I Got Some Insider Information From Someone Who Attended Royce Da 5'9's Book Of Ryan Listening Session; Here's What To Expect (Interview)

Earlier yesterday, Detroit wordsmith Royce Da 5'9 held a listening session at sneaker store Burn Rubber in Detroit for his long talked about, highly anticipated next studio album, Book Of Ryan. Although it's set for a May 4th release, lucky fans got a chance to hang out with Royce, check out some dope sneakers, and listen to the album. I spoke with @Rakabash on Twitter, who is from Detroit, and got the exciting chance to attend the session, and listen to the album first hand.


How many people would you say were in attendance?

"I'd say 50-60 people were in attendance."


Can you give an account of what it was like meeting Royce/how it was when he showed up?

"I was at Burn Rubber before it opened. Royce showed up an hour and a half late. He came through the back entrance because we were anticipating him coming through the front. All of a sudden, I hear thunderous applause, and Royce is standing in front of the sales counter holding a microphone. The sales counter became a makeshift podium to address the fans. When he arrived, he was very friendly and talkative. Kino (Royce's manager) was also there. Royce wore a big ass encrusted watch that was sparkling!"

Does the album, from what you heard, hold any general theme?  Since many speculate with a title like Book Of Ryan, it will be autobiographical in a sense.

"It does have an autobiographical theme. Royce pays tribute to his father by both talking about him at his worst as a cocaine addict and praising him for committing himself to rehab to kick his addiction and address the domestic abuse he committed to Royce's mother. "Strong Friend" is the song that is most emotionally gripping. He talks about the person who you think is the most headstrong because they are the breadwinner should be checked on just as much as a person who is emotionally fragile. Royce's honesty, sometimes brutally, is reminiscent of Death Is Certain. His vulnerability on so many songs is fascinating as well. He admits to being a womanizer, an alcoholic, arrogant, etc. You understand the motivations behind his actions.

That's amazing, they say music can be therapeutic, and it sounds like Royce used this album as a crutch of sorts. So let's talk about the production; you said it was very musical, in a sense where instruments of all matter play a huge part in it, not just some synthesizers and 808s of course. Did he discuss who handled production on most/all of the album?  Was it the usual in house producers like Mr. Porter, or did he reach further out for broader sounds?

"Streetrunner did 'Summer On Lock', Key Wane produced 'Woke'. He mentioned DJ Khalil, although I don't know which songs he produced. He mentioned Mr. Porter as an executive producer, he did produce a song for Book Of Ryan, possibly more than one."

That's great about Mr. Porter, he deserves his shine.  Jay Elec didn't call him the greatest producer of all time for nothing. So you talked a little earlier about the Eminem feature, titled "Caterpillar". What should people expect from that one? The vicious one two punch of Bad Meets Evil going back and forth?  Competitive bars?  Any highlights?

"Royce has the first and second verse. Em spits a long ass verse but it sounds like the equivalent of Em having 2 verses combined. It sounds like it was recorded after Revival was released and reviews were in. The beat is straight boom bap, it's very "hip hop" to the core.

Very interesting, so in a sense, was Em attacking criticism as he was recently on the "Chloraseptic Remix", or did he have a different agenda to his verse?

"He was lyrically shitting on people disrespecting his style and wanted to show people where so many got their style from. It wasn't really aimed at Joe (Budden, who many people believed the "Chloraseptic Remix" was originally aimed at for his criticism of Revival), but at rival emcees who forgot that Em is the caterpillar- meaning he made his mark on music. I didn't get the sense that he was defensive about the flack from Revival like he was on the 'Chloraseptic Remix'".

Okay, one last question, and I'll let you get out of here. Do you believe Book Of Ryan furthers and promotes Royce's longevity as an emcee, as well as an artist, and not just in the rhyming aspect, but in terms of making great music with replay value?

"Absolutely. a lot of people might be taken aback by how much he sings on this album, however, the themes on so many songs on this album are mature and sophisticated, and go beyond the cookie cutter usually associated with rappers who sing. Because it's an independent release, it's not going to get the push that it deserves, but this is Grammy album of the year material. Much of the album owes a lot to Symbolic 1 and Denaun Porter. Book Of Ryan will make inroads towards showing people he's more than the guy who knows Eminem. He's the guy who can write a collection of songs that draws from his own demons that will be inspirational in to those who hear it."

Sounds like Royce's demons are going to need some help hiding again after we get to finally hear Book Of Ryan. You can go to Rakabash's Instagram (@Rakabash) to see Instagram live videos from the listening session, and in case you missed it, Royce released a bonus track off of Book Of Ryan featuring new Shady signee Boogie, which you can listen to below. Book Of Ryan releases officially on May 4th.


(*I do not own this audio, the image, or any rights to either*)  

     

      

 

 

   

    

    






 
















     

5 Crazy Crooked I Verses

If there's one aspect of rap that I find particularly fun to listen to, it's great lyricism. Some rappers spit bars so ahead of people that their lines can end up actually going right over people's heads (including myself at times, admittedly), but I believe that's what makes the re-listening experience that much more valuable. It's kind of like re-watching that new episode of your favorite show every week: you're just picking up on what you missed. And if there is one rapper that comes to my mind whose similes, metaphors, punch lines and wordplay are almost unrivaled right now (though criminally underrated to some, even at this point), it's Crooked I. He's built a reputation as one of the best lyricists in rap today (I'd even go as far as putting him in the top 10 all time), and his consistency is incredible considering the thought put into each and every line. Today I'd like to bring to light 5 of his craziest verses (honestly some verses I just thought of rather quickly, there are probably PLENTY more out there that could give even these a run for their money, not because these verses lack, but because Crook is THAT good).

Slaughterhouse - Weight Scale
Craziest Line: "And this bulletproof vest is irrelevant, I'm telling them look at your melon, I'm nailing a shell in it, and the shell is moving right through your melon into your skeleton, then the felon is belling the same pitch the fella was yelling in."

This verse comes from a mix tape (On The House) that precedes what you could say was Slaughterhouse's first real chance at bringing lyricism into the mainstream, their first major label album, Welcome To: Our House. The hunger of each member is sensed immediately in each and every track off of this mix tape, though this track was one of the main stand outs. This beat is fantastic and each member puts their stamp on it despite how crazy and fast paced it is. All 4 rappers are just about at the entire rap game's throat and you can tell they had a message to send from listening to this one, and that message was "NOBODY can out rap us."

Crooked I - Fuck U Pay Me ft. Twista & K Young
Craziest Line: "But if you come lame girl we not that cool, I'm a goddamn fool, I'mma lean my top back and pop that tool, get my guap back you'll, know that I'm that dude, from a top mack school, and a block that rule, read my tattoo."

Crook's Psalm 82:v6 mix tape was his first real solo release after Slaughterhouse's Shady Records debut had came out just earlier that same year, back in 2012. It certainly did not disappoint, and Crook's ability to switch flows from medium sized lines, to short and compact bars mashed together at a rapid pace showed best on the Twista and K Young featured "Fuck You Pay Me". K Young laid down a smooth hook with Twista putting out his typical, in your face fast paced raps on the opening verse. Of course a typical verse doesn't necessarily mean bad either, especially with someone as entertaining as Twista.

Crooked I - No Competition
Craziest Line: "Finish any nigga that thinkin that he gone run upon the general, criminal, on general principle, I'mma give em a bullet the momentum is gonna spin em around, then I'mma give em another round, get rid of em."

No, that's not Twista that you hear from the 2:46-2:52 mark, although it would certainly seem like "Mista Twista" was giving Crook some pointers on this one. Another cool thing about this verse is Crook's reference to Ice Cube's "No Vaseline" diss of, well, pretty much everybody else in NWA at the time. That line goes as follows: "Feelin like Cube in his prime, spittin that gasoline, no Vaseline, name another dude on his grind working like hack machine, go ask your team."

Crooked I - The Shady Dynasty (freestyle)
Craziest Line: "Let me speak into the speaker, starin at the studio walls I'm really just reachin for the ether, when niggas say I'm the best they really just preachin to the preacher, if you're not a fan of me now watch how I seat cha in the bleachers, the beast of Long Beach don't make me feed ya to the creatures, for the dough and cheese the mo G's eat ya like some pizza, eat ya like a piece of quiche and leave you in pieces in the freezer, the streets is opposite Jesus, its all hail like Caesar."

 This freestyle is cool to me because of the Shaq vs. Hakeem reference he makes at the 50 second mark: "when I was flat broke this the vision I seen, I had a dream in a shack like O'Neal vs. Hakeem." If you're a basketball fan, how can you NOT love that?  But aside from the creative double entendres Crook cooks up, this song also has a small message, or a sort of PSA in a way. At the 1:21 mark he discusses a girl by the name of Renisha Mcbride, who apparently got shot and killed by a man after simply knocking on his door (nobody knows why or what for, at least as far as I know). So Crook not only displays his usual lyrical miracle capabilities, but also shows a bit of a socially conscious side that his fans have grown to know on this song.

Slaughterhouse - Sun Doobie
Craziest Line: "Mr. Porter record a piano, producers may wanna order some ammo, I'm a California corner reporter, your boy wasn't born with a with a quarter, bein poor as a whore and now my aura is sorta (Soprano)."

Here's another sweet Slaughterhouse cut that doesn't get a lot of shine. Sun Doobie was supposedly on a small EP that "the Slaughter" released in February of 2011, consisting of 6 tracks (even though it's listed online with a track list, I've yet to find any artwork I believe to be real, I have a hard time finding this official release with details anywhere). A question that "Sub Doobie" brought up with me about Slaughterhouse was "why in the hell doesn't Slaughterhouse get any Mr. Porter production ever?" The guy has a history of some pretty catchy tunes and it'd be sweet to see what him and Slaughterhouse could come up with (or what he could come up with in general, it seems Mr. Porter has disappeared since his D12 days, even with rumors of his own album, whether it be NiNE, tHe mEmO or whatever else, if you're reading this Denaun, we're eager to see what comes next for you).

Anyways, that's a small list of Crooked I murdered instrumentals. The list goes on for A LOT longer than just 5 tracks, but like I said, these 5 are just me thinking quickly. Crooked I is one mean dude on the track, and a lot of them weren't even his own tracks. His die hard fans will tell you all about his famous Hip-Hop weekly series, which (if you don't know about it already) was a 52 week series running from April 4th, 2007 to April 3rd, 2008, and entailed Crook getting requests from his fans to rap over an instrumental of a fan's choice. Every week he rapped over a new instrumental and gave shout outs to fans (who asked him on Myspace). If there was any better way to connect with your fans than this, obviously nobody knew about it at the time. This got so much attention that Crook ended up landing an XXL cover in December of 2007. History lessons aside, there aren't many rappers in the industry who have skill quite like Crook, and any verse of his is certainly one that will  probably end up needing a couple of listens to fully digest. Let me know your favorite Crook verses on Twitter (@SuperNovaRover) or Google+, and be sure to check out the playlist I've made of crazy Crooked verses on my sound cloud account (GeoffreyGuyHHU) as well.               


           

      
 


  

 
 

What are your rap DREAM COLLABORATIONS?

I'll admit, Shady XV has got me feeling all types of dreamy and wondering what to expect from it, and admittedly some of these thoughts have expanded into bigger ones. Things like when are they releasing a track list, who's going to be featured on the album, and why are they making me wait are just a few questions I had at first about the anniversary compilation. But then I got to thinking about bigger things, outside of Shady, outside of compilations, anniversaries, or any sort of other reasonable rap theories. So the same questions I asked myself, I ask you, rap readers; what are your DREAM rap collaborations?

So obviously there have to be a few terms and conditions to what these dream collaborative tracks will consist of, and I've come up with 3 possible song types defining what type of track I personally would like to hear (although you can come up with your own, these just happen to be 3 song types I could think of at the moment): story telling tracks, lyrical onslaughts, and party songs. Now normally you would think there would be a bit more of a broad selection of types of tracks, but if you REALLY got to hear what you wanted to hear, would it really matter?  My point exactly. Now if you're still confused on the details or the ramifications of these mythical dream tracks, allow me to give a few examples of what I would like to hear on my very own "If I died and could make songs in my own personal version of afterlife" playlist.

Eminem + Nas / Storytelling Track

This song would be absolutely insane. I honestly have to ask... WHY HASNT THIS SONG BEEN MADE YET?!?!  Both of these emcees are practically the lyrical masters of what they do, and the weirdest thing to me is that Eminem & Jay-Z have been on a song together (once, as far as we know, "Renegades"), Eminem & The Notorious B.I.G have been on a song ("Dead Wrong"), and Nas has been on a song with Jay-Z ("Black Republican", "Success", also including multiple other tracks with other rappers), and hasn't been on a song with B.I.G, but apparently was in discussions with Biggie about a Tupac diss track back in the day that never happened. So it probably doesn't add up "statistically" to fans or any sort of logical way like that, but the history of each emcee is highly storied, which only makes sense for them to tell a story on this song!  But of course how can you make a Nas/Eminem collaboration without adding in their trademark lyricism and legendary flows into the picture?  You certainly can't. And that is why this collaboration needs to happen.. like... NOW!

Slaughterhouse + D12 / Lyrical Onslaught

This "dream collaboration" might have been a result of thinking about Shady XV and the possibilities of what will happen on the compilation album, but does that make it any less exciting to think of the possibilities of it?  I'd like to think not. Your attention span would have to be an extra 10 times bigger listening to this song (that's IF all of the remaining D12 members agree to get back together), but it certainly would be one for the ages. This song would be (including Eminem) a 9 person vocabulary-flexing track that you would have trouble ignoring even if you weren't a fan of Eminem, Slaughterhouse, or D12 (although you'd probably avoid it if you didn't like any one of the rappers included, in that case, I say good riddance, who needs you anyways!). The best thing about this "dream collab" is that our dreams could possibly become a reality when it's time for that Shady XV compilation album to drop. An "alleged" track list of the album leaked not too long ago, and the list included a track of not only Slaughterhouse and D12, but also Shady label mates Eminem and Yelawolf as well!  I wouldn't get too excited until an official track list is given, but the idea of this collab is certainly a possibility.

Kendrick Lamar & J. Cole / Story Telling + Lyrical Capabilities

Maybe I had to include these guys just because I'm still obsessed with the idea of this album happening (and it will, I have faith), but honestly, is there a better pairing in hip hop today than these 2?  When you have the possibility to make a perfect track, starting from lyrical capabilities (two of the best) leading to story telling abilities (again, two of the best), while also thinking about social power and speaking on issues (AGAIN, two of the BEST), and also thinking about just making good music in general (do I have to say it again?), who REALLY is better than these 2 right now?  Putting them on one song together would blow up the internet, let alone an entire album (which we've discussed before, do I really have to come back to this discussion?  Doesn't matter, I'm willing to anyways). We've seen tiny little previews of what these two can do together (production on songs from one and hooks on songs from the other), but the fans will always crave more, and I can almost say that's a fact, because I'm a contributor to the discussion!

So these are just a few of the examples of collaboration ideas that are constantly on my mind that would blow the music world up (and step up its game particularly if you ask me, another reason why I need to be an "idea man" for those guys over at Interscope, but that's a discussion for another day). Some other dream collaboration ideas I've recently come up with are Drake & Big K.R.I.T (Houston influence would play a big key with a slow, bumping track, you'd definitely need subs for that one), and even something like an ASAP Mob and TDE collaboration might not be too bad (the discussions of a TDE and Slaughterhouse battle came up in an interview with Ab-Soul recently). The ideas are certainly endless, and this is where the real fun comes into play!  I want to hear about your wildest and biggest dream collaboration tracks. Be sure to give me the type of song you believe it would be (again, no limit to the types I've listed, you can mention your own type of track), and the reason you believe your collab would be so awesome. Make sure to hit me up on twitter (@SuperNovaRover), Google+, or even just leave a comment on this post detailing your dream collab. I can't wait to see the ideas for this one!