Troy Ave Disses Joey Bada$$

Did you think Joey Bada$$ and Troy Ave's beef was over?  Think again.

Now in the past Joey and Troy have sent each other shots on Twitter and mentioned each other in interviews, and they even squashed the beef awhile back, but I suppose they are back at it again. Supposedly, last week Joey Bada$$ put out a track called "Ready" in which he sent a small jab at Troy Ave; "60k first week for the Badass/ 200k to this day I know you niggas mad/ With the 80/20 split my nigga do the math/ My nigga Kirk just outsold Troy Ave."

Now bar for bar I have to take Joey over Troy (I mean come on, is it close?), but what do y'all think? Do you see this turning into anything big, or interesting?  Check out Troy's Joey Bada$$ diss below.



   

The 17 Year Anniversary of The Slim Shady LP

That's right, it's been 17 long years since Eminem began terrorizing the minds of people all around the world with The Slim Shady LP. This album resulted in a lot of controversy, ranging from lawsuits with many, (from people in Eminem's life, including his infamous mother Debbie Mathers and childhood bully DeAngelo Bailey) to backlash over his shocking lyrics and wordplay. If there's one word to sum up Em's spectacular, roller coaster career (though I just gave you 3); the best word for it would be controversial. This is one of the reasons Eminem has always peaked my interest. A lot of material was made during the process of Eminem's long career, and leading up to the much anticipated release of his major label debut, Em promoted the hell out of it. Here's a few cool little known videos that were made leading up to The Slim Shady LP's release.

Eminem promotes The Slim Shady LP's release


Dre says at the 1:06 mark; "this is the result of a lot of acid." It's funny because ironically enough, during the making of The Slim Shady LP, Dre has said that they recorded most of Eminem's debut on Ecstasy. Eminem told Rolling Stone about Dre and his recording process in 1999, and Dre responded with: “He didn’t say that! It’s true, though. We get in there, get bugged out, stay in the studio for fuckin’ two days. Then you’re dead for three days. Then you wake up, pop the tape in, like, ‘Let me see what I’ve done.'”

Eminem Freestyles Words Given to Him, + Interview


Here's another cool interview that Em gave with MTV before the release of The Slim Shady LP, discussing growing up and why he raps, including the competitive aspect of it and doing it for the love. He even discussed coming up being compared to Vanilla Ice, and had some not so kind words for him.

Eminem discusses what he's been through, confusion over his lyrics, etc.

(*I do not own any of these videos, or the rights to them*)

Here Eminem discusses some confusion over his lyrics in the song "Guilty Conscience", where a writer (Timothy White) was offended by some things Eminem said (surprise!). Eminem says in the interview; "First of all he doesn't know hip hop so he doesn't belong judging it. He doesn't even know about, so he shouldn't speak on it." Some cold words from Em (which isn't new), but something that has certainly benefitted Em's career has been his way of saying what's on his mind and his "just don't give a fuck" attitude, which seemingly hasn't changed. Anyways, this interview is for sure another interesting look at how it was around the time The Slim Shady LP was pissing off the world.

It seems Eminem will always have something to say that rubs somebody somewhere the wrong way, which ultimately, (if you think about it) is pretty funny. In America, the home of the brave and the land of the free, someone got mad because a rapper jokingly talked about rape for some shock value looks and reactions. Eminem has almost always been a secret comedian it seems; shedding light on the horrors of America (and probably the rest of the world) through comedy. But even after all of it, after all of the things he says, after all of the people he disses, he's still a top notch emcee who should be respected for his craft, and his respect towards hip hop.                   


  

        











 

Is 50 Cent "Getting Exposed"? (Also, A Message)

For such a long time (realistically, since about 2003), 50 Cent has been such an intimidating presence in hip hop. He's made some of the heaviest and hardest hitting hip hop songs to date, songs which detailed the life of growing up in the hood, selling drugs, and getting shot. 50 has made his lifestyle apparent even today, getting into constant feuds with just about everybody under the sun. For what reason this may be remains to be seen; does 50 constantly have a need to prove his masculinity to people?  Or does 50 just hate that many people?  A point could be made that 50 just likes to give his controversial (and somewhat disrespectful, at times) opinion whenever he sees fit, but another point could also be made that 50 tries as hard as he possibly can to stay in the limelight for as long as he can without making music. A few things have happened with 50 recently that have peaked my interest about the South Jamaica, Queens, New York rapper. Is 50 Cent a fraud?  You be the judge, but allow me to supply you with some facts of the recent situations 50 Cent has been getting into.

So in case you haven't heard, back in January 50 got into an Instagram beef (ha-ha to this, seeing as it's mostly the only way rappers express their problems and opinions nowadays) with Murda Inc. founder Irv Gotti over the rehashed feud they had back in the day that also ended up including Aftermath, some Shady Records Artists (including Eminem, Obie Trice, etc.) and the original member of the beef with 50, Murda Inc. rapper Ja Rule. Meek Mill had originally tagged Irv in an Instagram post, asking "Can you clarify that he told on y'all? We need answers!" Of course Gotti happily clarified with the post below.

It's understandably easy to take Irv's words above as "promo" for himself, a way to get some easy publicity, but when you see the first picture above of the "order for protection" put out by Curtis Jackson (50's real name), you start to wonder about 50. Why would he put on like that and claim so confidently to this day that he won the beef against Irv, Ja Rule and Murda Inc.? The real heads that were watching the beef go down and heard about the details on every diss track put out back and forth between Ja Rule and 50 (who also had Eminem, Dr. Dre, Obie Trice, and the rest of G-Unit backing him up) would think that 50 put Ja to sleep and essentially ended the run of Murda Inc.'s success. But, it'd also be easy to misconstrue the assumption that 50 "won" his beef against Irv, Ja and Murda Inc. seeing as the above document gives off the assumption that 50 was actually, truly scared of Irv, Ja and Murda Inc., and feared for his life. Of course 50 then responded with an outrageously disrespectful Instagram post, saying to Irv, who's 82 year old dad was celebrating a birthday, to "Tell yo daddy I said hurry up and die punk. Let's get to it no more IG." Considering how left field 50 had to go to respond to Irv, this definitely gave off the assumption that what Irv was saying was true, and that 50 felt rattled, and beaten.



Recently, reclusive rapper Jay Electronica hosted a live session on Periscope in which he made headlines for dissing 50 Cent and Kendrick Lamar. Jay had much to say about 50 Cent; "50 Cent, at once, he was a good rapper. Right now he got the potential to be a rapper, but he's on some sucker shit... and we will slap 50 Cent's eyeballs loose from his scalp." 50 (as usual, entertaining the bull, though it can be entertaining, somebody grab me some popcorn) responded on Instagram to a fan who asked him about Jay Electronica's comments. 50 Cent wrote in a response, "who is that? I don't even know a song from him LMAO". Because of this, Jay Elec released the song above and tweeted to 50 yesterday, "don't make me expose you as a coward." It will certainly be interesting to see how this 50 and Jay Elec beef will carry on, do you think Jay Elec can hold his own against 50?

Anyways, it's amazing to see that all of this hoopla can keep somebody in the limelight the way that it does 50 Cent (also others who seemingly cant help but offer their 2 cents on any and every situation, such as Kanye West, and the struggling to stay relevant Azalea Banks). It's a lost art to act mature in hip hop these days. It's a sad sight to see, especially when you know 50 Cent at one time was a great rapper who has put out classic albums, and was in the news because of how good his music was, and not because he was popping off on any and everybody who said something about him. It's not always the most entertaining on social media, but it says a lot about one's (rappers specifically) character when they can take all of the allegations, the flack, and the hate, and use it as fuel to inspire and create great music. Kendrick Lamar's message on his "Control" verse is slipping, but it still holds relevance to the ones who still like to actually rap, and competitively at that. Maybe some of these guys should take notes.  

         




           

    

            

Wiz Khalifa's "Khalifa" Album Review

It's crazy to think about 28 year old Wiz Khalifa being a veteran in rap; but with almost 20 different projects put out (hard to distinguish the difference between albums and mix tapes, though most would say he has 4 albums), there's no debating that Wiz Khalifa is a veteran in this here rap thing. He's experimented with his sound since 2006, being once known as the Prince Of The City, "Trap Wiz" on his 2014 mix tape 28 Grams, and asking How Fly is he really with frequent collaborator Curren$y, but this time it seemed Wiz wanted to combine all of his different styles and personas into one while staying true to the backpacking Wiz that became so huge in the late 2000s. So did Wiz give his fans what they wanted with Khalifa?



It's not hard to tell that the big single from this project was the hyped up Travi$ Scott feature "Bake Sale", and the fun and wavy vibe that this jam gives off is easy to find throughout Khalifa. "Cowboy" is an interesting twist on the typical Wiz song given it's decent storytelling vibe, but is also able to keep the party vibe going, while "Celebrate" brings Wiz back to his comfort zone with some clean shit talkin' over a smooth beat and a nice Rico Love feature.

Old Wiz was making a few worthy appearances on Khalifa as well, this is most evident from the almost inspirational banger "Elevated." The hook on "Elevated" creates the signature Wiz vibe with some spiritual background vocals that Wiz mastered back in his mix tape days, and he gives the same classic Wiz vibe with "City View" featuring singer Courtney Noelle. Seeing a Courtney Noelle feature for Wiz fans is certainly a nostalgia trip, reminiscent of "Bank Roll" off of Wiz's Star Power mix tape.


                (*I do not own these songs, or the rights to them*)

The features on Khalifa are none too showy; Wiz stuck to the Taylor Gang and that is no surprise. Every feature fits where it belongs, and each person plays their part perfectly. Courtney Noelle's singing made "City View", while Rico Love, J.R. Donato, Chevy Woods and Juicy J all added a vibe that only they could to each of their features. You can feel Wiz and Chevy Woods' chemistry for making bangers on "No Permission", Wiz's son Sebastian adds an almost tear jerking ending to "Zoney", and Juicy J stays doing Juicy J things on "iSay" (a weird beat to hear Juicy over, but an awesome song, nonetheless).        

Wiz came out to show and prove with Khalifa, it seems. The title is fitting, because this album is Wiz to the core. The feel good vibes live throughout almost every song on Khalifa, and it seems Wiz brought meaning back to not only what he was saying, but the overall sound in his music. Wiz is never going to be the most lyrical, but when it comes to creating a certain vibe in his songs, whether it be to turn up to, to chill to, or to even hear some real shit, Wiz creates the vibe with his genius way of song making. Khalifa is a veteran's way of staying true, and staying fun at the same time.        

     

      










          

4 Beats Of J. Dilla's Rappers Have Reused

It was 10 years ago yesterday that immortal producer J. Dilla passed away, and though he's been gone for 10 years (already), his spirit and his music will undoubtedly live on forever. Dilla is certainly one of the most influential hip hop producers of all time, so great and raved about that it's almost hard to argue that he was underground anymore (considering he's been shown respect by hip hop legends, including Dr. Dre, Phife Dawg, Q-Tip, and even rappers of today such as Kanye, Common, etc.). So on the anniversary of his death, we shall celebrate his life and influence on todays generation, with 4 beats of his that rappers have reused.

Wiz Khalifa - Name On A Cloud/Wussup


Dilla was the king of the vibe, and his beats always created an atmosphere which made you want to bob your head, rap your ass off, or even smoke a doobie (in the above rapper's case, the latter is probably the most believable). Wiz jumped on Dilla's "Runnin" instrumental originally used by the Pharcyde and put his own little twist on it. Knowing Wiz he wanted to create a vibe for his fans to burn one to, do you feel he did the beat justice?

Nas - The Season


It's dope as hell to hear Nas over a Dilla beat, if ANYBODY. The jazziest rapper over the jazziest beats, it only makes sense for this to have happened (we certainly need more Nas over Dilla). Nas (and known collaborator AZ) went over Dilla's "Gobstopper" instrumental and certainly did it justice with that dope Nas flow we've all grown to love, and lines like "Nas, a Dilla beat, a fly soliloquy." Two of the greatest.

Beedie The Beat Bully - Won't Do


It seems Beedie hasn't done much to make a name of himself in awhile, but back in 2011 he made some waves by going over Dilla's "Won't Do" beat. Beedie was part of a wave of rappers that were coming out of Pittsburgh in the late 2000s/early 2010s, but hasn't quite made the name that he'd like to for himself, unlike his other successful Pittsburgh alumni Wiz Khalifa and Mac Miller.

Joey Bada$$ - Two Lips

            (*I do not own these songs, beats, or the rights to them*)

Joey Bada$$ went over a classic Dilla instrumental, and for a good cause. The "Two Lips" instrumental was given to Joey Bada$$ by the J. Dilla Foundation to make a song over it, and sell along with some limited edition tee shirts. All proceeds went to purchasing music lessons and instruments for underprivileged kids.

Long Live JayDee, Dilla Dawg, James Yancey... long live J. Dilla!     




     



     








         






   

The Smoothest Voice In Hip Hop; Anderson .Paak

The newest and most refreshing voice that's taking over hip hop, even when not truly being defined by hip hop, is none other than Oxnard, California's own Anderson .Paak. He made noise by being an unknown feature on Dr. Dre's long awaited Compton album, and only got bigger after that with being a feature on Game's Documentary 2 album. But these features were just the warm ups that lead up to .Paak's 2nd studio album Malibu, which has seemingly cemented his very own funky sound and style into mainstream music.

It's hard to say that .Paak is one specific genre; when you hear him featured on Dr. Dre's "Animals", "For The Love Of Money", and "All In A Day's Work" off of Compton; The Soundtrack, you'd probably think that he adds the perfect soulful sound on some banging hip hop tracks with just his voice alone, but when you hear him on his own tracks like "Am I Wrong", "The Bird", or "Lite Weight", you wouldn't know whether to make love to your partner, or to get on the dance floor and show out!


(One of the best examples of the funky sound that .Paak demonstrates all throughout Malibu)

Dr. Dre brought .Paak into the music world perfectly with some heavyweight features on one of the most highly anticipated albums of the last century, and though .Paak just added his signature voice and sound to Dre's songs on Compton, he was finally given his chance to do his own thing with Malibu, and he did it perfectly, not to mention that he's able to feature with some of today's biggest rappers and create his own shine on a track without stealing that person's song. Anderson .Paak's music is a breath of fresh air throwback; this statement may not make sense, but how else can someone make such a classic genre of music sound so new and refreshing?  .Paak brings back the funk so hard, it's like he time traveled back to the 70's with today's instruments and musical equipment, recorded the songs, then came back and released them to the public. Yes .Paak is bringing his own signature sound, a sound that is good for dance, jazz, funk, and hip hop fans alike.

       
(I've been jamming this song so damn hard since it came out in the 2nd half of last year. *I do not own these songs, nor the rights to them*)























      

        

#TBT Whatever Happened To Kevin Rudolph?!

"Let it rock, let it rock, LET IT ROCK!!!" This was one of the JAMS of 2008 (yes 2008, it's been that long), and I just bugged out remembering that this song actually existed. Bugging out being a good and bad thing; good thing because Kevin Rudolf was admittedly a guilty pleasure artist back in the day who bended the genre with his heavy guitar influenced music which included some huge rap features, but bad because PEOPLE ACTUALLY LISTENED TO THIS BACK THEN!

Kevin Rudolph didn't have the longest tenure in music (and to be honest I'm unsure if he still makes music), but the time he spent on top was time that people enjoyed. I was just leaving middle school going into high school when "Let It Rock" dropped, and you couldn't pass a hang out spot without an iPod blaring some "Let It Rock", or having Mr. Rudolph "welcome you to the world"! Rudolph gave a crisp new rock feel to an already rising popular hip hop genre, and boasting this new blended genre were big names like Lil Wayne, Rick Ross, and even Nas jumped on a song on Rudolph's 2008 (pretty sure it's his debut) album In The City.

But is it bad that people listened to this back then?  Obviously hindsight is 20/20, so if you listened to Rudolph back then, would you use the excuse that "everybody was listening to it"?  Does a "hip hop head" lose their credibility if they bump some Kevin Rudolph?  HELL no.  "Guilty pleasure music" shouldn't be a thing that exists, because if you liked listening to this music back then, then you don't have to explain shit.  So shut up, quit thinking so much about it, and sit back and bump you some (for my era) classic Kevin Rudolph, included are 2 of his biggest hits below.




(*I do not own either one of these songs/videos, or the rights to them*)