Is 50 Cent "Getting Exposed"? (Also, A Message)

For such a long time (realistically, since about 2003), 50 Cent has been such an intimidating presence in hip hop. He's made some of the heaviest and hardest hitting hip hop songs to date, songs which detailed the life of growing up in the hood, selling drugs, and getting shot. 50 has made his lifestyle apparent even today, getting into constant feuds with just about everybody under the sun. For what reason this may be remains to be seen; does 50 constantly have a need to prove his masculinity to people?  Or does 50 just hate that many people?  A point could be made that 50 just likes to give his controversial (and somewhat disrespectful, at times) opinion whenever he sees fit, but another point could also be made that 50 tries as hard as he possibly can to stay in the limelight for as long as he can without making music. A few things have happened with 50 recently that have peaked my interest about the South Jamaica, Queens, New York rapper. Is 50 Cent a fraud?  You be the judge, but allow me to supply you with some facts of the recent situations 50 Cent has been getting into.

So in case you haven't heard, back in January 50 got into an Instagram beef (ha-ha to this, seeing as it's mostly the only way rappers express their problems and opinions nowadays) with Murda Inc. founder Irv Gotti over the rehashed feud they had back in the day that also ended up including Aftermath, some Shady Records Artists (including Eminem, Obie Trice, etc.) and the original member of the beef with 50, Murda Inc. rapper Ja Rule. Meek Mill had originally tagged Irv in an Instagram post, asking "Can you clarify that he told on y'all? We need answers!" Of course Gotti happily clarified with the post below.

It's understandably easy to take Irv's words above as "promo" for himself, a way to get some easy publicity, but when you see the first picture above of the "order for protection" put out by Curtis Jackson (50's real name), you start to wonder about 50. Why would he put on like that and claim so confidently to this day that he won the beef against Irv, Ja Rule and Murda Inc.? The real heads that were watching the beef go down and heard about the details on every diss track put out back and forth between Ja Rule and 50 (who also had Eminem, Dr. Dre, Obie Trice, and the rest of G-Unit backing him up) would think that 50 put Ja to sleep and essentially ended the run of Murda Inc.'s success. But, it'd also be easy to misconstrue the assumption that 50 "won" his beef against Irv, Ja and Murda Inc. seeing as the above document gives off the assumption that 50 was actually, truly scared of Irv, Ja and Murda Inc., and feared for his life. Of course 50 then responded with an outrageously disrespectful Instagram post, saying to Irv, who's 82 year old dad was celebrating a birthday, to "Tell yo daddy I said hurry up and die punk. Let's get to it no more IG." Considering how left field 50 had to go to respond to Irv, this definitely gave off the assumption that what Irv was saying was true, and that 50 felt rattled, and beaten.



Recently, reclusive rapper Jay Electronica hosted a live session on Periscope in which he made headlines for dissing 50 Cent and Kendrick Lamar. Jay had much to say about 50 Cent; "50 Cent, at once, he was a good rapper. Right now he got the potential to be a rapper, but he's on some sucker shit... and we will slap 50 Cent's eyeballs loose from his scalp." 50 (as usual, entertaining the bull, though it can be entertaining, somebody grab me some popcorn) responded on Instagram to a fan who asked him about Jay Electronica's comments. 50 Cent wrote in a response, "who is that? I don't even know a song from him LMAO". Because of this, Jay Elec released the song above and tweeted to 50 yesterday, "don't make me expose you as a coward." It will certainly be interesting to see how this 50 and Jay Elec beef will carry on, do you think Jay Elec can hold his own against 50?

Anyways, it's amazing to see that all of this hoopla can keep somebody in the limelight the way that it does 50 Cent (also others who seemingly cant help but offer their 2 cents on any and every situation, such as Kanye West, and the struggling to stay relevant Azalea Banks). It's a lost art to act mature in hip hop these days. It's a sad sight to see, especially when you know 50 Cent at one time was a great rapper who has put out classic albums, and was in the news because of how good his music was, and not because he was popping off on any and everybody who said something about him. It's not always the most entertaining on social media, but it says a lot about one's (rappers specifically) character when they can take all of the allegations, the flack, and the hate, and use it as fuel to inspire and create great music. Kendrick Lamar's message on his "Control" verse is slipping, but it still holds relevance to the ones who still like to actually rap, and competitively at that. Maybe some of these guys should take notes.  

         




           

    

            

Hip Hop Year In Review 2015

There is a give and take in any good relationship; relationship meaning a status you hold with someone (or in this case, someTHING) in your life. There's always going to be someone or something that gives you a different perspective on life (or anything, for that matter). Variety in life means choices, such as different types of hobbies, or different kinds of people you associate yourself with, for example; there's the guy that has to make everything a competition, that guy who you could call your brother and open up to about anything, then there's those partiers that are just too fun not to hang out with, and maybe every now and then you'll encounter that person that just makes you feel cooler than the rest of the block. Such is hip hop; introducing the year of variety.

Drake owned 2015. In fact, if we name this year like people do the Chinese new year, then 2015 was the year of the owl. Despite the (not what anyone would call setbacks at all because, domination) setbacks that Drake encountered (Meek Mill beef, ghostwriting accusations, the "contract" struggle on Cash Money, and being in the middle of the battle of Lil Wayne vs. Birdman), Drake still managed to have the biggest year in hip hop (again). If You're Reading This It's Too Late was Grammy nominated, his collaborative album with Future What A Time To Be Alive was at one point the biggest album in the world, and his annoyingly catchy "Hotline Bling" became #1 on Billboard's Hot 100 list. Oh, and ever hear of a diss track becoming Grammy nominated?  Also this year, Drake's Meek Mill diss "Back To Back" was Grammy nominated for "Best Rap Performance". October's Very Own did it again; the year of the owl.


(Because I didn't want to share a Drake and Future song. Also, this song represents what 2016 could bring. For those looking for change.)

Although the Grammy's are yet to happen (not until 2/15), hip hop heads can rejoice at the notion that this year's "Best Rap Album" nominees are (arguably, not really though) some of the most deserved. To say J. Cole's 2014 Forest Hills Drive has gotten all the attention it has deserved would be criminal, and the same goes for Kendrick's To Pimp A Butterfly and Dr. Dre's Compton; The Soundtrack (Dre could probably do without winning considering the movie's success as well) . Lupe Fiasco's Tetsuo & Youth might be the most slept on album of the year, while fans might also be angry that Mac Miller (GO:OD AM), Earl Sweatshirt (I Don't Like Shit, I Don't Go Outside), Big Sean (Dark Sky Paradise), The Game (The Documentary 2), A$AP Rocky (At. Long. Last. A$AP), and Future (DS2, 56 Nights, Beast Mode) didn't get the nods they thought they deserved. Also, Travis Scott, Rich Homie Quan, and Rae Sremmurd (as much as I hate to admit) all had huge years.


(Kendrick was one of the biggest contributors to bringing back the "music video with a concept")

What else did I miss that's worth talking about?  Marvel did an incredibly dope thing called "Marvel Hip Hop Variants" with their very own super heroes remaking classic album covers (you can see a gigantic list of those covers here http://hiphopgoldenage.com/list/35-marvels-hip-hop-variants/), and Stretch & Bobbito finally got their just due with Radio That Changed Lives!  If there is one piece on hip hop that needs to be seen from this year, the Stretch and Bobbito documentary is that piece. Old unreleased freestyles and interviews from the likes of legends such as Eminem, Jay Z, Nas, Fat Joe, and more surface in their documentary, and if you're one that likes "diggin' through the crates" as the old heads say, then this is your thing.



In terms of coming up, a lot of names could be put on this list. Michael Christmas, Boogie, and Mick Jenkins immediately come to mind, but it'd be wrong to say that there aren't several more artists that could blow up in 2016. Rap took a turn for hilarious, ridiculous fun when Run The Jewels put out their mega-cat-remix album Meow The Jewels made up of 90% cat sounds. The Game got into more beef and legal problems (surprise), and Grantland staff writer Shea Serrano also released his very successful book "The Rap Yearbook", which chronicled the biggest rap song of every year from 1979 to 2014, and also illustrates how hip hop is the product of multiple musical genres mixed with the poetic word expressing the oppression that blacks have faced throughout U.S. history.


   (*I do not own any of these songs, videos, or the rights to them*)

Was 2015 the year of the wave riders (which Drake and Future so often got accused of being, although I can't say I disagree)?  It could be argued that this is the case, certainly. But I think 2015 turned out to be much more than that. Not just because there were too many dope projects that dropped and made us all jig in our own way, but because you created a sort of relationship with every rapper you heard this year. Some rappers pushed you to do big things because of their competitiveness and work ethic (Eminem, just because he works on his craft, Kevin Gates because he doesn't get tired), some rappers opened themselves up to the world and were accepted (Kendrick), some rappers made you want to party until the world ends (Future, Rich Homie Quan, Rae Sremmurd, etc.), and some rappers just made you feel like you were fresher than the rest of the block (Fabolous). The year of variety happened so fast because people were looking for the next thing instead of enjoying what they already had (which makes an argument for 2015 being "the year of the wave rider"), but here's to hoping 2016 stops that trend. A flood of music forces the listener to move onto the next thing faster than the brain can process, so why would artists want to ruin the impact of the music that they just put out?  Anyways, here's to an incredibly bumpy, roller coaster year for hip hop and hoping for a more consistent one, yet just as entertaining.              

                



 









          

Rick Ross Says He's One Of The Biggest Ghostwriters In Rap

Oh the irony; Rick Ross came out in an interview with Time magazine recently and discussed his newest album Black Market (set for release on December 4th) and also said something else that definitely sparked some interest. Ross came out to say that he is "one of the biggest ghost writers in the rap game. Check out some quotes from his Time interview below.

How did your time in the headlines shape the direction of the album?

It most definitely made it a more personal record, it made it a more—I don’t want to use the word serious, but more a topic-driven record. I had a lot of time to just sit by myself, so I had a lot more things I wanted to address. That’s what I did on this LP. I spoke on different things. One of them goes by the name of “Ghostwriter.” I finally wrote a record telling the way it feels for me to be a ghostwriter, and not only a ghostwriter, but one of the biggest in the rap game. Because of my own personal success I’ve always been able to keep that in the shadows. On this record, I just felt it was so current. It was needed.

Ross then got asked about the Meek and Drake beef and what ghostwriting means in hip hop.

Ghostwriting was a big topic this year with the feud between Drake and Meek Mill. Do you think that having someone write rhymes for you is necessarily at odds with being an authentic artist?

It depends on really the point you’re looking at. If you’re a battle rapper on the block, the emcee battle challenger, not writing your rhymes could really hurt you. When you’re an artist where maybe the focus is really the talent and the different things you bring to the game, I believe it’s more understandable. Someone who may have another vision or just ideas that are priceless versus someone who’s like, “I’m basing my entire career off the words I’m finna tell you right now over this 30-second period.” I’m not speaking to anybody in particular, but let’s say for instance if you was DMX and had a ghostwriter, it’d maybe change the [perception] versus if you was will.i.am. I think that’s more about the music, the records.

I know I'm not the only one who thinks it's ironic that Ross is suddenly making a claim that he is "one of the biggest ghostwriters in rap" all of a sudden, but his claims do make the question inevitable; Does having a ghostwriter lower your value and authenticity as a rapper?  I believe it does, although Ross does have a point that there is a difference when it comes to artistry, and then as a battle rapper (where you're supposed to "earn your keep" as an emcee who writes his own rhymes).  It'll be interesting to see what Ross has to say on his "Ghost Writer" track on his upcoming album Black Market, set for release on December 4th.       

Hey Meek... You Might Want To Stay Off of Social Media For Awhile (Wale interview, Meek instagram post)

Meek Mill and Wale make news again... and not in a good way (surprise!). Meek took to Instagram today to fire back at Wale for some comments he made in an interview with Power 105.1 about MMG and Meek, and Wale was not bashful speaking about the very much publicized (and meme'd) beef between Drake and Meek Mill. Here's what Wale had to say;

“I honestly feel like [Meek] brought a pencil to a gun fight," said Wale. "You can’t compete with somebody who has those types of relationship. I’m telling everyone who thought Meek lost just off the strength of losing, it doesn’t matter what he made, he could have made ‘Ether 3.0’, the opinions of the people would have been that of the kid from Toronto waxed him. Drake went to Apple and my man went to Funk Flex–and there’s nothing wrong with Flex–but we talking about Apple, breh.”

Interesting comments, they seem honest enough, especially considering all the flack Meek has gotten during the Drake beef drama (all the diamond, and now pencil emoji's fans/trolls have littered Meek's Instagram posts with), though Meek took these comments to heart and started spewing off of the dome (which is probably how he got himself into all of this so called "beef" in the first place). Meek's response to Wale's comments can be seen below;

 "U not MMG NOMORE! This why u can't get my number you a hoe! ???? and u dead cracked right now @wale foh nuttttt! I wasn't even mad at you Fam u got some real issues with yaself and you jealous! Broke rapper! I don't speak on Mmg in interviews unless it's good! U a clown ... We don't wanna hear you nomore Fam! Go jump off a roof like u been tryna do chump! He not MMG IM MAKING THAT CALL ... He been tryna call me saying Rozay owe us money... He don't owe me shit and if he do I'll get it later .... Go that away!"

So... I guess you could say they're working it out. Naw... probably not. Wale's original interview with Power 105.1 can be seen below.

                                             (*I do not own this video, or the rights to it*)

 

Did Drake Really Let Someone Pee On Him? (T.I. Interview on Ebro In The Morning)

Drake and Meek's beef has seemed to die down just enough to let Drake's (rumored) joint mix tape with Future actually break the internet (even though any new Drake music breaks the internet already, Future would just be icing on the cake). The feud between the 2 had died down almost enough for Meek to put out music and not have rabid die hard fans at his neck in Instagram or Twitter comment sections talking about how Drake has ended his career. The two had almost gotten to the point where they could go about their careers and not care about headlines concerning their supposed "beef"; until Ebro pushed the agenda with his recent interview on "Ebro In The Morning" with T.I.

With Ebro being the always controversial, yet somehow balanced enough to see both sides of the story type of interviewer that he is, he continued to ask Tip the question that everybody wants to know about Drake vs. Meek; did Drake really get peed on in a movie theater as Meek said in his diss track "Wanna Know"? T.I. dodges the question just as a G rightfully does when faced with a tough question (because Tip is just that cool), but is his question dodging to avoid getting involved in the beef, or is it because he doesn't want to expose Drake?  Peep the full interview below.

                                             (*I do not own this video, or the rights to it*)   

Who's On Your Rap Label? (A Point System Game)

I have a dream... well, I constantly have daydreams of what my perfect rap label would be like (if you were expecting some inspirational MLK shit there, sorry if I disappointed). There are literally so many rappers with so many different types of skills that it's insane to think about what they could all do together (or with different collaborators, you remember my "who are your dream collaborations" article awhile back? this is almost of the same vein). Too many times have I thought about how limited some of my favorite rappers are because of their label, or because of whose in their circle, or even because of who they frequently collaborate with. You never know what could have happened with some artists if their career paths may have went differently, or if they do in the near future (butterfly effects aside). This post is for those like me that think (probably waaay too much) about how things could be if they were different. All I want to know is this:  who's on your rap label?

Now before we start the game I have to lay down some guidelines:  first up is the point system. I tried to make it as simple as possible in terms of what rankings each rapper got, the best rappers get a 5 point ranking while the worst get a 1, and so on. A 5 point ranked rapper is what you would want to lead your label:  in terms of selling records and being the fan favorite, this is your go to artist. A 1 point artist isn't necessarily just a label filler, they could be whatever you want them to be, it is YOUR label after all, although to make it challenging I have given each label a 12 point limit per label, though there is no limit to how many rappers/artists are on your label.

Next up are the label tags (or in NFL terms, the "franchise" tags). These tags basically define what each rapper is and how the public sees them (or at least how I see them, you may see them differently, all I ask is that you follow the guidelines). Some rappers/artists will get tags that others won't because it is all based on how unique that rapper/artist is musically, but these tags include; Chart Topper (CT), Lyrical Miracle (LM), Fan Favorite (FF), New Artist (NA), Party Music (PM), Thought Provoking (TP), Story Teller (ST) and Original Gangsta (OG). The only guidelines I have for the tags is that every label have at least 1 Chart Topper (CT), 1 New Artist (NA), and one Original Gangsta (OG). Every other artist is up to you, there is no limit to how many of each.

The last rule is that there are to be no label heads involved on your label, obviously because you would be taking their place. So this means Eminem, Jay Z, Nas, Diddy, Lil Wayne, Dr. Dre, Kanye West, T.I., Rick Ross and Birdman will not make the list. The rest of the rappers, however, are all fair game. I only define label heads as the MAJOR labels (Shady Records, Young Money, Cash Money, GOOD Music, Roc Nation, Mass Appeal, Grand Hustle, Bad Boy, Maybach Music Group), so labels like Drake's OVO and B.o.B's No Genre would not make this list. Whatever you believe the guidelines should be, they have been set and to play the game you must follow them (it's supposed to be a fun challenge as well, I hope to readers follow the guidelines and play the game fairly). Anyways, below is a list of most every rapper that qualifies to make the list, along with their tags and point totals next to them.

5 Points                                                                                                     4 Points
Kendrick Lamar (ST)(CT)(LM)(TP)                                          Logic (ST)(FF)(TP)(LM)(NA)
J. Cole (ST)(CT)(LM)(TP)                                                         Lupe Fiasco (TP)(LM)(FF)
Mac Miller (FF)(TP)(PM)(LM)                                                  Big Sean (PM)(LM)
Tyler The Creator (LM)(PM)(FF)                                              Meek Mill (PM)(LM)
Drake (ST)(PM)(FF)(CT)                                                           Young Jeezy (OG)(ST)(CT)(PM)
Nicki Minaj (LM)(FF)(CT)                                                         Fabolous (OG)(FF)(PM)(TP)
Big K.R.I.T (FF)(PM)(TP)                                                         A$AP Rocky (FF)(PM)
Slaughterhouse (LM)(FF)                                                           Schoolboy Q (PM)(FF)
                                                                                                     Ab-Soul (FF)(TP)(LM)
                                                                                                     Common (OG)(ST)(TP)
                                                                                                     50 Cent (OG)(PM)(FF)(CT)
                                                                                                     Pusha T (LM)(PM)(TP)

3 Points                                                                                                   2 Points                        
Andre 3000 (OG)(ST)(LM)(FF)(TP)                                          Joe Budden (ST)(FF)(LM)(TP) 
Big Boi (OG)(PM)(FF)                                                               Crooked I (LM)(TP)(FF)            
Bun B (OG)(PM)(LM)                                                                Royce Da 5'9 (LM)(TP)(FF)
Dizzy Wright (NA)(PM)                                                             Joell Ortiz (LM)(TP)(FF)
Yelawolf (ST)(LM)(TP)(PM)                                                     Nipsey Hussle (PM)
Tech N9ne (LM)(FF)                                                                  2 Chainz (PM)(FF)
Ludacris (OG)(PM)(FF)                                                              Rittz (ST)(TP)(LM)(PM)(FF)
Earl Sweatshirt (LM)(PM)(FF)                                                   Cyhi The Prynce (TP)(LM)(NA)
Wiz Khalifa (PM)                                                                        Mick Jenkins (NA)(PM)(TP)
B.o.B (LM)(PM)(TP)                                                                  MGK (PM)(LM)
Juicy J (OG)(PM)(FF)                                                                 Ty Dolla $ign (PM)
Game (OG)(ST)(PM)(TP)                                                           Young Thug (PM)
Curren$y (PM)(FF)(TP)                                                              Rich Homie Quan (PM)
Nelly (OG)(PM)(FF)                                                                   DMX (OG)(PM)(FF)
Wale (PM)(TP)                                                                            Trinidad James (PM)(NA)
A$AP Ferg (PM)                                                                          Lil John (OG)(PM)(FF)
Asher Roth (LM)(PM)(TP)                                                          Kirko Bangz (HS)(PM)
Jay Rock (NA)(ST)(PM)(TP)                                                      Usher (HS)(FF)(PM)
French Montana (PM)                                                                  Omarion (HS)(PM)
Kid Cudi (TP)(FF)(PM)                                                               Tyga (PM)
Joey Bada$$ (ST)(NA)(TP)(LM)(PM)                                     Snow Tha Product (NA)(LM)(PM)(TP)Childish Gambino (PM)(TP)(FF)                                                 Rihanna (HS)(CT)(PM)
Jay Electronica (NA)(ST)(LM)(TP)                                             King Chip (PM)(TP)
Chance The Rapper (PM)(TP)(NA)                                             Skyler Grey (HS)
Freddie Gibbs (FF)(PM)                                                               Jeremih (HS)
Action Bronson (PM)(TP)(LM)                                                   T-Pain (HS)
Twista (OG)(FF)(LM)                                                                  Trey Songz (CT)(HS)
Talib Kweli (OG)(ST)(TP)(LM)(FF)                                           Chris Brown (HS)(CT)                       
Mos Def (OG)(ST)(TP)(LM)(FF)                                                 Riff Raff (PM)(HS)                           
YG (PM)                                                                                        Mick Jenkins (PM)(TP)                     
Future (HS)(PM)                                                                           Lil Flip (PM)                                      
Project Pat (OG)(FF)(PM)                                                            Chingy (PM)                                       
Anthony Hamilton (HS)                                                                Akon (HS)                                          
Kevin Gates (PM)(TP)(NA)(IDGT)(SMH)                                  Kurupt (OG)(LM)(PM)                      
Iggy Azalea (CT)(HS)(PM)(FF)                                                   Bow Wow (PM)(FF)                          
Jhene Aiko (HS)(ST)(TP)(PM)                                                     Paul Wall (PM)(FF)                           
Lil Kim (OG)(LM)(PM)                                                                Chevy Woods (LM)(PM)
Busta Rhymes (OG)(LM)(PM)                                                      Obie Trice (OG)(LM)(TP)
Jadakiss (OG)(LM)(TP)                                                                 Tuki Carter (PM)(NA)                    
Trae The Truth (PM)(LM)

Now with the absolutely humongoid, gigantic, mammoth, Andre The Giant-esque list I just gave you (with the exception of a few, let me know if I left any names off or if there are any others that you would include in your label), you should definitely have fun putting together your label. Now I want to see what the people come up with!  Honestly I can't even tell you who I'd put on my label with the point limit at the moment, it may even take me a couple days before I can come up with my list. But just remember the guidelines/rules, and just have fun with it, it's all about the discussion!  We can talk over who you put on your label and why on Twitter (@SuperNovaRover) or Google+ when you make your decisions, you important label heads you. Now go and do big things with your artists.


                                                                                                                                                                                                                                                                                                  








 

























     

Cassidy vs. Dizaster: Who You Got?

Dizaster might be on of the most decorated battle rappers at this point. While he's never gotten the shine he rightfully deserves, he's taken down the great Canibus and a multitude of other battle rappers, and a recent addition to his list of accomplishments is being one of the first 8 battle rappers to be included on Slaughterhouse's Total Slaughter battle rap competition. His amazing free styling ability along with his great lyrical capabilities are almost one of a kind, even looking at the battle rap circuit as a whole, and his ability to think on his feet so quickly is another aspect of what makes him so great. But he is being challenged yet again by another very noble challenger who is believed by many to be the father of the battle rap style:  Cassidy.

So the headlining point here is that Cassidy is taking his chances in the battle rap ring, just as Joe Budden did in the first annual Total Slaughter. Budden certainly got his butt handed to him, not because his abilities didn't match up, but because he "isn't a battle rapper" is what many people used as their main argument. That is where the argument shifts with somebody like Cassidy:  he's a proven emcee with battle rap experience and bars to build a prison (did you like that line?  I might give this rap thing a try myself). In case your unaware of Cassidy's abilities, here's a pretty good example of them. The song "Mr. Chicken", supposedly put out in early October that includes jabs at fellow battlers Goodz and Dizaster.

Certainly a slept on lyricist who takes pride in what he does, and Dizaster knows who he will be faced up against when the time comes to battle. Dizaster actually spoke about the battle and some details about it on The Heavy Bag Show with host Heavy Bag, and when asked about the details of who will be hosting the battle, Diz said that "it won't be a King Of The Dot event, but they want to incorporate it somehow." The main reason for King Of The Dot having no part in anything Dizaster related is probably because of Diz's highly publicized fight with Math Hoffa during their battle less than a year ago. Diz also stated that they are aiming to take the battle to television, although they're not certain who would host the actual battle.

So now comes the question: who do you got winning this one?  This one to me seems pretty fair and seems like it could be pretty close knowing both battlers' history in the ring, although they have almost complete opposite styles in the ring. Dizaster goes for a more out of control, in your face approach and tries his hardest to embarrass you, while Cassidy is used to the stylish, flavorful rhymes, though they are still filled with heavy punches.

I hate to give an opinion so early, but I feel this one goes to Diz. His energy will probably be a lot for Cassidy to handle, being that Cass is usually the more laid back type of rapper who doesn't put very much emphasis on his lines, although I haven't actually seen Cassidy battle, so maybe his battling style is different from his actual recorded song style. And it is known that if there isn't a rapper that you want to go bar for bar with, it's probably Cassidy (just ask Meek Mill). But I need to know what you think!  Let me know who you think takes it and why in the comment section below, on Twitter, or Google+, and check out Dizaster giving details about the battle in the interview below.

                                   (*I do not own any of these videos, or the rights to them*)

  








      

Hustle Gang's GDOD 2 Review

Grand Hustle has been slipping a bit on its rap cred, or its "street credentials" if you will. Well maybe not so much it's street cred, but more for it's pull in the rap game and their rights to say that they're still a juggernaut label, or a force to be reckoned with. T.I. isn't quite the hip-hop heavyweight he once was when it comes to selling records, or even being a top 5 emcee in the popular opinion. So that leaves the rest of the label: Iggy Azalea, B.o.B, Trae Tha Truth, Travi$ Scott, Young Dro, etc., to help carry the load in sales, and "street cred". Their first G.D.O.D mix tape saw a bit of success, but could they keep it rolling with G.D.O.D 2?

Now before this review gets going I HAVE to ask:  why is it Grand Hustle is the only label that's had the time or desire to release any type of compilation project?  With all the talent of other rosters that people would pay serious (or probably more, granted many people don't pay at all these days) money to hear like Shady Records (even though they're in the midst with Shady XV), G.O.O.D Music, Roc Nation, Young Money (though I believe they recently did it too?), why is it that Grand Hustle is the only label that has had the balls to do so?  Could it possibly be for fear of incredibly high expectations?  Surely not a far off notion. Anyways, back to this review thing.

Any project worth hearing has to have an intro that keeps you wanting more, and Grand Hustle did not too shabby with this one... "Welcome To My City" is that king-me type of banger that you love to bump in your 6-4 (word to Big K.R.I.T) riding around your... well... your "city". A sweet beat that includes some banging 808s and horns that are fit for a king's arrival, this song is a great way to start off any project. Not to mention the hella-catchy hook.

The general differentiation between albums and mix tapes you might normally say is substance vs. free bangers, and that's exactly what this tape is all about. Songs like "Brand New Choppa", "UM HMM", "What You Gon' Do Bout It", "Ain't Both (MLK)", and "I Do The Most" solidify a nice round up of bass-filled tracks that can become best friends with your car speakers. I don't listen to much of Young Thug myself, but hearing him on the hook of "I Need War" with T.I. does it some justice, and adds a bit of energy to the track. "By Any Means" with Watch The Duck (haven't heard of him until this tape, interesting name to say the least), T.I., Spodee, and Shad Da God adds a different vibe to the tape, but the crazy, gibberish-spewed hook is hard to understand and takes away from the song a bit, although its quite hilarious to hear if you like hearing fast talking "rappers" who mix groaning with a nice hit of crack. Check out this track if you want a laugh.    

One thing that bothered me about this tape was the lack of B.o.B verses. Ol Bobby Ray has to be number 2 in line behind Tip in terms of who pulls the most weight, and to me he's the best rapper on Grand Hustle lyrically. Not only that, but 1 SONG with Iggy on it?!  What's the deal there?  You would think you'd try to get the biggest star in pop today on your mix tape more, ESPECIALLY if she's on your label!  Not sure what the deal is there, but Iggy's sold out a bit to me anyways. They like to call it longevity, or versatility, but she's gone pop and strayed away from her rap roots a bit it seems.

Altogether a decent tape, but definitely one for strictly party use or car bumping. Lacking a bit in versatility, you don't hear a lot of RNB songs (minus "Champaign Room"), or straight "hip hop" songs where these guys like to show their ability, so it's a bit one dimensional. Highlights are the decent production, and appearances from practically EVERY relevant Grand Hustle rapper still around (Young Dro especially, it's nice to hear he's still got some skill on tracks like "Who We Is [OG]", and Trae Tha Truth is underrated as well, he's always reminded me of Bun B). So if you're looking to numb your body and your speakers a bit as well, give GDOD 2 a listen yourself, and make sure your speakers are heavy!   



   
     











   
   

What's Beef? Not What It Used To Be; Hip Hop's Attitude

Why is hip-hop so awesome?  I'm asking because I want to know what the eyes of the people who listen to the music see. But it doesn't just come down to the music. Hip hop really is a culture as a whole. People who live it come in all different types of  shapes and sizes. Not even a specific city or state can define how you will see people act, or define what they listen to. In hip hop it is argued that your area does define who you're listening to to a point. Sometimes, in the minds of the people psychologically, where you're from is what you listen to. Anyone who showed respect to these other areas are cool with them because they paid homage. But to those who didn't.....well something needed to happen. This is how it was. But how is it now?  Has hip hop lost some of its attitude because the people aren't real enough anymore?  Let's examine this point, because I believe the people (myself included) have it screwed up to where someone's life being put in danger makes headlines for all the wrong reasons.

Now what is beef really?  No not the meat smart asses, the rap kind. How does it start out and where does it stem from?  If you asked 20 different rappers, you'd probably get 20 different answers. Ultimately when it comes down to it, beef is problems that other rappers have with each other. But beef has evolved since the days of before. If you really think about beef on a grand scale, you probably think Tupac vs. Biggie. Not one other hip hop beef has shook the media, along with the east and west coasts both as much as this beef did. The publicity was unheard of, something that rap hadn't gotten much of up to that point, but for the wrong reasons. Both of these men died because of rumors circulating about each one of them. Merely rumors and pride is all that this beef came down to, in layman's terms. Today beef is much different of course, not as much bloodshed (unless you're 40 Glocc), but ultimately it is better because lives aren't put at risk. At least, we'd like to think so.

Now there's a lot of different types of beef in hip hop today, if we started from about the year 2000 and came all the way up to 2014, you would definitely notice the differences with beef in the past. Social media sites like twitter make things a little more clear, but also complicates things at the same time. When you talk about something as little as the Iggy Azalea and Nicki Minaj "beef," (and that may be putting it heavily even describing it as that) social media sites and blogs and web sites of all kinds blew this out of proportion about 5 times more than what it actually was. The headlines were hilarious: "Nicki Minaj throws shade at Iggy Azalea with her acceptance speech?" People and their imaginations are wild. But the blogs and the web sites have it correct in this sense:  PEOPLE LOVE BEEF.

As bad as this may sound, any publicity is good publicity, especially to a rapper or singer. Standing up for yourself sometimes is all you can do. But it's the opinions of the people that get the stories incorrect. I grew up in an era of Eminem and 50 Cent dominating the webs and album sales (yeah, so I'm young, what of it?), so even in my opinion, it's just like Drake says; nothing was the same. Even with 50 Cent vs. Ja Rule, Shady Records vs. Murda Inc. in the early to mid 2000s it was different. Without social media how do we all last?  (The sad part is some people wouldn't have an answer for you, but I don't know if I have a right to talk, trying to make a living on the internet and all.)

An interesting aspect of beef itself is that only hip hop really deals with it, no matter how big or how small the problem may be (word to Meek Mill and Wale, grow up you two before we get Rozay on you). I believe a lot of this stems from rappers not being afraid to voice their opinions about others. Some may call it being thirsty for attention, which you wouldn't be wrong some of the time, but rappers certainly like to "keep it 100" with people when it comes to talking about being cool or having a problem with someone else. But the fact of the matter is, no one really knows what happens in beef between 2 people except for those 2 people!

I believe there are certain types of beef, 2 in particular. The first beef is having a problem with somebody outside of the music itself. If a rapper gets disrespected, most of the time, they will let not only that person, but sometimes will even let the entire country know about this problem (which can lead back to social media). That is the first type, and not too many people care about these issues too much. They usually resolve themselves, and are forgotten in a couple months (less if something bigger happens). But the second type of beef is musically. Verse-wise, when you get disrespected in a song, it isn't uncommon for this rapper to go back at the person throwing shots with some shots of their own. In rap, clearly how your rap is perceived is something that people buy, something that you can sell to willing customers. If your abilities get disrespected, you go back at this person questioning their abilities as well, sort of like a more main stream form of battle rapping. In my opinion this is what I love to see, this is what makes hip hop entertaining, and this is what adds to the competitive nature of hip hop. It has sort of been this way since Kendrick dropped "Control." Now I know, I know, "Control" doesn't deserve any more attention than its already gotten, but there is a point to it. Let me ask you some questions; since "Control" dropped, have you not been more entertained with rappers at each others throats going bar for bar and showing some of the best rap capabilities we've seen in a decade or more?  Hasn't rap finally gotten back to a competitive state where each rapper is rapping their tail off to prove they're the best?  I'll let you mull these questions over yourselves (get back to me on Twitter @SuperNovaRover, or Google+ Geoffrey Guy with your opinion).

So how would you define beef?  I can truly say it's nowhere near where it used to be on the entertainment side of things. But as a whole, this could be better for the publicity it gets. Rappers have to be cocky and confident to keep up appearances and make themselves look like they're the best, but the violence is lowering. The day when people focus more on the competitive aspect of rapping and not the killing part of it is the day they can say "we made it." Isn't it more entertaining to hear rappers go bar for bar instead of them going bullet for bullet?  If people understood the fun in hearing a fire verse as opposed to hearing a hollow point, then they would understand. If you get disrespected, do what you do best to prove it wrong: rap about it. Take it to the booth.