New Releases You May Have Missed (Well, The Ones Actually Worth Checking Out)

In case you've missed Twitter, Facebook, or any real music news in the past week or so, it has been a pretty good week for new hip hop releases. The Dreamville crew returns with a couple drops following rumors of the long awaited Revenge Of The Dreamers 3 project soon to be releasing (though still no definite date set), aside from Dreamville, Bas decides to drop his own random loosie (or is it JUST a loosie? Hmmm...), and Drake fulfills his promises of new music after the Raptors win the franchise's first NBA Championship.  Check out all of the releases below, with a short explanation/review.


Dreamville Compilation tracks - "Down Bad" and "Got Me"




Is there anything else in hip hop worth talking about right now more than Dreamville's 2 new compilation tracks?  Cole and the Dreamville crew made waves on Twitter on June 12th (almost a week ago) after releasing the two tracks above, "Got Me" and 'Down Bad", both featuring several artists, all signees under the Dreamville imprint. Both tracks are sounding extra clean and crispy and adapt much differently to the current hip hop climate, and are sure to raise conversation and excitement moving forward, but if  I had to choose between the 2, I personally have to pick "Got Me" as my favorite release of the last week. It's slow burning and deep penetrating bassline hits your ears and your speakers unlike anything could do, unless it was a straight up knife to the chest. Bump this one in the loudest possible speaker system you can find.

Bas ft. JID - Fried Rice


    
After what many considered the best album of last year (actually just me, literally just me) dropping in late 2018, Milky Way, it is always nice to see an artist like Bas, who always considers quality over quantity, returning with new music. In a song that finds JID shredding a fast paced 2nd verse (has anyone ever talked about how much this guy sounds like Anderson .Paak? No? Alright then) along with Bas' signature awkward, yet somehow-it-always-works-so-well flow, Bas has blessed his fan base with another different style; a rapper of many different traits and flows, a verse chameleon if you will. Definitely worth the listen, especially if you like Bas.

Drake - Money In The Grave (ft. Rick Ross) & Omerta




(*I do not own any of these songs, or the rights to them*)
    
The Toronto Raptors, for the first time in the franchise's short 24 year history, have beaten the Golden State Warriors to become NBA Champions, and as a somewhat, kinda/sorta Cavs fan (I live in Ohio), I could not be more excited to see the "dynasty" fall another year short. Here's to hoping it lasts, KD leaves for Washington, and Klay realizes his worth and goes somewhere else (I can dream). But the most noteworthy detail (hip hop wise) of the Raptors newfound championship glory is the fact that Drake celebrated the title win by releasing 2 new songs!  And I could not be more.... ehh. Don't get me wrong, the songs themselves are decent, I think I like "Omerta" more than "Money In The Grave" (probably because it doesn't attempt to sounding like everything else out), but both songs do not really honestly sound authentic Drake to me, in my humble opinion. And I know I'm just some blogger/writer who types his opinions out on the computer, but that's my 2 cents on the matter. Drake still continues to succeed, and he will as long as he keeps putting some kind/shape/form of music out every year, but me personally, as someone who finds the most enjoyment in hip hop strategy/planning/ consistency in themes; I would like to see Drake put out something that has a bit more bite under it. These 2 songs feel... well, maybe "lifeless" isn't the term, but they don't have that proper Drake edge to them that you would hope for, and all is fun for releasing songs in celebration of your favorite team, but I will say that Drake releases used to feel a lot more... special. Now? Not quite so much. All in all, Drake put out 2 more songs that people will jam to and enjoy, and I can't say that I wouldn't enjoy hearing the songs the next time I attend a party. But will I play them much on my own?  Probably not. In terms of quality, pretty good. But in terms of Drake quality?  Not as good as hoped. End bitter hip hop/Drake blogger rant.        








  

Observations From Kanye West & Kid Cudi's KIDS SEE GHOSTS

First off, I want to start by saying that I am not here to support Kanye West in any way shape or form outside of music. I am only here for the musical aspect of things, so far it has been Pusha's album, and now, because I find Kid Cudi to be one of the most influential and inspiring artists of the last decade, I have a contract in my brain that says I will absolutely and unequivocally support anything Kid Cudi puts out musically after Man On The Moon I and II. Kanye, if you somehow, find some "by the ways of God, premonition-like" way to read this, seek help. For you and your loved ones. You may think it helps you, but at some point, you will no longer be able to control it.

Anyways, the relationship has been well documented between these 2 G.O.O.D Music artists for about 10 years now, seeing as Cudi was a key inspirational crafting point in the making of Kanye's 2008 4th solo album 808's & Heartbreaks (the album some may some say is Kanye's best... just kidding, it's only me that says that), playing a huge role in most of the album's production, melodies and harmonies as a whole (Cudi has also detailed working with Kanye and Jay Z on The Blueprint 3 in past interviews).  Kanye has always been the best example of "paving your own lane" when it comes to personality (hot take) and creativity as a whole, especially music. Now Cudi on the other hand... how does one describe Kid Cudi's musical ear and sound?  Kid Cudi is like if Pink Floyd and David Bowie somehow mixed together and had a psychedelic baby born on LSD and somehow already possessed the ability to play the piano. Now put these 2 musical entities together... and it creates the stuff of myth. Children are proven to experience more paranormal activity than the average adult, but on Kids See Ghosts... I think Kanye and Cudi made it possible for adults too. Check out my observations from Kids See Ghosts below.


Live Instrumentation That Gives It A Jam Session Feel



As if there was any question to if the project was going to be musical, Kanye brings the beats to Cudi's blues. All throughout the project, melodies on top of melodies are layered intricately and just perfectly enough for each contributor to do their part and not steal too much shine away from their partner... and Lord knows both are capable of doing so. "Freeee (Ghost Town Pt. 2)" intros with some heavy pounding drum kicks that sound like a nightmare reoccurring from 2010-2011; a nightmare brought on from the imaginative portraits that Cudi would paint throughout his writing in the Man On The Moon series.  This song is especially great because it takes you back to a time where old school grunge bands would show footage of themselves during their Behind The Music documentary's just jamming it out in the garage with the band, still figuring out their sound (besides those "ray of sunshine" like background vocals that Ty Dolla $ign provides, which are almost ghostly... ohhhhhh.. I get it!). The introduction guitar along with the progressing drums in the album's final track "Cudi Montage" sound like the perfect blend of a grungy Nirvana-era guitar, then somehow flips into a hardcore hip hop album cut that Jay Z could talk his shit over (remix idea, maybe? Oh dammit... nevermind. Forgot about Kanye and Jay's current status).


Cudi Haunts This Album With His Presence, And It's Absolutely Gorgeous, Terrifying, And Brand New, Yet Somehow A Blast From The Past

(*I do not own these songs, images, or the rights to them*)

Okay seriously crazy theory here... Is this a secret ode to Cudi's Man On The Moon series?  Is this a follow up WITHOUT BEING A FOLLOW UP?!  Haunting is the epitome of Cudi's presence throughout Kids See Ghosts, whether it be giving a beautiful yet somehow paranormal singing voice ("Feel The Love"), some all-seeing, all-knowing, prophetic types of song writing ("4th Dimension", and I mean just LISTEN to that introduction to Cudi's verse... talk about creepy!), some talks of being "Reborn": which, I mean come on, the song title is already saying something in itself; like dying and being "Reborn" as this new creature (and Cudi is clearly Unicorn status, by the way), and playing the guitar to what sounds like courting death (that grungy Nirvana sound)... almost as if he's leading you to a battle you know you can't win, an unsettling oath that is less like death and more like fulfilling prophecy; coming back stronger than ever before and leading your troops to victory in a battle more epic than the final Harry Potter movie ("Cudi Montage"). Seriously though, Cudi; we didn't think you'd take the whole "Reborn" thing as such a method actor!  It's like closing your eyes, hearing a movie and imagining it yourself as the soundtrack to darkness unfolds. Cudi himself adds more than vocals, production, or verses could all do put together, and this is why he's (in my opinion) one of the greatest to ever do it; his ambience creates more of a feeling than pure rapping could ever do; he's not just haunting you with his singing, he's creating a soundtrack to the madness in our minds.                
              


















                  

Why Snow Tha Product Is the Best Femcee

It seems like whenever a girl is on the come up in rap, they're never taken seriously at first, if ever. Few chicks in rap today get the attention they deserve (at least because of their music). For whatever reason that may be, this particular femcee (yeah, that's a twist on the phrase "female emcee", do you like it?  I read it somewhere and I'm using it from now on) could be the one to change that. Her name is Snow Tha Product, and if you don't know who she is, you're about to. I had been introduced to her briefly (one feature verse) before, but the Latina femcee definitely earned my attention.

So obviously if you tuned into the BET Awards, and you're like me, the only reason you really watched was because of the cyphers. Of course it's depressing knowing no cypher will measure up to the 2011 edition featuring the monstrous Shady 2.0 cypher, I watch every year just to see if anyone worthy of watching is participating. This year was certainly another disappointment, but there's always that 1 or couple of verses that you hear and you're left wondering:  just how in the hell have I not heard of this artist before?  Well, now knowing Logic is as underrated as it gets, the other verse that caught my attention was Snow's. This chick got on spitting ridiculous, keeping up with the best of the best, even had a point where she got off some Spanish bars!  After I saw this I knew she was the real deal and like a drug, I needed to have more.

And I certainly wasn't disappointed in what I'd found. A datpiff.com search came up with 3 mix tapes, and like the thorough researcher I think I am, I checked out all 3. Her first effort, Run Up Or Shut Up, was the typical first mix tape you'd hear from an artist on the come up. Iffy production, an over saturation of party tracks, and talks of haters and "shwag" (another new word, but one I like to think I've created, it's pretty much the parody of "swag" and the realization of how dumb the word "swag" really is). Her second mix tape, Good Nights & Bad Mornings, was exactly the potential I believed Snow could reach put into musical form. She comes with a more aggressive style, better production, a better quality in music including more topics and subject matter, and her competitive and confident attitude takes full swing. It's safe to say Snow found her voice on this project. Her third mix tape, Good Nights & Bad Mornings 2: The Hangover, is certainly a continuation of the great music she made on the first edition of the series, the only difference being the addition of some big name features including Ty Dolla $ign, Dizzy Wright, Trae The Truth, Cyhi The Prynce and Riff Raff.

So looking into her music, I was certainly impressed (and I'll be downloading some key tracks from those mix tapes, I'll admit). I cant say I had expectations going in, but if I did Snow has far exceeded them. She definitely made an impression on me with her mix tapes, but an impression being made on me in terms of lyricism, flow, and proving that you're a good rapper is a completely different story. You can make good music without being the "kill you on your own track" type of rapper. To me, this sort of thing shows true ability and the aspect of competitiveness that takes a rapper farther than their abilities alone, and if there was one track I needed to hear to have Snow prove her abilities to me, this would be it.

Ummm... alright. Ms. Tha Product, is it?  You have my full attention. Normally any one rapper (man or woman) being featured on a Crook song doesn't get my attention because, well, I know what Crooked I can do. He's Crooked I. What else need be said?  No other verse I've ever heard on the same song as Crooked I having a verse has come even close lyrically, but if I had to pick one, this one certainly takes the cake.

So who is Snow Tha Product?  If you asked me, I'd simply reply "the best female rapper you haven't heard of yet." The rest of the game has it's Nicki Minaj's, you have your Iggy Azalea's (and people will claim Iggy isn't hip-hop, though it's hard to argue at this point), you even have the proven greats like Queen Latifah, MC Lyte, Lil Kim, etc., but Snow is unlike anything you or I have heard before. To say it isn't hard for a female to come up in the music industry (especially rap) would be a straight up lie, but obviously for the ones that have made it, you give props to them because whether you like their music or not, they've earned that come up. Snow isn't quite there yet, the main reason being she has no studio album out yet, but I believe Snow is the next Nicki Minaj. No, scratch that. I believe Snow has potential to represent every woman in America with strength, dignity, and an unrivaled ability to spit with the best of them all, period. If you haven't seen it yet, check out Snow's cypher verse, spitting alongside Vic Mensa, Treach (Naughty By Nature), King Los and David Banner in the 2014 BET Awards below.

                                   (*I do not own any of these videos, or the rights to them*)