If there's one aspect of rap that I find particularly fun to listen to, it's great lyricism. Some rappers spit bars so ahead of people that their lines can end up actually going right over people's heads (including myself at times, admittedly), but I believe that's what makes the re-listening experience that much more valuable. It's kind of like re-watching that new episode of your favorite show every week: you're just picking up on what you missed. And if there is one rapper that comes to my mind whose similes, metaphors, punch lines and wordplay are almost unrivaled right now (though criminally underrated to some, even at this point), it's Crooked I. He's built a reputation as one of the best lyricists in rap today (I'd even go as far as putting him in the top 10 all time), and his consistency is incredible considering the thought put into each and every line. Today I'd like to bring to light 5 of his craziest verses (honestly some verses I just thought of rather quickly, there are probably PLENTY more out there that could give even these a run for their money, not because these verses lack, but because Crook is THAT good).
Slaughterhouse - Weight Scale Craziest Line: "And this bulletproof vest is irrelevant, I'm telling them look at your melon, I'm nailing a shell in it, and the shell is moving right through your melon into your skeleton, then the felon is belling the same pitch the fella was yelling in."
This verse comes from a mix tape (On The House) that precedes what you could say was Slaughterhouse's first real chance at bringing lyricism into the mainstream, their first major label album, Welcome To: Our House. The hunger of each member is sensed immediately in each and every track off of this mix tape, though this track was one of the main stand outs. This beat is fantastic and each member puts their stamp on it despite how crazy and fast paced it is. All 4 rappers are just about at the entire rap game's throat and you can tell they had a message to send from listening to this one, and that message was "NOBODY can out rap us."
Crooked I - Fuck U Pay Me ft. Twista & K Young Craziest Line: "But if you come lame girl we not that cool, I'm a goddamn fool, I'mma lean my top back and pop that tool, get my guap back you'll, know that I'm that dude, from a top mack school, and a block that rule, read my tattoo."
Crook's Psalm 82:v6 mix tape was his first real solo release after Slaughterhouse's Shady Records debut had came out just earlier that same year, back in 2012. It certainly did not disappoint, and Crook's ability to switch flows from medium sized lines, to short and compact bars mashed together at a rapid pace showed best on the Twista and K Young featured "Fuck You Pay Me". K Young laid down a smooth hook with Twista putting out his typical, in your face fast paced raps on the opening verse. Of course a typical verse doesn't necessarily mean bad either, especially with someone as entertaining as Twista.
Crooked I - No Competition Craziest Line: "Finish any nigga that thinkin that he gone run upon the general, criminal, on general principle, I'mma give em a bullet the momentum is gonna spin em around, then I'mma give em another round, get rid of em."
No, that's not Twista that you hear from the 2:46-2:52 mark, although it would certainly seem like "Mista Twista" was giving Crook some pointers on this one. Another cool thing about this verse is Crook's reference to Ice Cube's "No Vaseline" diss of, well, pretty much everybody else in NWA at the time. That line goes as follows: "Feelin like Cube in his prime, spittin that gasoline, no Vaseline, name another dude on his grind working like hack machine, go ask your team."
Crooked I - The Shady Dynasty (freestyle) Craziest Line: "Let me speak into the speaker, starin at the studio walls I'm really just reachin for the ether, when niggas say I'm the best they really just preachin to the preacher, if you're not a fan of me now watch how I seat cha in the bleachers, the beast of Long Beach don't make me feed ya to the creatures, for the dough and cheese the mo G's eat ya like some pizza, eat ya like a piece of quiche and leave you in pieces in the freezer, the streets is opposite Jesus, its all hail like Caesar."
This freestyle is cool to me because of the Shaq vs. Hakeem reference he makes at the 50 second mark: "when I was flat broke this the vision I seen, I had a dream in a shack like O'Neal vs. Hakeem." If you're a basketball fan, how can you NOT love that? But aside from the creative double entendres Crook cooks up, this song also has a small message, or a sort of PSA in a way. At the 1:21 mark he discusses a girl by the name of Renisha Mcbride, who apparently got shot and killed by a man after simply knocking on his door (nobody knows why or what for, at least as far as I know). So Crook not only displays his usual lyrical miracle capabilities, but also shows a bit of a socially conscious side that his fans have grown to know on this song.
Slaughterhouse - Sun Doobie Craziest Line: "Mr. Porter record a piano, producers may wanna order some ammo, I'm a California corner reporter, your boy wasn't born with a with a quarter, bein poor as a whore and now my aura is sorta (Soprano)."
Here's another sweet Slaughterhouse cut that doesn't get a lot of shine. Sun Doobie was supposedly on a small EP that "the Slaughter" released in February of 2011, consisting of 6 tracks (even though it's listed online with a track list, I've yet to find any artwork I believe to be real, I have a hard time finding this official release with details anywhere). A question that "Sub Doobie" brought up with me about Slaughterhouse was "why in the hell doesn't Slaughterhouse get any Mr. Porter production ever?" The guy has a history of some pretty catchy tunes and it'd be sweet to see what him and Slaughterhouse could come up with (or what he could come up with in general, it seems Mr. Porter has disappeared since his D12 days, even with rumors of his own album, whether it be NiNE, tHe mEmO or whatever else, if you're reading this Denaun, we're eager to see what comes next for you).
Anyways, that's a small list of Crooked I murdered instrumentals. The list goes on for A LOT longer than just 5 tracks, but like I said, these 5 are just me thinking quickly. Crooked I is one mean dude on the track, and a lot of them weren't even his own tracks. His die hard fans will tell you all about his famous Hip-Hop weekly series, which (if you don't know about it already) was a 52 week series running from April 4th, 2007 to April 3rd, 2008, and entailed Crook getting requests from his fans to rap over an instrumental of a fan's choice. Every week he rapped over a new instrumental and gave shout outs to fans (who asked him on Myspace). If there was any better way to connect with your fans than this, obviously nobody knew about it at the time. This got so much attention that Crook ended up landing an XXL cover in December of 2007. History lessons aside, there aren't many rappers in the industry who have skill quite like Crook, and any verse of his is certainly one that will probably end up needing a couple of listens to fully digest. Let me know your favorite Crook verses on Twitter (@SuperNovaRover) or Google+, and be sure to check out the playlist I've made of crazy Crooked verses on my sound cloud account (GeoffreyGuyHHU) as well.
If there is one thing that compares to Dr. Dre's mythical Detox album (update: not considered "Detox" anymore) in the rap game today (or maybe even the entire music game, probably not but you know) it is probably Jay Electronica's debut album, Act II: The Pledge. This album has been talked about on and off since about 2010, and many Jay fans (some not even Jay fans, rap fans in general) have given up hope on the long-awaited debut. In any other case, I'd say it's hard to argue with the fans that have given up hope. But in this case, to me it's a little different, and let me explain why.
Jay Electronica might be the biggest tease on earth at this point, but it'd be smart to bear with him and see what he has to offer. I'm not saying be a Jay "Stan" and wait for every single release to drop (nobody has that kind of time anyways), but to pay attention to what he does, because when he does do something, it is more than likely a game changer and records like "Exhibit C" and "Better In Tune With Infinite" prove it. The problem is it's hard to tell when we can expect a new record from him, but I'd almost explain him as the Dos Equis man of hip hop (He has a following of fans, without releasing any music [Dos Equis guy voice]. Right? Anybody?).
And that is what I believe the twist with Jay Electronica is, it's an ear/desire to make good music mixed with a fear of releasing bad music (that and the mix of Jay's drug use holding him back, as he said recently in an interview attending the BET Hip-Hop Awards). Jay is such a "game changer" that he wants people to see the difference in him and your every day average rapper. You'd be blind or deaf to say there isn't a difference, but based on today's standards of music (especially rap today, and the mix tape era) and it's listeners, people just don't have the patience to wait. With the availability of music today, whether it be free or not, Jay is asking a lot in what he wants from his fan base. Or is he?
What makes Jay different from the rest of the rap pack? No I didn't say ratt pack (sorry Logic fans), but if people really cared and maybe you were forced to ask me of my opinion, I'd say it's that Jay is trying to do something different, yet bring rap music back to a simpler, more enjoyable period in time. Jay is pretty old (just turned 38 a few days ago actually) to be considered the every day average XXL freshman, so for him to appreciate the old rap and mix that with his brand of music making, that probably wouldn't give him the every day average "young rapper trying to make it" persona (especially the young part). So the generational gap in not only beliefs, but style comes into play. Not to mention his rumored affiliation with Nas (rumors of his ghostwriting for Nas are insane to me, but a co sign from Nas would NEVER be a bad thing, in fact quite the opposite). And being signed by Jay Z and having your music produced by the legendary Just Blaze isn't a bad case either (has anyone ever noticed the weird "Jay connection" with Roc Nation? I mean Jay Z, J. Cole, Jay Electronica, seriously what's the deal?).
So should you be interested in what Jay Electronica's next move is? I say yes. My explanation would probably be a mix between "his music is great and differentiates from the pack" to "I can't describe the fascination with the aura around him." So needless to say I'll be waiting for the next release from him, but the problem is being able to tell when that release is going to be. The man has played his cards pretty close to the chest at this point, so he only draws more interest with that aura already placed around him. An example of this is how often he puts out music. All of his music seems to get a fantastic response from fans, but is that because he so seldom releases music, or because it is really that good? The fan boy in me can't tell the difference between the 2 (a reason being I've been fascinated with the idea of Detox and it not being released since I first heard about it, I'll go as far as putting Guns N Roses' Chinese Democracy into the equation). All I can hope for for Jay fans everywhere is that you (we) get some sort of answer soon, but the fact that he is performing at the B.E.T Awards in October is certainly a good start.
