Fabolous - Soul Tape 3
Migos - No Label 2
Rich Homie Quan - I Promise I Will Never Stop Going In
Wiz Khalifa - 28 Grams
Best Featured Verse:
B.o.B - Paranoid (Ty Dolla $ign ft. B.o.B)
B.o.B - Up Down (Do This All Day) (T-Pain ft. B.o.B)
Drake - Who Do You Love (YG ft. Drake)
Kendrick Lamar - Control (Big Sean ft. Kendrick Lamar & Jay Electronica)
Pharrell - Move That Dope (Future ft. Pharrell, Pusha T & Casino)
Track Of The Year:
Cut Her Off (Remix) - K Camp ft. YG, Lil Boosie & Too Short
Move That Dope - Future ft. Pharrell, Pusha T & Casino
My Hitta - YG ft. Jeezy & Rich Homie Quan
Studio - Schoolboy Q ft. BJ The Chicago Kid
Worst Behavior - Drake
Impact Track:
Common ft. Vince Staples - Kingdom
Lecrae - Nothin
Lupe Fiasco - Mission
The Roots ft. Patty Cash - Never
Talib Kweli ft. Abby Dobson - State Of Grace
People's Champ Award:
Drake - Worst Behavior
Future - Move That Dope ft. Pharrell, Pusha T & Casino
Iggy Azalea - Fancy ft. Charli XCX
Wiz Khalifa - We Dem Boyz
YG - My Hitta (Remix) ft. Lil Wayne, Nicki Minaj, Meek Mill & Rich Homie Quan
I also remember reading that Murda Mook and Snoop D-O double G plan to bring battle rap to the show. What else could this possibly mean besides them taking the contestants from Total Slaughter and putting them in the cyphers? No confirmed details yet on who will be included, stay posted on those details, assuming they will be released as the date nears closer. The BET Hip Hop Awards are coming October 14th! Whose ready?
Who Blew Up Award:
Migos
Rich Homie Quan
Schoolboy Q
YG
Young Thug
Iggy. What's next? Oh am I supposed to elaborate? Is there any elaborating needed for this particular category? Not really. Not only did Iggy's lead single "Fancy" get certified double platinum by the RIAA, but she BROKE BILLBOARD RECORDS as the first artist since The Beatles (yes, those Beatles) to have their first two Billboard entries hit number 1 and number 2 simultaneously. Did anyone else on that list even have a number 1? Doesn't matter, moving on!
Hustler Of The Year Award:
Drake
Jay Z
Rick Ross
T.I.
What exactly are the details on this award? How does one become the "Hustler of The Year"? I suppose only a hustler would know. This award strikes me as odd, but noticing the common denominator in this list would be that most of them have become successful entrepreneurs. Not saying that I can detail piece by piece what Rick Ross and T.I. have done so importantly entrepreneur-wise this year, but in my opinion this one comes down to Dre and Jay. And Dre wins of course, I mean come on, 3 billy for selling a headphone line? Does it get more "Hustler" than that?
Best Collab, Duo, or Group:
Future ft. Pharrell, Pusha T and Casino - Move That Dope
Jay Z ft. Justin Timberlake - Holy Grail
Schoolboy Q ft. BJ The Chicago Kid - Studio
YG ft. Young Jeezy and Rich Homie Quan - My Hitta
This one might be a bit closer than some other categories. Being the Stan that I hate to admit I am, I'd like to see Em take this one home, and Rihanna is huge everywhere, but I certainly could see either Jay Z or Schoolboy Q win this one as well. That Studio jam had me bumping it since the video came out, and I didn't even listen to much of Oxymoron. Same goes for the Jay and Justin song; didn't listen to much of the album, but the song bumps. Props to the producers on both of those cuts, but if I’m picking a winner in this category, I’ll go with Schoolboy Q and the Chicago Kid.
Best Live Performer:
Jay Z
Kanye West
Kendrick Lamar
T.I.
T.I. being on this list confuses me... I mean I can't knock the guy, nor can I compliment him, but the other four performers on the list I have seen (or could see) people vouching for. Drake has been the people's pick for some odd years now, Jay Z is Jay Z, and Kendrick Lamar is Kendrick Lamar, and Kanye creates an aura around his performances that can't be matched by anyone. Now the arguments that Jay and Kendrick are themselves might not be the best points, but there are MANY people who would do unspeakable things to see Kendrick (including myself) as well as a legend like Jay Z (who knows how much longer he has left?). But my pick has to go to Kanye on this one, simply because the mere pictures I've seen of his performances (creepy metal masks, bringing a faux "Jesus" on stage, many people say its like Kanye is looking in a mirror, hilarious right?) are unlike anything you could see anywhere else.
Lyricist Of The Year:
J. Cole
Jay Z
Kendrick Lamar
Nicki Minaj
This category is one of my favorites I'll admit. While I do like a good club banger I can party or bob my head to, the other half of it to me is lyrical capabilities. I enjoy sitting back and listening to some of the crazy metaphors Eminem can put together, as well as Kendrick's lyrical capabilities and Cole's great punch lines. I really couldn't tell you why Drake is on this list, he makes great music that people party to and vibe to even by themselves, but there's no way he matches up lyrically with Em, Kendrick, Cole, or even Nicki for that matter. My pick here is obviously Em, but if he doesn't get it (for some VERY odd reason) I see Kendrick taking this one home again.
Producer Of The Year:
Drumma Boy
Hit-Boy
Mike WiLL Made It
Pharrell
Timbaland
Interesting list here. Every one of these producers had at least one (probably more) smash hit that you couldn't go a day without hearing on the radio. My personal favorite was Hit-Boy's masterful production on Drake's "Trophies" banger that came out at the very end of 2013. It seems that Pharrell and Timbaland are always in the running for best producer of the year, but as much as I hate to do it I have to go with Mustard winning this one. Too many hits. Jeezy's "R.I.P", B.o.B's "Headband", Ty Dolla Sign's "Paranoid", YG and Drake's "Who Do You Love?", and that's not even scratching the surface.
Album Of The Year:
Eminem - Marshall Mathers LP 2
Rick Ross - Mastermind
Future - Honest
Schoolboy Q - Oxymoron
Yo Gotti - I Am
In terms of sales, this list isn't the most impressive. Only two of these albums have gone at least platinum, (Nothing Was The Same doing so for Drake and Shady's Marshall Mathers LP 2 has gone double platinum) but all of these albums are critically acclaimed obviously (or else they probably wouldn't be in this conversation). Although in the past 10 years or so, album sales haven't really been the greatest for any hip hop artist other than Eminem, Drake, Kendrick or Nicki. In fact, they are the only hip hop artists to receive a platinum plaque for their efforts in quite a few years (I thought I read at least 10 somewhere, I don't remember at the moment). But regardless of sales, I don't see anybody but Eminem or Drake taking this one home. The years both of them had were incomparable to anyone else.
I'll stop with the predictions right about there, although there are many more awards and nominations to get to, the ones I listed just seemed the most important (to me, at least). Check out the rest of the awards that will be given and their nominees below.
Best Hip Hop Video:
Future ft. Pharrell Pusha T & Casino - Move That Dope
Iggy Azalea ft. Charli XCX - Fancy
J. Cole ft. TLC - Crooked Smile
Nicki Minaj - Pills N Potions
Wiz Khalifa - We Dem Boyz
Made You Look Award (Best Hip Hop Style):
Jay Z
Kanye West
Nicki Minaj
Young Thug
Best Hip Hop Online Site:
Complex.com
HotNewHipHop.com
NecoleBitchie.com
RapRadar.com
WorldStarHipHop.com
Best Club Banger:
K Camp ft. Lil Boosie, YG & Too Short - Cut Her Off (Remix) (Prod. by Will-A-Fool)
Migos - Fight Night (Prod. by Stack Boy Twaun)
Wiz Khalifa - We Dem Boyz (Prod. by Detail)
YG ft. Jeezy & Rich Homie Quan - My Hitta (Prod. by DJ Mustard)
Young Thug - Stoner (Prod. by Dun Deal)
Video Director of The Year:
Chris Robinson
Director X
Dre Films
Hype Williams
DJ Of The Year:
DJ Envy
DJ Khaled
DJ Mustard
DJ Scream
Best Mixtape:
Fabolous - Soul Tape 3
Migos - No Label 2
Rich Homie Quan - I Promise I Will Never Stop Going In
Wiz Khalifa - 28 Grams
Best Featured Verse:
B.o.B - Up Down (Do This All Day) (T-Pain ft. B.o.B)
Drake - Who Do You Love (YG ft. Drake)
Kendrick Lamar - Control (Big Sean ft. Kendrick Lamar & Jay Electronica)
Pharrell - Move That Dope (Future ft. Pharrell, Pusha T & Casino)
Track Of The Year:
Move That Dope - Future ft. Pharrell, Pusha T & Casino
My Hitta - YG ft. Jeezy & Rich Homie Quan
Studio - Schoolboy Q ft. BJ The Chicago Kid
Worst Behavior - Drake
Impact Track:
Lecrae - Nothin
Lupe Fiasco - Mission
The Roots ft. Patty Cash - Never
Talib Kweli ft. Abby Dobson - State Of Grace
People's Champ Award:
Future - Move That Dope ft. Pharrell, Pusha T & Casino
Iggy Azalea - Fancy ft. Charli XCX
Wiz Khalifa - We Dem Boyz
YG - My Hitta (Remix) ft. Lil Wayne, Nicki Minaj, Meek Mill & Rich Homie Quan
I also remember reading that Murda Mook and Snoop D-O double G plan to bring battle rap to the show. What else could this possibly mean besides them taking the contestants from Total Slaughter and putting them in the cyphers? No confirmed details yet on who will be included, stay posted on those details, assuming they will be released as the date nears closer. The BET Hip Hop Awards are coming October 14th! Whose ready?
Wednesday, July 23, 2014
What's Beef? Not What It Used To Be; Hip Hop's Attitude
Why is hip-hop so awesome? I'm asking because I want to know what the eyes of the people who listen to the music see. But it doesn't just come down to the music. Hip hop really is a culture as a whole. People who live it come in all different types of shapes and sizes. Not even a specific city or state can define how you will see people act, or define what they listen to. In hip hop it is argued that your area does define who you're listening to to a point. Sometimes, in the minds of the people psychologically, where you're from is what you listen to. Anyone who showed respect to these other areas are cool with them because they paid homage. But to those who didn't.....well something needed to happen. This is how it was. But how is it now? Has hip hop lost some of its attitude because the people aren't real enough anymore? Let's examine this point, because I believe the people (myself included) have it screwed up to where someone's life being put in danger makes headlines for all the wrong reasons.
Now what is beef really? No not the meat smart asses, the rap kind. How does it start out and where does it stem from? If you asked 20 different rappers, you'd probably get 20 different answers. Ultimately when it comes down to it, beef is problems that other rappers have with each other. But beef has evolved since the days of before. If you really think about beef on a grand scale, you probably think Tupac vs. Biggie. Not one other hip hop beef has shook the media, along with the east and west coasts both as much as this beef did. The publicity was unheard of, something that rap hadn't gotten much of up to that point, but for the wrong reasons. Both of these men died because of rumors circulating about each one of them. Merely rumors and pride is all that this beef came down to, in layman's terms. Today beef is much different of course, not as much bloodshed (unless you're 40 Glocc), but ultimately it is better because lives aren't put at risk. At least, we'd like to think so.
Now there's a lot of different types of beef in hip hop today, if we started from about the year 2000 and came all the way up to 2014, you would definitely notice the differences with beef in the past. Social media sites like twitter make things a little more clear, but also complicates things at the same time. When you talk about something as little as the Iggy Azalea and Nicki Minaj "beef," (and that may be putting it heavily even describing it as that) social media sites and blogs and web sites of all kinds blew this out of proportion about 5 times more than what it actually was. The headlines were hilarious: "Nicki Minaj throws shade at Iggy Azalea with her acceptance speech?" People and their imaginations are wild. But the blogs and the web sites have it correct in this sense: PEOPLE LOVE BEEF.
As bad as this may sound, any publicity is good publicity, especially to a rapper or singer. Standing up for yourself sometimes is all you can do. But it's the opinions of the people that get the stories incorrect. I grew up in an era of Eminem and 50 Cent dominating the webs and album sales (yeah, so I'm young, what of it?), so even in my opinion, it's just like Drake says; nothing was the same. Even with 50 Cent vs. Ja Rule, Shady Records vs. Murda Inc. in the early to mid 2000s it was different. Without social media how do we all last? (The sad part is some people wouldn't have an answer for you, but I don't know if I have a right to talk, trying to make a living on the internet and all.)
An interesting aspect of beef itself is that only hip hop really deals with it, no matter how big or how small the problem may be (word to Meek Mill and Wale, grow up you two before we get Rozay on you). I believe a lot of this stems from rappers not being afraid to voice their opinions about others. Some may call it being thirsty for attention, which you wouldn't be wrong some of the time, but rappers certainly like to "keep it 100" with people when it comes to talking about being cool or having a problem with someone else. But the fact of the matter is, no one really knows what happens in beef between 2 people except for those 2 people!
I believe there are certain types of beef, 2 in particular. The first beef is having a problem with somebody outside of the music itself. If a rapper gets disrespected, most of the time, they will let not only that person, but sometimes will even let the entire country know about this problem (which can lead back to social media). That is the first type, and not too many people care about these issues too much. They usually resolve themselves, and are forgotten in a couple months (less if something bigger happens). But the second type of beef is musically. Verse-wise, when you get disrespected in a song, it isn't uncommon for this rapper to go back at the person throwing shots with some shots of their own. In rap, clearly how your rap is perceived is something that people buy, something that you can sell to willing customers. If your abilities get disrespected, you go back at this person questioning their abilities as well, sort of like a more main stream form of battle rapping. In my opinion this is what I love to see, this is what makes hip hop entertaining, and this is what adds to the competitive nature of hip hop. It has sort of been this way since Kendrick dropped "Control." Now I know, I know, "Control" doesn't deserve any more attention than its already gotten, but there is a point to it. Let me ask you some questions; since "Control" dropped, have you not been more entertained with rappers at each others throats going bar for bar and showing some of the best rap capabilities we've seen in a decade or more? Hasn't rap finally gotten back to a competitive state where each rapper is rapping their tail off to prove they're the best? I'll let you mull these questions over yourselves (get back to me on Twitter @SuperNovaRover, or Google+ Geoffrey Guy with your opinion).
So how would you define beef? I can truly say it's nowhere near where it used to be on the entertainment side of things. But as a whole, this could be better for the publicity it gets. Rappers have to be cocky and confident to keep up appearances and make themselves look like they're the best, but the violence is lowering. The day when people focus more on the competitive aspect of rapping and not the killing part of it is the day they can say "we made it." Isn't it more entertaining to hear rappers go bar for bar instead of them going bullet for bullet? If people understood the fun in hearing a fire verse as opposed to hearing a hollow point, then they would understand. If you get disrespected, do what you do best to prove it wrong: rap about it. Take it to the booth.
Now what is beef really? No not the meat smart asses, the rap kind. How does it start out and where does it stem from? If you asked 20 different rappers, you'd probably get 20 different answers. Ultimately when it comes down to it, beef is problems that other rappers have with each other. But beef has evolved since the days of before. If you really think about beef on a grand scale, you probably think Tupac vs. Biggie. Not one other hip hop beef has shook the media, along with the east and west coasts both as much as this beef did. The publicity was unheard of, something that rap hadn't gotten much of up to that point, but for the wrong reasons. Both of these men died because of rumors circulating about each one of them. Merely rumors and pride is all that this beef came down to, in layman's terms. Today beef is much different of course, not as much bloodshed (unless you're 40 Glocc), but ultimately it is better because lives aren't put at risk. At least, we'd like to think so.
Now there's a lot of different types of beef in hip hop today, if we started from about the year 2000 and came all the way up to 2014, you would definitely notice the differences with beef in the past. Social media sites like twitter make things a little more clear, but also complicates things at the same time. When you talk about something as little as the Iggy Azalea and Nicki Minaj "beef," (and that may be putting it heavily even describing it as that) social media sites and blogs and web sites of all kinds blew this out of proportion about 5 times more than what it actually was. The headlines were hilarious: "Nicki Minaj throws shade at Iggy Azalea with her acceptance speech?" People and their imaginations are wild. But the blogs and the web sites have it correct in this sense: PEOPLE LOVE BEEF.
As bad as this may sound, any publicity is good publicity, especially to a rapper or singer. Standing up for yourself sometimes is all you can do. But it's the opinions of the people that get the stories incorrect. I grew up in an era of Eminem and 50 Cent dominating the webs and album sales (yeah, so I'm young, what of it?), so even in my opinion, it's just like Drake says; nothing was the same. Even with 50 Cent vs. Ja Rule, Shady Records vs. Murda Inc. in the early to mid 2000s it was different. Without social media how do we all last? (The sad part is some people wouldn't have an answer for you, but I don't know if I have a right to talk, trying to make a living on the internet and all.)
An interesting aspect of beef itself is that only hip hop really deals with it, no matter how big or how small the problem may be (word to Meek Mill and Wale, grow up you two before we get Rozay on you). I believe a lot of this stems from rappers not being afraid to voice their opinions about others. Some may call it being thirsty for attention, which you wouldn't be wrong some of the time, but rappers certainly like to "keep it 100" with people when it comes to talking about being cool or having a problem with someone else. But the fact of the matter is, no one really knows what happens in beef between 2 people except for those 2 people!
I believe there are certain types of beef, 2 in particular. The first beef is having a problem with somebody outside of the music itself. If a rapper gets disrespected, most of the time, they will let not only that person, but sometimes will even let the entire country know about this problem (which can lead back to social media). That is the first type, and not too many people care about these issues too much. They usually resolve themselves, and are forgotten in a couple months (less if something bigger happens). But the second type of beef is musically. Verse-wise, when you get disrespected in a song, it isn't uncommon for this rapper to go back at the person throwing shots with some shots of their own. In rap, clearly how your rap is perceived is something that people buy, something that you can sell to willing customers. If your abilities get disrespected, you go back at this person questioning their abilities as well, sort of like a more main stream form of battle rapping. In my opinion this is what I love to see, this is what makes hip hop entertaining, and this is what adds to the competitive nature of hip hop. It has sort of been this way since Kendrick dropped "Control." Now I know, I know, "Control" doesn't deserve any more attention than its already gotten, but there is a point to it. Let me ask you some questions; since "Control" dropped, have you not been more entertained with rappers at each others throats going bar for bar and showing some of the best rap capabilities we've seen in a decade or more? Hasn't rap finally gotten back to a competitive state where each rapper is rapping their tail off to prove they're the best? I'll let you mull these questions over yourselves (get back to me on Twitter @SuperNovaRover, or Google+ Geoffrey Guy with your opinion).
So how would you define beef? I can truly say it's nowhere near where it used to be on the entertainment side of things. But as a whole, this could be better for the publicity it gets. Rappers have to be cocky and confident to keep up appearances and make themselves look like they're the best, but the violence is lowering. The day when people focus more on the competitive aspect of rapping and not the killing part of it is the day they can say "we made it." Isn't it more entertaining to hear rappers go bar for bar instead of them going bullet for bullet? If people understood the fun in hearing a fire verse as opposed to hearing a hollow point, then they would understand. If you get disrespected, do what you do best to prove it wrong: rap about it. Take it to the booth.
Friday, July 4, 2014
Detroit vs. Everybody: Is Revenge A Bad Move?
Detroit is a city that people travel to with caution. Not only celebrities, but every day civilians certainly stay alert and keep an eye out as well. Detroit has always been known as a city to demand its respect, and take it from people when its not given to them. The motor city has bred its fair share of established artists, whether hip hop or any other genre such as Eminem, Royce Da 5'9, Big Sean, and many more. It seems Rick Ross hasn't earned the respect of the city yet, but is it possible that one song could make the city act as brash as it has been acting?
In case you haven't heard, Rick Ross was turned away from HIS OWN concert recently in Detroit. Supposedly, Ross shows up to a crowd of over 100 Detroit residents standing outside of the venue blocking his entrance. Ross had this to say on twitter about the matter: "Luv #Detroit I wuz ready to killm 2nite, heard it wuz a peace protest wit picket signs and locked gates haa." Doesn't seem to be a very disappointed man to me, but you have to question if he had already gotten paid before the actual concert occurred. It's a win/win situation if he does, not only getting paid but not having to worry about jumping around and saving your energy for a whole performance (just kidding about the jumping around part, come on, it's Rick Ross).
But I believe there is definitely more to this, if you've seen any more extended news on this, another fellow Detroit rapper Trick Trick has made a song called "No Fly Zone" featuring Royce Da 5'9. This song basically states the anger Detroit and its artists have towards artists from other areas who have not given Detroit the respect they feel it deserves. So what does this mean for the city? What does this mean for other big time rappers? I question this method. If you aren't making your city available or welcome to artists originating from other areas, how do you expect to get positive recognition or better the city?
This whole situation confuses me simply due to the fact that Big Sean, a known Detroit resident and representative of Detroit rap, has collaborated with Ross multiple times on his own and Ross' songs. Big Sean has also been called out on his collaborations though, most recently by Royce Da 5'9 for not calling him or showing him any love on guest verses, as Royce says in one of his latest songs "Keep It 100" off of Slaughterhouse's "House Rules" mix tape. So maybe its safe to say Sean is doing his own thing.
I've also wondered what Eminem has to do with this whole situation or if he has any say in it. We all know he is a known affiliate of Royce Da 5'9, most notably from their rap duo Bad Meets Evil. And I hope I wouldn't have to say Eminem is rather fond of Detroit. Anyways, its not in Eminem's nature to not be involved in something that includes Detroit, or really any sort of beef or diss records. Eminem built his reputation on hard hitting diss songs, but has he grown out of making them? Or does he really just not want to be associated with the Ross incident? Your guess is as good as mine.
Eminem or not, it seems Detroit is still laying down the law with this "No Fly Zone" policy. Trick Trick had this to say on the incident involving Ross: "All I did was teach brothers how to stand for something without being violent. What's the problem with that? Nobody got arrested, no bloodshed, nothing wrong happened other than some people getting disappointed in not seeing what they wanted to see. For that, I apologize. But me and that man's business, is me and that man's business."
So hopefully this doesn't turn into anything bigger than what it is. Beef in hip hop has always existed, we can go back to east coast vs. west coast, Tupac vs. Biggie in that matter, but we all know how that ended. Beef can be entertaining yes, and get loads of media coverage and recognition, but Detroit is already known too well for its problems. In the long run, Detroit bettering itself and making its city available for more collaborations and things involving the community is what's going to bring this city up to its pinnacle. Its not only the artists job, but the residents, and the fans job as well to focus on the positive, and take away the possibility of any negativity directed toward it. So its safe to say we all have things we can improve on. It doesn't take being Tupac to attempt to better your area yourself, and once we realize this, we're all in for a better tomorrow.
In case you haven't heard, Rick Ross was turned away from HIS OWN concert recently in Detroit. Supposedly, Ross shows up to a crowd of over 100 Detroit residents standing outside of the venue blocking his entrance. Ross had this to say on twitter about the matter: "Luv #Detroit I wuz ready to killm 2nite, heard it wuz a peace protest wit picket signs and locked gates haa." Doesn't seem to be a very disappointed man to me, but you have to question if he had already gotten paid before the actual concert occurred. It's a win/win situation if he does, not only getting paid but not having to worry about jumping around and saving your energy for a whole performance (just kidding about the jumping around part, come on, it's Rick Ross).
But I believe there is definitely more to this, if you've seen any more extended news on this, another fellow Detroit rapper Trick Trick has made a song called "No Fly Zone" featuring Royce Da 5'9. This song basically states the anger Detroit and its artists have towards artists from other areas who have not given Detroit the respect they feel it deserves. So what does this mean for the city? What does this mean for other big time rappers? I question this method. If you aren't making your city available or welcome to artists originating from other areas, how do you expect to get positive recognition or better the city?
This whole situation confuses me simply due to the fact that Big Sean, a known Detroit resident and representative of Detroit rap, has collaborated with Ross multiple times on his own and Ross' songs. Big Sean has also been called out on his collaborations though, most recently by Royce Da 5'9 for not calling him or showing him any love on guest verses, as Royce says in one of his latest songs "Keep It 100" off of Slaughterhouse's "House Rules" mix tape. So maybe its safe to say Sean is doing his own thing.
I've also wondered what Eminem has to do with this whole situation or if he has any say in it. We all know he is a known affiliate of Royce Da 5'9, most notably from their rap duo Bad Meets Evil. And I hope I wouldn't have to say Eminem is rather fond of Detroit. Anyways, its not in Eminem's nature to not be involved in something that includes Detroit, or really any sort of beef or diss records. Eminem built his reputation on hard hitting diss songs, but has he grown out of making them? Or does he really just not want to be associated with the Ross incident? Your guess is as good as mine.
Eminem or not, it seems Detroit is still laying down the law with this "No Fly Zone" policy. Trick Trick had this to say on the incident involving Ross: "All I did was teach brothers how to stand for something without being violent. What's the problem with that? Nobody got arrested, no bloodshed, nothing wrong happened other than some people getting disappointed in not seeing what they wanted to see. For that, I apologize. But me and that man's business, is me and that man's business."
So hopefully this doesn't turn into anything bigger than what it is. Beef in hip hop has always existed, we can go back to east coast vs. west coast, Tupac vs. Biggie in that matter, but we all know how that ended. Beef can be entertaining yes, and get loads of media coverage and recognition, but Detroit is already known too well for its problems. In the long run, Detroit bettering itself and making its city available for more collaborations and things involving the community is what's going to bring this city up to its pinnacle. Its not only the artists job, but the residents, and the fans job as well to focus on the positive, and take away the possibility of any negativity directed toward it. So its safe to say we all have things we can improve on. It doesn't take being Tupac to attempt to better your area yourself, and once we realize this, we're all in for a better tomorrow.
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