Recently Billboard listed the 10 greatest rappers of all time, and while I don't necessarily agree with their list (then again who agrees with anyone else's list anymore), I do respect the fact that they laid out these 10 rappers to go along with reasons why they believe these rappers belong on this list. Check out the list below.
10. Lil Wayne
9. Kendrick Lamar
8. Ghostface Killah
7. Lauryn Hill
6. Andre 3000
5. Nas
4. Rakim
3. Eminem
2. Jay Z
1. Notorious B.I.G
Seeing Lil Wayne being on this list is a surprise, though it's probably due to his incredible run from around 2009-2011. Every other rapper seems to properly hold a place on this list (whether it due to their lyrical abilities, their influence on today's hip hop, or another reason), but what do y'all think of the list? Let me know what you think of the list in the comment section below or on Google+.
Showing posts with label Notorious B.I.G.. Show all posts
Showing posts with label Notorious B.I.G.. Show all posts
Saturday, November 14, 2015
Sunday, April 19, 2015
Nas' Illmatic's 21 Year Anniversary (3 Must Hear Tracks From The Classic Album)
I was seriously 4 months old when this album dropped and I think it's amazing. This is hip hop to it's core, period. Yeah, sure, Illmatic has been talked about since it came out, got 5 mics in The Source and is rightfully deemed a classic album (and it earns this right, almost undebatable unlike other albums that have came out where everyone wants to argue if they're classics or not), but many people don't realize the influence it has had on hip hop since then. There are countless rappers who say that if it weren't for Nas' Illmatic then they wouldn't be rapping (Kendrick, yes, Kendrick Lamar is one), and it would be blasphemous to say that rappers today did not draw some inspiration from Nas and Illmatic. If you disagree, then, well, I would just have to prove to you why Nas is one of the most flawless lyricists of all time. Class is in session.
It Ain't Hard To Tell
Today's hip hop differs so much from that of the "golden age" of hip hop, a lot of it worse than it is better, and even thought I'm only 21, just by listening to a song like "It Ain't Hard To Tell", you can definitely tell that Nas was out for blood on his critically acclaimed debut. Where is the hunger to be the best for rappers today? I certainly can't see it (at least in most of the rap dudes played on the radio), you'd expect these guys to want to show why they've "earned" their spot on the radio, or these gold and platinum album sales. It's too hard to tell that if it's the difference in how big battle rap was in the streets of New York compared to how it is now, but that could be a strong case for it. Anyways, Nas shows his true skills on the mic AND makes you dance with this absolutely amazingly produced Large Professor track.
Memory Lane (Sittin' In The Park)
Story telling created, originated and perfected by the best there is to do it. It's debatable whether Nas is the best story-telling rapper ever, you could probably put B.I.G. and Tupac up there with him, but you know every time Nas has a story to tell, you listen, and you get every detail about the entire story. Life in Queens is rumored to be a struggle, but Nas makes it sound like a coming of age tale in this addictive boom-bap jam. "One Love" also could take the cake as another fantastic story told by Mr. Nasir Jones.
N.Y State Of Mind
(*I do not own these songs, or the rights to them*)
If you needed a reason to get pumped up, get hyped, or was looking for a song to make you feel some type of energy (not drain you of it, keep calm Drake), then "N.Y. State Of Mind" is that track. Whether you're waiting to pull that next bank heist (hopefully just on "Grand Theft Auto 5"), you need some pump up music for your next game or need it in the gym to get that next set of reps knocked out, Nas' "N.Y. State Of Mind" is the song for you (not to mention it features more great story telling in the first verse, hopefully Nas didn't get in trouble for any sort of debauchery he spoke of in this song, rappers really should be more careful of their hustle). This songs drums still kick like crazy and sound great in the whip if you want to bump, and of course you can thank the legendary DJ Premier for that.
So here's to Illmatic turning 21! I'll be damned if I'm not allowed to buy it a drink, it deserves that and much, much more. My introduction to this album was as late as could be, it had to be around 2012 when I first bought it (had to see what all the hype was about) and since then I've played "It Ain't Hard To Tell" at least once a day, no joke. The word "classic" is thrown around so much and so often that it's hard to even tell if it means anything anymore, but if it still had any pull or credibility talking about music, then Illmatic remains a classic in the way it revolutionized beats, rappers and their story telling, and in the way it has pushed the envelope and will continue to for many more years to come. Whose in favor of Nas ending his career on an Illmatic 2? I can dream.
It Ain't Hard To Tell
Today's hip hop differs so much from that of the "golden age" of hip hop, a lot of it worse than it is better, and even thought I'm only 21, just by listening to a song like "It Ain't Hard To Tell", you can definitely tell that Nas was out for blood on his critically acclaimed debut. Where is the hunger to be the best for rappers today? I certainly can't see it (at least in most of the rap dudes played on the radio), you'd expect these guys to want to show why they've "earned" their spot on the radio, or these gold and platinum album sales. It's too hard to tell that if it's the difference in how big battle rap was in the streets of New York compared to how it is now, but that could be a strong case for it. Anyways, Nas shows his true skills on the mic AND makes you dance with this absolutely amazingly produced Large Professor track.
Memory Lane (Sittin' In The Park)
Story telling created, originated and perfected by the best there is to do it. It's debatable whether Nas is the best story-telling rapper ever, you could probably put B.I.G. and Tupac up there with him, but you know every time Nas has a story to tell, you listen, and you get every detail about the entire story. Life in Queens is rumored to be a struggle, but Nas makes it sound like a coming of age tale in this addictive boom-bap jam. "One Love" also could take the cake as another fantastic story told by Mr. Nasir Jones.
N.Y State Of Mind
If you needed a reason to get pumped up, get hyped, or was looking for a song to make you feel some type of energy (not drain you of it, keep calm Drake), then "N.Y. State Of Mind" is that track. Whether you're waiting to pull that next bank heist (hopefully just on "Grand Theft Auto 5"), you need some pump up music for your next game or need it in the gym to get that next set of reps knocked out, Nas' "N.Y. State Of Mind" is the song for you (not to mention it features more great story telling in the first verse, hopefully Nas didn't get in trouble for any sort of debauchery he spoke of in this song, rappers really should be more careful of their hustle). This songs drums still kick like crazy and sound great in the whip if you want to bump, and of course you can thank the legendary DJ Premier for that.
So here's to Illmatic turning 21! I'll be damned if I'm not allowed to buy it a drink, it deserves that and much, much more. My introduction to this album was as late as could be, it had to be around 2012 when I first bought it (had to see what all the hype was about) and since then I've played "It Ain't Hard To Tell" at least once a day, no joke. The word "classic" is thrown around so much and so often that it's hard to even tell if it means anything anymore, but if it still had any pull or credibility talking about music, then Illmatic remains a classic in the way it revolutionized beats, rappers and their story telling, and in the way it has pushed the envelope and will continue to for many more years to come. Whose in favor of Nas ending his career on an Illmatic 2? I can dream.
Monday, March 23, 2015
Rap Concepts YOU (The People) Love
Sitting and listening to your favorite album as an entire project can be a truly delightful experience and can almost feel rewarding. Sometimes you may even get rewarded by your favorite artist by them adding a hidden track (who doesn't love a secret track not listed on the album?). But one of the best things an artist can do is associate another character you can relate with (whether it be Randolph on Logic's mix tapes or Kenneth Kaniff from Connecticut, hopefully you don't relate to Kenneth so much). These concepts, or "personas", especially when carried on from project to project, are always awesome to hear and can almost bring you back to times when you thought your favorite artist was better (whether you like to admit it or not), and when times were much simpler.
Mr. Easy Wider - Wiz Khalifa mix tapes
The cool voiced DJ Mr. Easy Wider was always funny in Wiz Khalifa's mix tapes efforts, including such highly acclaimed tapes as Flight School, Kush & OJ, and more. Taking on the role of Wiz Khalifa's very exclusive radio DJ, Easy Wider prepared you for the next track like nobody else could, and the end of Wiz's track "Never Ever" was a fine example of just that.
Eminem - Ken Kaniff from Connecticut
This is an easy one, especially for Eminem fans. Ken Kaniff made his first appearance in a skit on Slim Shady LP of the same name, and on your first listen of any skit, you normally skip right over it and move on (that is, if you're looking to get to the music), but the first couple of seconds of this skit definitely draws your attention more than the average one. The creepy voiced crazy fan (though he has Eminem's phone number so he's probably a close friend) goes on to call Eminem and the rest is history. This is certainly not the last you hear of Ken Kaniff though, as you can hear him take over the end of the song "Wicked Ways" off of Eminem's Marshall Mathers LP 2.
B.o.B - DC Young Fly (No Genre 2 mix tape)
Another rather hilarious run of skits that occurred more than once were the DC Young Fly skits on B.o.B's No Genre 2 mix tape. B.o.B is always thinking outside of the box and is as creative a mind as hip hop gets, and he even showed a bit of his funny side on these skits featuring DC Young Fly (still not entirely sure who he is or why he is somewhat famous other than this, guess I'll be doing some more digging soon, probably not though). Who knows how these skits came about, but could we see more of DC Young Fly and B.o.B collaborating in the future? I guess we'll have to wait to find out.
Any/Every skit on Kendrick's Good Kid Maad City
(*I do not own any of these videos, songs, or the rights to them*)
Good Kid Maad City doesn't so much fit the realm of concepts I was going for creating this article, but you have to marvel at the creativity and the picture that Kendrick paints with not just the ending song skits, but Kendrick's story telling throughout the album even more than that. You could almost compare Good Kid Maad City to B.I.G.'s Ready To Die in that sense, the comparisons in each actually resonate more than you even know. Each and every single song tells a story and leads into the next chapter almost effortlessly. Kendrick was quoted in an interview with Stephen Colbert (the very last Colbert episode ever, you can find the interview online anywhere) as saying "I don't like to call myself a rapper, I'd rather call myself a writer because I am telling stories in my music." It's certainly hard to argue with Kendrick in that sense, he just may be the best story telling rapper in the game right now, and with To Pimp A Butterfly killing the game right now, it's certainly hard to argue that any one artist can come up with a concept as good as Kendrick.
Concepts in albums/mix tapes occur way more often than music fans can even say they notice, and when you do notice it's almost like you're finally noticing the story that comes along with the music. Some artists are better at keeping the scheme going than others, but when you hear each artist do it their way it's almost like you're getting a piece of them along with the music. This is why I believe albums remain to be much more sacred and coveted than random free drops or leaks; you're not getting a random free song out of context, you're getting an entire body of work, basically the much more pleasing, less reading, audio version of a good book. Keep reading (sonically) my friends, and enjoy the story.
Mr. Easy Wider - Wiz Khalifa mix tapes
The cool voiced DJ Mr. Easy Wider was always funny in Wiz Khalifa's mix tapes efforts, including such highly acclaimed tapes as Flight School, Kush & OJ, and more. Taking on the role of Wiz Khalifa's very exclusive radio DJ, Easy Wider prepared you for the next track like nobody else could, and the end of Wiz's track "Never Ever" was a fine example of just that.
Eminem - Ken Kaniff from Connecticut
This is an easy one, especially for Eminem fans. Ken Kaniff made his first appearance in a skit on Slim Shady LP of the same name, and on your first listen of any skit, you normally skip right over it and move on (that is, if you're looking to get to the music), but the first couple of seconds of this skit definitely draws your attention more than the average one. The creepy voiced crazy fan (though he has Eminem's phone number so he's probably a close friend) goes on to call Eminem and the rest is history. This is certainly not the last you hear of Ken Kaniff though, as you can hear him take over the end of the song "Wicked Ways" off of Eminem's Marshall Mathers LP 2.
B.o.B - DC Young Fly (No Genre 2 mix tape)
Another rather hilarious run of skits that occurred more than once were the DC Young Fly skits on B.o.B's No Genre 2 mix tape. B.o.B is always thinking outside of the box and is as creative a mind as hip hop gets, and he even showed a bit of his funny side on these skits featuring DC Young Fly (still not entirely sure who he is or why he is somewhat famous other than this, guess I'll be doing some more digging soon, probably not though). Who knows how these skits came about, but could we see more of DC Young Fly and B.o.B collaborating in the future? I guess we'll have to wait to find out.
Any/Every skit on Kendrick's Good Kid Maad City
Good Kid Maad City doesn't so much fit the realm of concepts I was going for creating this article, but you have to marvel at the creativity and the picture that Kendrick paints with not just the ending song skits, but Kendrick's story telling throughout the album even more than that. You could almost compare Good Kid Maad City to B.I.G.'s Ready To Die in that sense, the comparisons in each actually resonate more than you even know. Each and every single song tells a story and leads into the next chapter almost effortlessly. Kendrick was quoted in an interview with Stephen Colbert (the very last Colbert episode ever, you can find the interview online anywhere) as saying "I don't like to call myself a rapper, I'd rather call myself a writer because I am telling stories in my music." It's certainly hard to argue with Kendrick in that sense, he just may be the best story telling rapper in the game right now, and with To Pimp A Butterfly killing the game right now, it's certainly hard to argue that any one artist can come up with a concept as good as Kendrick.
Concepts in albums/mix tapes occur way more often than music fans can even say they notice, and when you do notice it's almost like you're finally noticing the story that comes along with the music. Some artists are better at keeping the scheme going than others, but when you hear each artist do it their way it's almost like you're getting a piece of them along with the music. This is why I believe albums remain to be much more sacred and coveted than random free drops or leaks; you're not getting a random free song out of context, you're getting an entire body of work, basically the much more pleasing, less reading, audio version of a good book. Keep reading (sonically) my friends, and enjoy the story.
Sunday, November 16, 2014
Songs You Didn't Know Had Different Versions (Not Remixes)
The music industry is something a lot of people will never understand. While some constantly wonder about the dynamic behind it all, and how albums are narrowed down to which songs make the album, which songs are made the single, and how artists determine what songs fit and don't fit the concept of an album (or maybe that's just my crazy ass), the fans are usually stuck in the dark about the behind the scenes aspect of it. I've always been interested in how things come about in the making of an album or the recording of different songs, and a lot of that is the fact that there is so much evidence that some ideas don't pan out how rappers (or artists in general) originally planned them to. So to show my interest (and hopefully have you express yours as well) I put together a small list of songs that have other lesser known versions.
Royce Da 5'9 ft. Big Sean - My Own Planet (other version features Joe Budden, Royce's Success Is Certain album)
This version of Royce Da 5'9's "My Own Planet" you would know if you listened to his The Bar Exam 3 mix tape. The Success Is Certain album version of this song features Royce's fellow Slaughterhouse group member Joe Budden. It's hard to distinguish why Royce would choose to switch out Sean's verse with Joe's, or even why he would want to put the song on his album, but both are great mixes. Royce has made it known in the past that he doesn't appreciate Sean's getting big and forgetting to show other Detroit rappers love (though the new Shady XV leaks would say differently), but you wouldn't be able to tell from this jam.
Eminem ft. Royce Da 5'9 - Renegade (original is a Jay-Z song featured on Jay's The Blueprint album)
Bad Meets Evil fans are sure to love this one (if you don't know about it already). Eminem's Renegade verse is already hailed as one of the best guest verses ever (and one of the first and only cases of someone outshining Jay-Z on his own song), but did you know that Bad Meets Evil did the original version to the now Jay-Z claimed song? Yep it's true, I couldn't tell you how I stumbled across this, but while Eminem keeps the same verses he had in the Jay-Z version, it's very interesting to hear Royce's approach to his first verse because he keeps almost the exact same rhyme scheme that Eminem used for his guest verse on Notorious B.I.G's "Dead Wrong", listen to them both and compare if you don't believe me! Little facts and gems like this are what make me love what I do that much more, and they certainly display the conceptual talents of Royce and Eminem.
Drake ft. Bun B - Miss Me (original version features Lil Wayne and makes Drake's Thank Me Later album)
This is certainly a sweet mix if you're a Bun B fan (which you should be, check out my Bun B's influence article if you haven't yet), and it makes sense to include a Bun verse since he was already featured in the song, even in the Lil Wayne version (29 second mark). It's no surprise that Drake felt it was right to have a Bun B feature at some point, considering his being featured twice on Bun's Trill O.G. album, and especially considering Drake's praise of Houston and it's part in shaping him.
Knowing there are little known different versions of songs out there just makes you feel so special doesn't it? I know it makes me feel good, shit I feel like I work for Interscope. Of course the label doesn't leak music, that's certainly the last thing they would want to happen, but still. Having access to these little known tracks is a pretty cool and special thing, and really puts that thought in your mind: "what other versions of songs have been made that haven't been put out?" The thought of it all is too much to process right now, but be sure to let me know if you know any more little known alternate versions of songs that didn't end up on albums/mixtapes on Google+ or Twitter (@SuperNovaRover).
Royce Da 5'9 ft. Big Sean - My Own Planet (other version features Joe Budden, Royce's Success Is Certain album)
This version of Royce Da 5'9's "My Own Planet" you would know if you listened to his The Bar Exam 3 mix tape. The Success Is Certain album version of this song features Royce's fellow Slaughterhouse group member Joe Budden. It's hard to distinguish why Royce would choose to switch out Sean's verse with Joe's, or even why he would want to put the song on his album, but both are great mixes. Royce has made it known in the past that he doesn't appreciate Sean's getting big and forgetting to show other Detroit rappers love (though the new Shady XV leaks would say differently), but you wouldn't be able to tell from this jam.
Eminem ft. Royce Da 5'9 - Renegade (original is a Jay-Z song featured on Jay's The Blueprint album)
Bad Meets Evil fans are sure to love this one (if you don't know about it already). Eminem's Renegade verse is already hailed as one of the best guest verses ever (and one of the first and only cases of someone outshining Jay-Z on his own song), but did you know that Bad Meets Evil did the original version to the now Jay-Z claimed song? Yep it's true, I couldn't tell you how I stumbled across this, but while Eminem keeps the same verses he had in the Jay-Z version, it's very interesting to hear Royce's approach to his first verse because he keeps almost the exact same rhyme scheme that Eminem used for his guest verse on Notorious B.I.G's "Dead Wrong", listen to them both and compare if you don't believe me! Little facts and gems like this are what make me love what I do that much more, and they certainly display the conceptual talents of Royce and Eminem.
Drake ft. Bun B - Miss Me (original version features Lil Wayne and makes Drake's Thank Me Later album)
This is certainly a sweet mix if you're a Bun B fan (which you should be, check out my Bun B's influence article if you haven't yet), and it makes sense to include a Bun verse since he was already featured in the song, even in the Lil Wayne version (29 second mark). It's no surprise that Drake felt it was right to have a Bun B feature at some point, considering his being featured twice on Bun's Trill O.G. album, and especially considering Drake's praise of Houston and it's part in shaping him.
Knowing there are little known different versions of songs out there just makes you feel so special doesn't it? I know it makes me feel good, shit I feel like I work for Interscope. Of course the label doesn't leak music, that's certainly the last thing they would want to happen, but still. Having access to these little known tracks is a pretty cool and special thing, and really puts that thought in your mind: "what other versions of songs have been made that haven't been put out?" The thought of it all is too much to process right now, but be sure to let me know if you know any more little known alternate versions of songs that didn't end up on albums/mixtapes on Google+ or Twitter (@SuperNovaRover).
Wednesday, May 21, 2014
A B.I.G Birthday: My Top 5 Notorious B.I.G Tracks
Arguably one of the best, unarguably one of the biggest to ever do it, today we celebrate the birthday of the one and only Notorious B.I.G. The ups and downs of such a life and career cannot begin to be documented in just one post. His momentous influence on hip hop still stands today and his lyricism and flow almost stand unmatched by anyone. Born and bred in the mecca of a very large portion of hip hop roots, Brooklyn, New York, from which has produced other gigantic names in hip hop such as Jay-Z, Mos Def, Talib Kweli, and many more. But enough of all this hoopla, here are in no specific order my top 5 favorite tracks Big Poppa has blessed us with.
1. Unbelievable
Okay, so this song is simply great. Everything about it from the beat to B.I.G.'s flow, is just remarkable. His stylish, wordy vocabulary makes it almost seem as if he could keep one actual flow going the entire song.
2. Dead Wrong (ft. Eminem)
What isn't there to say about this song that you couldn't say about a serial killer? And who better to join Mr. Smalls than the always descriptive, "don't bring him around you mother" Eminem? A truly fantastic song by all means. The beat, lyrics, and flow all get an A+ in my book.
3. Microphone Murderer (Freestyle)
Okay, so this one might not count as an actual song to most, but as Biggie says, "spit yo game, talk yo shit." That might not have made sense, but nonetheless, I love this mix. What we have here is the actual basement freestyle from the man himself with the rapping over the instrumental from the movie "Notorious." I find in this particular freestyle that B.I.G's powerful voice shows very thoroughly here.
4. Notorious Thugs (ft. Bone Thugs-n-Harmony)
This one has a quite different feel to it, but there is no reason it shouldn't make my list. Starting off with a chilling piano going into those vocals we all got to know and love from Bone Thugs, Big has no problem expanding his range and sound and it shows in this cut. What I love most about this song is its range. You can chill to it, party to it, or even get a nice pump up out of it if you need it.
5.Victory - Puff Daddy (ft. Notorious B.I.G & Busta Rhymes)
Even though this isn't necessarily a Biggie track, he surely claims this song like a proper emcee does. With more of his endless wordplay and rhythm, he destroys this track punch line after punch line. I personally love this beat, and Busta's constant energy throughout the hook just adds that much more. With Biggie delivering what are allegedly his last verses ever recorded, this video also stands as one of the most expensive music videos ever made, or at least at that time, with a production value of over $2.7 million.
Well that about sums it up in this edition of paying homage to "the real life Frank White." No, I don't even know who Frank White is or even if he's a real person or some sort of movie character. But we do know Notorious called himself this at times, at least multiple times in the last song. Anyways, thanks for reading, and feel free to let me know your favorites Biggie verses in the comment section below. We must keep the spirit alive. Brooklyn!
(**Disclaimer-- All the video links above were taken from Youtube. I do not own any of these videos, or the rights to them.**)
1. Unbelievable
Okay, so this song is simply great. Everything about it from the beat to B.I.G.'s flow, is just remarkable. His stylish, wordy vocabulary makes it almost seem as if he could keep one actual flow going the entire song.
2. Dead Wrong (ft. Eminem)
What isn't there to say about this song that you couldn't say about a serial killer? And who better to join Mr. Smalls than the always descriptive, "don't bring him around you mother" Eminem? A truly fantastic song by all means. The beat, lyrics, and flow all get an A+ in my book.
3. Microphone Murderer (Freestyle)
Okay, so this one might not count as an actual song to most, but as Biggie says, "spit yo game, talk yo shit." That might not have made sense, but nonetheless, I love this mix. What we have here is the actual basement freestyle from the man himself with the rapping over the instrumental from the movie "Notorious." I find in this particular freestyle that B.I.G's powerful voice shows very thoroughly here.
4. Notorious Thugs (ft. Bone Thugs-n-Harmony)
This one has a quite different feel to it, but there is no reason it shouldn't make my list. Starting off with a chilling piano going into those vocals we all got to know and love from Bone Thugs, Big has no problem expanding his range and sound and it shows in this cut. What I love most about this song is its range. You can chill to it, party to it, or even get a nice pump up out of it if you need it.
5.Victory - Puff Daddy (ft. Notorious B.I.G & Busta Rhymes)
Even though this isn't necessarily a Biggie track, he surely claims this song like a proper emcee does. With more of his endless wordplay and rhythm, he destroys this track punch line after punch line. I personally love this beat, and Busta's constant energy throughout the hook just adds that much more. With Biggie delivering what are allegedly his last verses ever recorded, this video also stands as one of the most expensive music videos ever made, or at least at that time, with a production value of over $2.7 million.
Well that about sums it up in this edition of paying homage to "the real life Frank White." No, I don't even know who Frank White is or even if he's a real person or some sort of movie character. But we do know Notorious called himself this at times, at least multiple times in the last song. Anyways, thanks for reading, and feel free to let me know your favorites Biggie verses in the comment section below. We must keep the spirit alive. Brooklyn!
(**Disclaimer-- All the video links above were taken from Youtube. I do not own any of these videos, or the rights to them.**)
Monday, May 19, 2014
Unreleased Music: Importance and Intrigue
So imagine this hip hop heads...you get online to do your daily music updates. Songs are in a debatable word "ehh". You got your soulja boy here, your kevin gates there, oh lil b just came out with his 5th mixtape in 4 months? No disrespect to loyal lil b fans of course, but, well, you see a guy like me finds no interest in that. So you scroll and scroll until you believe you've lost all hope in the day until just then; BAM! Herpes (No I'm kidding of course, Family Guy reference, sorry). But anyways, BAM! A new (technically old) Eminem video of him at age 25 surfaces on the web and you get more excited than Royce Da 5'9 when he touches his rifle's butt.
So what brings this excitement you ask? Well that my friends is what we are here to discuss. I can't be the only one when I say I absolutely love unreleased music, and with respect to all genres of different sizes and shapes of artists. It seems hip-hop takes the crown when we discuss unreleased material. A big reason for this possibly being the case could be the passing of arguably the 2 biggest and best to ever do it, Tupac Shakur and the literally big in his own right Notorious B.I.G. While the work ethic of both is seen differently; for example, an interview with Dr. Dre says being in the studio with Tupac is like making a whole album in one night (at least that's how I picture it, see Dre interview below starting at 3:55). Where as something new (old) from Notorious is definitely not as expected at this point, but from other's perspective might be something way more special.
Change happens in music. Sometimes its for the better and sometimes for the worse! But nonetheless it happens. For example, the old, insane Eminem that could give the Joker a run for his money. Many people would find this Eminem more descriptive, more lyrical, and funnier in what he says (depending upon your taste in humor). Now, when we talk about the new post-Recovery Eminem, it almost seems like a different person (not saying I'm a conspiracy theorist who believes the real slim shady died many years ago and they replaced him with a clone. No really...look it up. Isn't it crazy what people can come up with?). Recovery was a good album of course, but not what fans were expecting. The opera heavy lead single "Not Afraid" to me sounds like him walking up to a church pastor on a sunday morning, snatching the mic from him, handing the church choir lyrics sheets, and just letting it all out (cue "AMEN" from the crowd).
A breath of fresh air to an old school Eminem fan could possibly be something like stumbling across a 20 year old freestyle, or an interview, enjoying the old blonde Slim Shady we all grew to know and love. These hip hop artifacts if you will, are very key pieces to seeing the growth of an artist, the struggles they go through, and who they were before they really became "somebody" as they say. The process of becoming a name in the music industry is just that; a process.
So enjoy who your favorites artists may be now, enjoy what they're currently doing, and understand that no matter how big they may get to be, they probably do deserve their come up because they worked for it, and paid their dues. Everybody loves a throwback Thursday though, and who knows what the next big release may be, or even when it drops. So, be on the look out for new Tupac 2015!!
So what brings this excitement you ask? Well that my friends is what we are here to discuss. I can't be the only one when I say I absolutely love unreleased music, and with respect to all genres of different sizes and shapes of artists. It seems hip-hop takes the crown when we discuss unreleased material. A big reason for this possibly being the case could be the passing of arguably the 2 biggest and best to ever do it, Tupac Shakur and the literally big in his own right Notorious B.I.G. While the work ethic of both is seen differently; for example, an interview with Dr. Dre says being in the studio with Tupac is like making a whole album in one night (at least that's how I picture it, see Dre interview below starting at 3:55). Where as something new (old) from Notorious is definitely not as expected at this point, but from other's perspective might be something way more special.
Change happens in music. Sometimes its for the better and sometimes for the worse! But nonetheless it happens. For example, the old, insane Eminem that could give the Joker a run for his money. Many people would find this Eminem more descriptive, more lyrical, and funnier in what he says (depending upon your taste in humor). Now, when we talk about the new post-Recovery Eminem, it almost seems like a different person (not saying I'm a conspiracy theorist who believes the real slim shady died many years ago and they replaced him with a clone. No really...look it up. Isn't it crazy what people can come up with?). Recovery was a good album of course, but not what fans were expecting. The opera heavy lead single "Not Afraid" to me sounds like him walking up to a church pastor on a sunday morning, snatching the mic from him, handing the church choir lyrics sheets, and just letting it all out (cue "AMEN" from the crowd).
A breath of fresh air to an old school Eminem fan could possibly be something like stumbling across a 20 year old freestyle, or an interview, enjoying the old blonde Slim Shady we all grew to know and love. These hip hop artifacts if you will, are very key pieces to seeing the growth of an artist, the struggles they go through, and who they were before they really became "somebody" as they say. The process of becoming a name in the music industry is just that; a process.
So enjoy who your favorites artists may be now, enjoy what they're currently doing, and understand that no matter how big they may get to be, they probably do deserve their come up because they worked for it, and paid their dues. Everybody loves a throwback Thursday though, and who knows what the next big release may be, or even when it drops. So, be on the look out for new Tupac 2015!!
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