Recently Billboard listed the 10 greatest rappers of all time, and while I don't necessarily agree with their list (then again who agrees with anyone else's list anymore), I do respect the fact that they laid out these 10 rappers to go along with reasons why they believe these rappers belong on this list. Check out the list below.
10. Lil Wayne
9. Kendrick Lamar
8. Ghostface Killah
7. Lauryn Hill
6. Andre 3000
5. Nas
4. Rakim
3. Eminem
2. Jay Z
1. Notorious B.I.G
Seeing Lil Wayne being on this list is a surprise, though it's probably due to his incredible run from around 2009-2011. Every other rapper seems to properly hold a place on this list (whether it due to their lyrical abilities, their influence on today's hip hop, or another reason), but what do y'all think of the list? Let me know what you think of the list in the comment section below or on Google+.
Simply expressing a deep passion for hip hop and welcoming anyone else who shares this passion. Let's talk rap!
Saturday, November 14, 2015
Tuesday, November 10, 2015
Sorry For My Tardiness: Dom Kennedy
With hip hop there are so many different (most of the time) talented acts that it can be overwhelming at times to keep up with the newest and hottest. It's amazing how often I get introduced to a new (or sometimes not new at all) artist/rapper that I haven't ever heard before. I love when people bring these artists that I've been sleeping on to light for me, and I'd like to be the guy to bring these artists to light for others. Introducing my newest segment, "Sorry For My Tardiness".
And when it comes to Dom Kennedy, the statement "tardy to the party" would certainly make a lot of sense. Being a Los Angeles born and bred rapper, there is almost certainly a particular sound that Dom Kennedy should hold standard to, and he does just that. When you hear "After School", you'd think that you were driving right down Crenshaw Boulevard while it's packed full of cars.
(*I do not own these songs, or the rights to them*)
Every Dom album sets a tone like you were living in South Central LA; cruising down the street in a candy painted 6-4, hittin' switches and drinking St. Ides 40 oz.'s living the life in 80-90 degree weather. Bass booming, speaker jumping music is Dom's forte, and it's pretty evident when you listen to projects of his like his albums II: From The Westside, With Love (2011), Get Home Safely (2013), and By Dom Kennedy (2015).
My personal favorites from Dom so far have to be "South Central Love", "Dominic", and "After School", which can all be found on Get Home Safely, but Dom also has a couple of sleepers on his newest By Dom Kennedy album which came out earlier this year ("Posted In The Club" is how the kids say, a "wavy banger").
So Dom Kennedy is definitely a dude who's music holds a lot of replay value. You can listen to it when you're partying with your friends, driving to work, or it even qualifies for that "just chillin' and doing laundry" music (I've said this before but I still believe this is a type of music that should be acknowledged). Dom embodies the Cali lifestyle perfectly, which is warm weather, "bad bitches", good drinks, and a good time. You can't listen to Dom's music and not feel like it's summertime, which is probably why Dom aims for summer releases with all of his music (it certainly makes sense). So if you need to take a load off, pop a cold brew and relax, Dom is the guy to add to your playlist.
And when it comes to Dom Kennedy, the statement "tardy to the party" would certainly make a lot of sense. Being a Los Angeles born and bred rapper, there is almost certainly a particular sound that Dom Kennedy should hold standard to, and he does just that. When you hear "After School", you'd think that you were driving right down Crenshaw Boulevard while it's packed full of cars.
Every Dom album sets a tone like you were living in South Central LA; cruising down the street in a candy painted 6-4, hittin' switches and drinking St. Ides 40 oz.'s living the life in 80-90 degree weather. Bass booming, speaker jumping music is Dom's forte, and it's pretty evident when you listen to projects of his like his albums II: From The Westside, With Love (2011), Get Home Safely (2013), and By Dom Kennedy (2015).
My personal favorites from Dom so far have to be "South Central Love", "Dominic", and "After School", which can all be found on Get Home Safely, but Dom also has a couple of sleepers on his newest By Dom Kennedy album which came out earlier this year ("Posted In The Club" is how the kids say, a "wavy banger").
So Dom Kennedy is definitely a dude who's music holds a lot of replay value. You can listen to it when you're partying with your friends, driving to work, or it even qualifies for that "just chillin' and doing laundry" music (I've said this before but I still believe this is a type of music that should be acknowledged). Dom embodies the Cali lifestyle perfectly, which is warm weather, "bad bitches", good drinks, and a good time. You can't listen to Dom's music and not feel like it's summertime, which is probably why Dom aims for summer releases with all of his music (it certainly makes sense). So if you need to take a load off, pop a cold brew and relax, Dom is the guy to add to your playlist.
Wednesday, November 4, 2015
5 Best NBA Live Tracks
A great thing about hip hop is it's influence on the NBA, and vice versa. You can get on Facebook, Instagram or Twitter and see your favorite NBA players posing and taking pictures with your favorite rappers any and every day. But when it comes to rap and basketball colliding at it's absolute finest, you can't do much better than some exclusive NBA Live tracks. This is one thing that you just don't see in gaming anymore, does anybody else remember when rappers used to write exclusive songs for NBA video games about playing ball and how awesome basketball is? No? Anyways, in case you don't remember, here's 5 tracks from the greatest video game franchise ever ("ever" meaning "of my childhood"), NBA Live.
Chingy - Right Thurr (NBA Live Remix)(NBA Live 2004)
WHO REMEMBERS CHINGY THOUGH?! NBA Live fans would not only remember Chingy, but they'd also remember that Chingy took his greatest hit and remade it into an exclusive NBA Live 2004 track with all new lyrics about basketball! The hook was legendary; "I'm bout to shake and bake ya right thurr (right thurr), from the 3 point line, I don't curr (don't curr), I'm bout to shake and bake ya right thurr (right thurr), cross over, make the whole crowd stir (crowd stir)". Chingy and his lyrics were made famous by the early 2000s trend of slurred words and accents, but if you were to ask me about how wrong his English were back in the day, I'd respond simply; "I don't curr."
Fabolous - It's In The Game (NBA Live 2003)
My absolute favorite NBA Live exclusive track goes to Fabolous. Is there a more cool rapper in the game, even to this day? 12 years later and the guy is still rocking the freshest NBA throwback jerseys (check his Instagram) and making them seem as in style as ever. Fabo set the tone for NBA Live 2003 with this perfect intro (which might also be my favorite NBA Live intro video ever). What better song to use for the NBA Live franchise when it was at it's peak? E-A Sports... IT'S IN THE GAME!
Nomb ft. Anthony Hamilton (NBA Live 2005)
Now I'm unsure if this track is actually an NBA Live exclusive, but given the impact this song had on my NBA Live experience (life), I could not care less. Being born in Carolina and taking pride in it growing up wanting to ball like Jordan, this song had special meaning. I mean, whose more known for basketball than those Chapel Hill boys? Nobody I tell ya! Favorite lyrics; brand new sweater, brand new leather, everything brand new no matter the weather, DVD play-a, CD change-a, spinnin through the kac', dudes kickin in the back, fresh white tee, pinky ring gold blow, fresh white sneaks, whole team gettin dough, who hot as this, the (?) is kit, I rock my wrist, the block is lit." When people ask you who came up with "it's lit"... you better tell 'em Nomb did it first!
Chamillionaire - Grind Time (NBA Live 2006)
Seems like more often than not, some of the bigger one hits wonders of this era ended up making their way onto an NBA Live soundtrack. Chamillionaire was known obviously for his ginormous 2005 hit "Ridin Dirty", but I suppose after that old Chamillionaire seemed to blend his way into the crowd of rappers that didn't last. Chamillionaire's short lived reign aside, "Grind Time" was certainly a jam you could use to pump yourself up on the court, or in the weight room.
Joell Ortiz - Mean Business (NBA Live 2005)
(*I do not own these songs, or the rights to them*)
Okay, so probably another track that wasn't exactly made exclusively for an NBA Live soundtrack, but is still one of the harder tracks to make a soundtrack, and is definitely a funny throwback if you look at Joell Ortiz's career then and now. The then solo emcee was probably just looking to make a name for himself rising out of the underground scene around this era, what better way to get your name out there than have a song make an NBA Live soundtrack? There weren't many back then, that's for sure. I stumbled upon this gem playing NBA Live 2005 not long ago (yeah I still play it, judge me if you want) and couldn't help but marvel how Joell went from that, to Slaughterhouse. Crazy thought.
So there's a list of some NBA Live songs that were a part of my life growing up with the now struggling to sell NBA Live franchise (it's sad to see honestly, considering how they reigned over NBA 2K in the late 1990s/early 2000s). NBA Live for 90s kids is what NBA 2K is for kids today, though I believe people appreciated games more back then. We didn't appreciate it then, but looking back for NBA Live players, it was always amazing to see rappers and artists make exclusive tracks for these video games every year. NBA Live was rounded out every year with some sweet new dribble moves, new and updated dunks, Franchise modes, and most of all; some of the greatest video game soundtracks ever made. Don't sleep NBA 2K players, don't sleep!
Chingy - Right Thurr (NBA Live Remix)(NBA Live 2004)
WHO REMEMBERS CHINGY THOUGH?! NBA Live fans would not only remember Chingy, but they'd also remember that Chingy took his greatest hit and remade it into an exclusive NBA Live 2004 track with all new lyrics about basketball! The hook was legendary; "I'm bout to shake and bake ya right thurr (right thurr), from the 3 point line, I don't curr (don't curr), I'm bout to shake and bake ya right thurr (right thurr), cross over, make the whole crowd stir (crowd stir)". Chingy and his lyrics were made famous by the early 2000s trend of slurred words and accents, but if you were to ask me about how wrong his English were back in the day, I'd respond simply; "I don't curr."
Fabolous - It's In The Game (NBA Live 2003)
My absolute favorite NBA Live exclusive track goes to Fabolous. Is there a more cool rapper in the game, even to this day? 12 years later and the guy is still rocking the freshest NBA throwback jerseys (check his Instagram) and making them seem as in style as ever. Fabo set the tone for NBA Live 2003 with this perfect intro (which might also be my favorite NBA Live intro video ever). What better song to use for the NBA Live franchise when it was at it's peak? E-A Sports... IT'S IN THE GAME!
Nomb ft. Anthony Hamilton (NBA Live 2005)
Now I'm unsure if this track is actually an NBA Live exclusive, but given the impact this song had on my NBA Live experience (life), I could not care less. Being born in Carolina and taking pride in it growing up wanting to ball like Jordan, this song had special meaning. I mean, whose more known for basketball than those Chapel Hill boys? Nobody I tell ya! Favorite lyrics; brand new sweater, brand new leather, everything brand new no matter the weather, DVD play-a, CD change-a, spinnin through the kac', dudes kickin in the back, fresh white tee, pinky ring gold blow, fresh white sneaks, whole team gettin dough, who hot as this, the (?) is kit, I rock my wrist, the block is lit." When people ask you who came up with "it's lit"... you better tell 'em Nomb did it first!
Chamillionaire - Grind Time (NBA Live 2006)
Seems like more often than not, some of the bigger one hits wonders of this era ended up making their way onto an NBA Live soundtrack. Chamillionaire was known obviously for his ginormous 2005 hit "Ridin Dirty", but I suppose after that old Chamillionaire seemed to blend his way into the crowd of rappers that didn't last. Chamillionaire's short lived reign aside, "Grind Time" was certainly a jam you could use to pump yourself up on the court, or in the weight room.
Joell Ortiz - Mean Business (NBA Live 2005)
Okay, so probably another track that wasn't exactly made exclusively for an NBA Live soundtrack, but is still one of the harder tracks to make a soundtrack, and is definitely a funny throwback if you look at Joell Ortiz's career then and now. The then solo emcee was probably just looking to make a name for himself rising out of the underground scene around this era, what better way to get your name out there than have a song make an NBA Live soundtrack? There weren't many back then, that's for sure. I stumbled upon this gem playing NBA Live 2005 not long ago (yeah I still play it, judge me if you want) and couldn't help but marvel how Joell went from that, to Slaughterhouse. Crazy thought.
So there's a list of some NBA Live songs that were a part of my life growing up with the now struggling to sell NBA Live franchise (it's sad to see honestly, considering how they reigned over NBA 2K in the late 1990s/early 2000s). NBA Live for 90s kids is what NBA 2K is for kids today, though I believe people appreciated games more back then. We didn't appreciate it then, but looking back for NBA Live players, it was always amazing to see rappers and artists make exclusive tracks for these video games every year. NBA Live was rounded out every year with some sweet new dribble moves, new and updated dunks, Franchise modes, and most of all; some of the greatest video game soundtracks ever made. Don't sleep NBA 2K players, don't sleep!
Friday, October 30, 2015
Songs That Make Me Feel: Vol. 1; Joe Budden
So I've wanted to incorporate this little mini section into the blog for awhile; Every day I'm somehow reminded of some old(er) hip hop that reminds me of an exact feeling I had at the time of it's release, whether that feeling be love, hate, depression, power, or anything and everything in between. Joe Budden (being the mood god himself) has always been highly touted as the one NOT to listen to when facing life's struggles, such as depression or a relationship (also, see Drake for "relationship issues 101"), because who knows, you could actually probably (not) risk committing suicide listening to such real and honest music.
Budden has been putting out music that tells his (often depressing) life story for his entire 13 year career, and by the looks of the tweets on his timeline, he takes pride in what he does. Who better than a player that knows his role in the game? Budden takes you places, into almost entirely different worlds with the press of a play button, and those places can lead you to end up in many, many different other places; an ex's house, on the floor of a bathroom, in a club throwing one's on a stripper, Joe's range has truly broadened, especially over the last 5 years or so.
On "Different Love" (off of his 2014 EP Some Love Lost, prelude to his 2015 solo LP All Love Lost) Budden was at his absolute most emotional. Budden got to talking about past relationships and his seemingly usual way of sabotaging them, along with problems of family and friends. Some of the biggest stand out lines from this emotional masterpiece include the following; "So I don't ever say what I can't do, if he can be happy with life then nigga I can too, while Jose wanna die, ain't tell nobody but eyeing his eyes feel I should probably identify, I said every day he lives with pain and wanna end it, something's wired wrong in your brain you gotta mend it, had a bad break up and let it expose dude, but if she was getting you high then she would get you low too."
Powerful. Some of the most meaningful lines I've heard in rap in a minute, and Joe's cadence tells it all throughout this track, because every line is not only heard, but felt. It just goes to show that your biggest enemies couldn't make you feel anywhere near as bad as you could yourself. Joe's battle with depression has been known throughout his entire career, and has been made known mostly through his music. We actually probably have Joe's music to thank that Joe is still here with us today; if Joe didn't have his raps and music to vent through, then would he still be here? That's some crazy food for thought for you right there. In case you haven't heard this amazing emotional journey of a song before, then you can check it out below.
(*I do not own this song, or the rights to it*)
Budden has been putting out music that tells his (often depressing) life story for his entire 13 year career, and by the looks of the tweets on his timeline, he takes pride in what he does. Who better than a player that knows his role in the game? Budden takes you places, into almost entirely different worlds with the press of a play button, and those places can lead you to end up in many, many different other places; an ex's house, on the floor of a bathroom, in a club throwing one's on a stripper, Joe's range has truly broadened, especially over the last 5 years or so.
On "Different Love" (off of his 2014 EP Some Love Lost, prelude to his 2015 solo LP All Love Lost) Budden was at his absolute most emotional. Budden got to talking about past relationships and his seemingly usual way of sabotaging them, along with problems of family and friends. Some of the biggest stand out lines from this emotional masterpiece include the following; "So I don't ever say what I can't do, if he can be happy with life then nigga I can too, while Jose wanna die, ain't tell nobody but eyeing his eyes feel I should probably identify, I said every day he lives with pain and wanna end it, something's wired wrong in your brain you gotta mend it, had a bad break up and let it expose dude, but if she was getting you high then she would get you low too."
Powerful. Some of the most meaningful lines I've heard in rap in a minute, and Joe's cadence tells it all throughout this track, because every line is not only heard, but felt. It just goes to show that your biggest enemies couldn't make you feel anywhere near as bad as you could yourself. Joe's battle with depression has been known throughout his entire career, and has been made known mostly through his music. We actually probably have Joe's music to thank that Joe is still here with us today; if Joe didn't have his raps and music to vent through, then would he still be here? That's some crazy food for thought for you right there. In case you haven't heard this amazing emotional journey of a song before, then you can check it out below.
Wednesday, October 21, 2015
Hey Meek... You Might Want To Stay Off of Social Media For Awhile (Wale interview, Meek instagram post)
Meek Mill and Wale make news again... and not in a good way (surprise!). Meek took to Instagram today to fire back at Wale for some comments he made in an interview with Power 105.1 about MMG and Meek, and Wale was not bashful speaking about the very much publicized (and meme'd) beef between Drake and Meek Mill. Here's what Wale had to say;
“I honestly feel like [Meek] brought a pencil to a gun fight," said Wale. "You can’t compete with somebody who has those types of relationship. I’m telling everyone who thought Meek lost just off the strength of losing, it doesn’t matter what he made, he could have made ‘Ether 3.0’, the opinions of the people would have been that of the kid from Toronto waxed him. Drake went to Apple and my man went to Funk Flex–and there’s nothing wrong with Flex–but we talking about Apple, breh.”
Interesting comments, they seem honest enough, especially considering all the flack Meek has gotten during the Drake beef drama (all the diamond, and now pencil emoji's fans/trolls have littered Meek's Instagram posts with), though Meek took these comments to heart and started spewing off of the dome (which is probably how he got himself into all of this so called "beef" in the first place). Meek's response to Wale's comments can be seen below;
"U not MMG NOMORE! This why u can't get my number you a hoe! ???? and u dead cracked right now @wale foh nuttttt! I wasn't even mad at you Fam u got some real issues with yaself and you jealous! Broke rapper! I don't speak on Mmg in interviews unless it's good! U a clown ... We don't wanna hear you nomore Fam! Go jump off a roof like u been tryna do chump! He not MMG IM MAKING THAT CALL ... He been tryna call me saying Rozay owe us money... He don't owe me shit and if he do I'll get it later .... Go that away!"
So... I guess you could say they're working it out. Naw... probably not. Wale's original interview with Power 105.1 can be seen below.
(*I do not own this video, or the rights to it*)
“I honestly feel like [Meek] brought a pencil to a gun fight," said Wale. "You can’t compete with somebody who has those types of relationship. I’m telling everyone who thought Meek lost just off the strength of losing, it doesn’t matter what he made, he could have made ‘Ether 3.0’, the opinions of the people would have been that of the kid from Toronto waxed him. Drake went to Apple and my man went to Funk Flex–and there’s nothing wrong with Flex–but we talking about Apple, breh.”
Interesting comments, they seem honest enough, especially considering all the flack Meek has gotten during the Drake beef drama (all the diamond, and now pencil emoji's fans/trolls have littered Meek's Instagram posts with), though Meek took these comments to heart and started spewing off of the dome (which is probably how he got himself into all of this so called "beef" in the first place). Meek's response to Wale's comments can be seen below;
"U not MMG NOMORE! This why u can't get my number you a hoe! ???? and u dead cracked right now @wale foh nuttttt! I wasn't even mad at you Fam u got some real issues with yaself and you jealous! Broke rapper! I don't speak on Mmg in interviews unless it's good! U a clown ... We don't wanna hear you nomore Fam! Go jump off a roof like u been tryna do chump! He not MMG IM MAKING THAT CALL ... He been tryna call me saying Rozay owe us money... He don't owe me shit and if he do I'll get it later .... Go that away!"
So... I guess you could say they're working it out. Naw... probably not. Wale's original interview with Power 105.1 can be seen below.
Friday, October 16, 2015
Fuck Future: Feeling In Music Is Not Gone Yet (My Review on the Current State Of Hip Hop)
I know too many people that speak about their issues with no real human emotion. Too many times I've seen cases where people "cut you off" because of a minor disagreement, or a small fight that means nothing in the grand scheme of things. People grow up, they lose friends, they may no longer speak to family members because of a fight, and don't really care if they do or don't speak to people who have been in their lives for the entirety of it. What that says about these certain people is no matter, but I've always believed that the people in your life who truly mean something will always find a way to stay in it, and these people always hold relevance in your life.
The same exact thing can be said about music. It's amazing how people forget the power that music holds over one's life, it's a known fact that music changes people's perception of the world, and perception is everything. Allow me to say that again; perception is EVERYTHING! How you perceive something is how you see it, and if something allows you to change your perception on something you see, then that can mean an array of different things (though we won't get into that). Perception is how you see something that scares the living shit out of you, how you see someone you've loved your entire life, how you see your goals and your future, or it can be something as simple as what a song means to you.
This past Wednesday, Joe Budden's very much anticipated album All Love Lost leaked, and if you were a fan scrolling through one of your favorite hip hop blogs looking for new releases, you could have scrolled right by the album stream and thought nothing of it, but I've always taken a liking to Budden's music and his ability to rap (beats on ALL are crazy, though some people will argue that Budden talks about depression/past relationships too much). I pressed play on the "All Love Lost Intro" and was immediately sucked into the world of Joe Budden, but the song that truly made me feel was "Immortal."
On "Immortal", Budden talks of his past drug addiction and getting through it, and if you know about Joe Budden, you know he's abused drugs for almost his entire career. Things like pills (from what Budden mentions is many, many types of pills including Percocet, and he even mentions some heroin use at points in his career) are things Budden abused constantly. But there is a line that makes you think in the song, and though hearing the line itself doesn't hit the ear right, Budden sounds so sure in a line leading up to the hook; "you can't kill something that's ready to die." This line is heavy in it's own right, but that line is followed up by a steroid-like strength hook (probably the wrong expression to use in this case, but oh well); "they say I'm in my own way, own way, and that's fine, I'm just living my own way, own way, like I can't die, they can remove my heart, my soul, might take it's toll, the air I breathe and the ground below, but no way, no way, let 'em all try, that's how it feels to be immortal, immortal, that's how it feels to be immortal, immortal, and that's how it feels to be immortal."
There's too much I have to say about that particular song, but Budden's entire album (All Love Lost) is something that hits you "right in the feels" as the kids say these days. Now what does the rest of hip hop have to combat that with? Listen to this.
(*I do not own these songs, or the rights to them*)
Hmm... I don't uhm... Fuck up some... commas? Excuse me for not being as hip as I'm supposed to be (and granted I don't listen to any Future on the regular, and for good reason), but how does one "fuck up some commas"? I'm curious, really, more than anything. What is the attraction to this? Fuck up some commas that most hip hop listeners do not have to "fuck up." "Trap niggas" is definitely a title that people wish to attain; right? It's so relatable to people to listen to "blow a bag" nowadays, huh? I believe people have forgotten what quality hip hop music sounds like (something that you're able to listen to timelessly, and able to relate to forever).
So... what do I think? I think the hottest rappers in the game right now should not be the hottest rappers in the game right now. Do you see yourself listening to Future's Dirty Sprite 2, 56 Nights, or even his Drake collaboration What A Time To Be Alive next year? How about 10 years from now? Do any of those projects still hold weight? The incredible flood of hip hop music that has taken over this millennium needs to stop, and now (and not just Future, a lot of one hit wonders are killing hip hop, that goes for Rae Sremmurd, Bobby Shmurda, Migos, and almost the entire sub genre of "trap music"). I find it amazing that "Slim Jesus" is one of the most talked about acts in hip hop right now. What meaning does music have if you don't see yourself listening to it in the future (no pun intended, though I believe he chose the wrong name)? Fix rap by putting out quality music, and not by putting out loads and loads of albums and mix tapes that will mean nothing in a year. Fix it by competing with the best, not because you want to make your money, but because you want to be BETTER than the best. If you're not rapping to become the best, then what are you doing it for? Those are my thoughts on the current state of hip hop.
The same exact thing can be said about music. It's amazing how people forget the power that music holds over one's life, it's a known fact that music changes people's perception of the world, and perception is everything. Allow me to say that again; perception is EVERYTHING! How you perceive something is how you see it, and if something allows you to change your perception on something you see, then that can mean an array of different things (though we won't get into that). Perception is how you see something that scares the living shit out of you, how you see someone you've loved your entire life, how you see your goals and your future, or it can be something as simple as what a song means to you.
This past Wednesday, Joe Budden's very much anticipated album All Love Lost leaked, and if you were a fan scrolling through one of your favorite hip hop blogs looking for new releases, you could have scrolled right by the album stream and thought nothing of it, but I've always taken a liking to Budden's music and his ability to rap (beats on ALL are crazy, though some people will argue that Budden talks about depression/past relationships too much). I pressed play on the "All Love Lost Intro" and was immediately sucked into the world of Joe Budden, but the song that truly made me feel was "Immortal."
On "Immortal", Budden talks of his past drug addiction and getting through it, and if you know about Joe Budden, you know he's abused drugs for almost his entire career. Things like pills (from what Budden mentions is many, many types of pills including Percocet, and he even mentions some heroin use at points in his career) are things Budden abused constantly. But there is a line that makes you think in the song, and though hearing the line itself doesn't hit the ear right, Budden sounds so sure in a line leading up to the hook; "you can't kill something that's ready to die." This line is heavy in it's own right, but that line is followed up by a steroid-like strength hook (probably the wrong expression to use in this case, but oh well); "they say I'm in my own way, own way, and that's fine, I'm just living my own way, own way, like I can't die, they can remove my heart, my soul, might take it's toll, the air I breathe and the ground below, but no way, no way, let 'em all try, that's how it feels to be immortal, immortal, that's how it feels to be immortal, immortal, and that's how it feels to be immortal."
There's too much I have to say about that particular song, but Budden's entire album (All Love Lost) is something that hits you "right in the feels" as the kids say these days. Now what does the rest of hip hop have to combat that with? Listen to this.
Hmm... I don't uhm... Fuck up some... commas? Excuse me for not being as hip as I'm supposed to be (and granted I don't listen to any Future on the regular, and for good reason), but how does one "fuck up some commas"? I'm curious, really, more than anything. What is the attraction to this? Fuck up some commas that most hip hop listeners do not have to "fuck up." "Trap niggas" is definitely a title that people wish to attain; right? It's so relatable to people to listen to "blow a bag" nowadays, huh? I believe people have forgotten what quality hip hop music sounds like (something that you're able to listen to timelessly, and able to relate to forever).
So... what do I think? I think the hottest rappers in the game right now should not be the hottest rappers in the game right now. Do you see yourself listening to Future's Dirty Sprite 2, 56 Nights, or even his Drake collaboration What A Time To Be Alive next year? How about 10 years from now? Do any of those projects still hold weight? The incredible flood of hip hop music that has taken over this millennium needs to stop, and now (and not just Future, a lot of one hit wonders are killing hip hop, that goes for Rae Sremmurd, Bobby Shmurda, Migos, and almost the entire sub genre of "trap music"). I find it amazing that "Slim Jesus" is one of the most talked about acts in hip hop right now. What meaning does music have if you don't see yourself listening to it in the future (no pun intended, though I believe he chose the wrong name)? Fix rap by putting out quality music, and not by putting out loads and loads of albums and mix tapes that will mean nothing in a year. Fix it by competing with the best, not because you want to make your money, but because you want to be BETTER than the best. If you're not rapping to become the best, then what are you doing it for? Those are my thoughts on the current state of hip hop.
Saturday, October 10, 2015
I Can't Stop Listening To Michael Christmas' 'Shadows"
I know this dude has been on the come up for a second, I know this guy has been featured on other blogs during his current come up, but I never knew this guy had a sound that was so addicting. As far as Michael Christmas goes, this is the first song of his I have heard, but if his newest album What A Weird Day is going to sound anything like this song, then you better believe I'm tuning in for it.
If you don't know about Michael Christmas, he has another album out by the name of Is This Art? that released in 2014 with no huge named features, so it seems he is looking to earn his own come up, a strategy that would earn my respect any day. His newest album What A Weird Day is set for release on October 23rd, and will feature some big names like Mac Miller, D.R.A.M., Logic, and more. His latest single I'm currently raving about (Shadows, produced by Logic's own producer 6ix) is available on iTunes via free download if you pre order the album. You can listen to "Shadows" below.
(*I do not own this song, or the rights to it*)
If you don't know about Michael Christmas, he has another album out by the name of Is This Art? that released in 2014 with no huge named features, so it seems he is looking to earn his own come up, a strategy that would earn my respect any day. His newest album What A Weird Day is set for release on October 23rd, and will feature some big names like Mac Miller, D.R.A.M., Logic, and more. His latest single I'm currently raving about (Shadows, produced by Logic's own producer 6ix) is available on iTunes via free download if you pre order the album. You can listen to "Shadows" below.
Friday, October 9, 2015
Paul Wall's Slab God Album Review
It's been 10 years since Paul Wall dropped his classic "Sittin Sideways" hit, and a lot has changed since then. Eminem dyed his hair black (then back to blonde again), Lil Wayne became a hot commodity in the later 2000s and early 2010s, and then Drake suddenly became the (not so official) face of what people thought of when people thought of Houston's hip hop scene. As much as that may or may not be true, Paul Wall took a few years off from the mainstream music scene, but stayed making music for die hard listeners. He made a point for his newest album Slab God to be a big release when it hit; do you think it's measured up to it's hype?
Paul starts off the album on a slow, chilled out note with "Swangin in the Rain". Some heavy bass, jazzy piano and quick high hats help this track set the tone for the rest of what's to come on the album; heavy hitting, slow moving (heavy "drank" and syrup inspired) bangers that make it easy to move to. Other stand out tracks of this nature are the Curren$y and Devin The Dude assisted "Crumble the Satellite", "Ridin Homie" featuring Houston's own Trae The Truth, and "R.I.P Act" featuring C. Stone. Paul featured a wide variety of rappers while staying true to his Houston roots.
Mr. Wall has never been one to NOT shine on these hoes, either. "Shine on Fo's" is a great example of Paul's shining and his ever so enviable glistening lifestyle. The grills, the girls, the syrup and the jewelry all come along with that Houston rapper lifestyle, and Paul makes it sound as good as it ever has on Slab God. You can also hear about Paul's "checklist" of fancy things on the song "Checklist" (who would have thought?).
Paul also pours his heart out into a couple of songs on Slab God. On "Steady Mobbin", Paul discusses a fallen comrade and you can tell by the start of the song which direction Paul is going to take the song in; "This for all the fallen soldiers in the game. Sip in peace. We gone ride for your memory. We steady mobbin." Paul also gives quite a chilling, yet thought provoking line on shootings and the people's perceptions of them; "I wonder if it was worth, whatever they were shooting fo', and to be honest if the cops would had did it we'd be protestin' and lootin' bro." Surely makes you think, doesn't it? "R.I.P Act" is also a nice, slow, soulful jam dedicated to a fallen comrade (or former girlfriend, it's hard to tell).
(*I do not own these songs, or the rights to them*)
So overall, Paul Wall's album proves that he just might be the true "Slab God". Slab God bangs, has some great features that fit in well where they're asked, and makes you want to "swang" with some "Muddy Cups on Sunset" and "Shine On Fo's" (I thought I was pretty damn cool already, I might just have to move to Houston and check out the scene). Houston's rap scene remains somewhat underground (maybe not underground, but not so much commercial), but Paul's album proves that not only is Houston's hip hop scene timeless, but it proves that Paul Wall is another one of those rare rappers who's music can withstand the test of time.
Paul starts off the album on a slow, chilled out note with "Swangin in the Rain". Some heavy bass, jazzy piano and quick high hats help this track set the tone for the rest of what's to come on the album; heavy hitting, slow moving (heavy "drank" and syrup inspired) bangers that make it easy to move to. Other stand out tracks of this nature are the Curren$y and Devin The Dude assisted "Crumble the Satellite", "Ridin Homie" featuring Houston's own Trae The Truth, and "R.I.P Act" featuring C. Stone. Paul featured a wide variety of rappers while staying true to his Houston roots.
Mr. Wall has never been one to NOT shine on these hoes, either. "Shine on Fo's" is a great example of Paul's shining and his ever so enviable glistening lifestyle. The grills, the girls, the syrup and the jewelry all come along with that Houston rapper lifestyle, and Paul makes it sound as good as it ever has on Slab God. You can also hear about Paul's "checklist" of fancy things on the song "Checklist" (who would have thought?).
Paul also pours his heart out into a couple of songs on Slab God. On "Steady Mobbin", Paul discusses a fallen comrade and you can tell by the start of the song which direction Paul is going to take the song in; "This for all the fallen soldiers in the game. Sip in peace. We gone ride for your memory. We steady mobbin." Paul also gives quite a chilling, yet thought provoking line on shootings and the people's perceptions of them; "I wonder if it was worth, whatever they were shooting fo', and to be honest if the cops would had did it we'd be protestin' and lootin' bro." Surely makes you think, doesn't it? "R.I.P Act" is also a nice, slow, soulful jam dedicated to a fallen comrade (or former girlfriend, it's hard to tell).
So overall, Paul Wall's album proves that he just might be the true "Slab God". Slab God bangs, has some great features that fit in well where they're asked, and makes you want to "swang" with some "Muddy Cups on Sunset" and "Shine On Fo's" (I thought I was pretty damn cool already, I might just have to move to Houston and check out the scene). Houston's rap scene remains somewhat underground (maybe not underground, but not so much commercial), but Paul's album proves that not only is Houston's hip hop scene timeless, but it proves that Paul Wall is another one of those rare rappers who's music can withstand the test of time.
Thursday, October 1, 2015
Throwback Thursday: I Guess Ja Rule Was Okaaaaaay
Does anyone remember that Ja Rule actually existed? No? Well then this post might actually blow your mind. Ja Rule once was a successful rapper in the early 2000s (an era that I'm particularly fond of), and had a couple of really big hits with some star studded features (some big RnB singers Ja had featured on his albums were big names like Jennifer Lopez, R. Kelly, and Ashanti multiple times). Respect is due where it is earned, and it'd be wrong of me to shun Ja for some great memories Ja has created for me through his music.
(this one brings back fantastic memories, even though at the time being so young it's hard to believe now that it was Ja Rule that was making me jig)
I'm a huge Eminem fan (I believe I've stated before), so for me to even mention Ja's name is like summoning Voldemort, but I can't deny the fact that Ja had some soulful hits back in the day. It's unfortunate that Ja's career had to be shortened due to 50 Cent and Eminem's dismantling of him in the early 2000s (come on now, you know it's true, everyone on Shady AND on G Unit got involved), but when Ja made music and didn't get involved in beef with anybody, he always did pretty damn good for himself. Ja had 2 albums that topped the U.S. billboard 200 (Rule 3:36 in 2000 and Pain Is Love in 2001), he earned 4 Grammy nominations and even had six top 10 albums under his belt.
Is a Ja Rule comeback possible? Who knows, but what we do know is that Ja is keeping his name in headlines, even today. Earlier this year his beef with 50 Cent was reignited when the 2 started going back and forth on Twitter and Instagram over a comment Ja made when a fan asked a question about the feud on Twitter. Not only exciting beefs being reignited, but apparently in May of this year, Ja made his first known attempt at business and entrepreneurship by partnering with Billy McFarland, the CEO of Magnises, (a credit card service company) to become the "creative head and spokesman" of the company. Will it work out for Ja? Only time will tell, but until then, we can sit back and enjoy some of his biggest hits, some being the perfect blend of RnB soul singing and a strong hip hop voice.
(*I do not own these videos, or the rights to them*)
I'm a huge Eminem fan (I believe I've stated before), so for me to even mention Ja's name is like summoning Voldemort, but I can't deny the fact that Ja had some soulful hits back in the day. It's unfortunate that Ja's career had to be shortened due to 50 Cent and Eminem's dismantling of him in the early 2000s (come on now, you know it's true, everyone on Shady AND on G Unit got involved), but when Ja made music and didn't get involved in beef with anybody, he always did pretty damn good for himself. Ja had 2 albums that topped the U.S. billboard 200 (Rule 3:36 in 2000 and Pain Is Love in 2001), he earned 4 Grammy nominations and even had six top 10 albums under his belt.
Is a Ja Rule comeback possible? Who knows, but what we do know is that Ja is keeping his name in headlines, even today. Earlier this year his beef with 50 Cent was reignited when the 2 started going back and forth on Twitter and Instagram over a comment Ja made when a fan asked a question about the feud on Twitter. Not only exciting beefs being reignited, but apparently in May of this year, Ja made his first known attempt at business and entrepreneurship by partnering with Billy McFarland, the CEO of Magnises, (a credit card service company) to become the "creative head and spokesman" of the company. Will it work out for Ja? Only time will tell, but until then, we can sit back and enjoy some of his biggest hits, some being the perfect blend of RnB soul singing and a strong hip hop voice.
Monday, September 28, 2015
5 Awesome Wiz Khalifa DayToday Vlogs
The rapper lifestyle is literally always a luxurious one. Like, it's pretty unfair actually. Why can't I live like that? Anyways, sometimes your favorite rappers give you awesome day to day (DayToday) and behind the scenes looks at what it's like to live that rapper lifestyle. It's been said that the lifestyle itself is addicting, but I'll tell you what's even more addicting than the lifestyle itself; is sitting back and watching someone live that lifestyle. Wiz Khalifa has been doing his DayToday's web series since back in his mix tape days (I believe the first season was around 2009/2010), and has kept the now very popular series going up to this year. I'm not the Wiz Khalifa fan I once was (not just because I don't smoke pot anymore), but every now and then, I can admittedly find myself gawking at the rich and famous lifestyle Wiz flaunts in his DayToday web series, even now. So I decided to chronicle 5 of Wiz's most entertaining DayToday videos below.
Season 3 Episode 5
Season 3 is a goldmine of the alleged rapper lifestyle and how it is lived, and who better to show you how it's lived than Wiz Khalifa? In this episode a few well known radio DJs make some celebrity appearances, like DJ Drama, DJ Clue and DJ Envy, and Wiz even gives a decent little freestyle on Funk Flex's show.
Season 3 Episode 6
Episode 6 of season 3 is definitely my favorite episode of any DayToday ever made, and if you watch it you'll see why. This episode features classic Wiz doing Wiz things, smoking doobies, rapping classic Snoop songs and partying on the "Puff Bus". Tour life is said to be grueling by other rappers/artists who go through it, but Wiz makes it look like the best lifestyle anybody could live in this classic episode.
Season 3 Episode 8
Season 3 episode 8 of Wiz's DayToday series is part 2 of a 3 part mini series that includes Wiz coming home to Pittsburgh, and it begins with Wiz's discussion of his set list he's going to play coming home to the Taylors, and also shows him going through a rather hilarious sound check before the concert. The ending is the best part however, as it ends with an appearance from the legendary Three 6 Mafia member Juicy J.
Season 3 Episode 9
The conclusion of the mini 3 part series in season 3 (and also the season 3 finale) starts with Wiz accepting a plaque commemorating his sold out 2011 62 show Waken Baken tour, then continuing to party with the gang and Juicy J for the remainder of the episode. It was only right that Wiz ended the tour in Pittsburgh, and they also got some great footage of Wiz's electric homecoming performance to round out the end of the tour. The rest of the episode shows Wiz partying with Juicy and the gang, and even shows an appearance from then up and coming Pittsburgh emcee Mac Miller. It's funny how time flies isn't it?
Season 4 Episode 2
(*I do not own these videos, or the rights to them*)
I included a lot of season 3 in the post (because it is pretty much the golden age of Wiz Khalifa's DayToday's), but I figured I'd branch out a little for the last video. In the beginning of season 4 episode 2, Wiz is seen hanging out with the squad doing the usual lighting up a bowl, but the episode gets more exciting later on when Wiz performs at MTV Spring Break, and even later on as Drake makes an appearance and kicks it with Wiz, Juicy J, and the rest of the Taylor Gang. You can tell how particular Drake is about his career when everyone around him is drinking and smoking, and he remains sober and doesn't touch a joint or a drink (I guess he's Drake-ing).
Those are just 5 episodes of hundreds of available videos you can find and watch of Wiz Khalifa's DayToday's on YouTube. There are a lot of vlogs online that flourish in the internet age (seemingly anybody who can record a video and upload it to YouTube can be successful, but it's not always good) but these sorts of videos can open up thoughts about an entirely different world to those not familiar with it, and who knows, they can even inspire people to be successful, so they can live this sort of lifestyle themselves. Wiz may just be a chain smoking partyer who raps, but to others, he's an inspiration towards a glamorous lifestyle.
Season 3 Episode 5
Season 3 is a goldmine of the alleged rapper lifestyle and how it is lived, and who better to show you how it's lived than Wiz Khalifa? In this episode a few well known radio DJs make some celebrity appearances, like DJ Drama, DJ Clue and DJ Envy, and Wiz even gives a decent little freestyle on Funk Flex's show.
Season 3 Episode 6
Episode 6 of season 3 is definitely my favorite episode of any DayToday ever made, and if you watch it you'll see why. This episode features classic Wiz doing Wiz things, smoking doobies, rapping classic Snoop songs and partying on the "Puff Bus". Tour life is said to be grueling by other rappers/artists who go through it, but Wiz makes it look like the best lifestyle anybody could live in this classic episode.
Season 3 Episode 8
Season 3 episode 8 of Wiz's DayToday series is part 2 of a 3 part mini series that includes Wiz coming home to Pittsburgh, and it begins with Wiz's discussion of his set list he's going to play coming home to the Taylors, and also shows him going through a rather hilarious sound check before the concert. The ending is the best part however, as it ends with an appearance from the legendary Three 6 Mafia member Juicy J.
Season 3 Episode 9
The conclusion of the mini 3 part series in season 3 (and also the season 3 finale) starts with Wiz accepting a plaque commemorating his sold out 2011 62 show Waken Baken tour, then continuing to party with the gang and Juicy J for the remainder of the episode. It was only right that Wiz ended the tour in Pittsburgh, and they also got some great footage of Wiz's electric homecoming performance to round out the end of the tour. The rest of the episode shows Wiz partying with Juicy and the gang, and even shows an appearance from then up and coming Pittsburgh emcee Mac Miller. It's funny how time flies isn't it?
Season 4 Episode 2
I included a lot of season 3 in the post (because it is pretty much the golden age of Wiz Khalifa's DayToday's), but I figured I'd branch out a little for the last video. In the beginning of season 4 episode 2, Wiz is seen hanging out with the squad doing the usual lighting up a bowl, but the episode gets more exciting later on when Wiz performs at MTV Spring Break, and even later on as Drake makes an appearance and kicks it with Wiz, Juicy J, and the rest of the Taylor Gang. You can tell how particular Drake is about his career when everyone around him is drinking and smoking, and he remains sober and doesn't touch a joint or a drink (I guess he's Drake-ing).
Those are just 5 episodes of hundreds of available videos you can find and watch of Wiz Khalifa's DayToday's on YouTube. There are a lot of vlogs online that flourish in the internet age (seemingly anybody who can record a video and upload it to YouTube can be successful, but it's not always good) but these sorts of videos can open up thoughts about an entirely different world to those not familiar with it, and who knows, they can even inspire people to be successful, so they can live this sort of lifestyle themselves. Wiz may just be a chain smoking partyer who raps, but to others, he's an inspiration towards a glamorous lifestyle.
Thursday, September 24, 2015
Promoting Love & Positivity In Hip Hop
The stereotype of some people's opinions of hip hop is getting old. To say it all "promotes violence and drugs", and "glorifies disrespecting women", and that all rappers talk about is "money, clothes and hoes" is just too played out. Where's the love? In hip hop it seems hard to find (at least at first), but a lot of people who judge rap on it's negative topics and stereotypes don't search deep enough to find the artists that do promote love and positivity. I would love more than anything to be a part of that promotion, so here is a list of rap's most positive, and love promoting artists. It's time for hip hop to stop getting all the bad (w)rap!
J. Cole
Cole is one of the 2 prime examples of rappers who promote love, positivity, and happiness in not only his music, but his way of living. He doesn't just talk about making the world a better place, he sets the example on being a good person overall. In case you didn't hear about his campaign for his last album 2014 Forest Hills Drive, Cole used his old house (at 2014 Forest Hills Drive) to rent out to families in need for one whole year, so the man literally has been putting roof's over peoples heads. Not only this, but one of Cole's friends from North Carolina also told a story about J. Cole paying for a FULL RIDE SCHOLARSHIP for a girl (named Cierra Bosarge) to attend college (although no word on what school she's attending). Word is that Bosarge wrote a letter to Cole talking about the struggles of school and how Cole's music inspired her, so Cole promised to attend her graduation if she got into a 4 year university. Cole not only attended Bosarge's graduation, but is paying for all of her books and her tuition for all 4 years. If that's not a heartwarming story, I don't know what is.
Kendrick Lamar
https://twitter.com/DailyRapFacts/status/638973428515520512
(*Saw this video on Twitter so I posted a link, if it doesn't show up, let me know in the comment section below, Facebook, or on Google+ and I'll re share the video)
Kendrick Lamar is the other prime example of positivity and love in hip hop. In the link above, Kendrick talks about his thoughts on the real reason people are put here on Earth, and his answer is very Tupac-esque; nothing short of compassion and understanding. Funny how a kid from Compton is more for peace and love than say, the government (*Cue Kermit the frog and coffee cup emoji's*). Kendrick Lamar sits back and lets his music tell a socially conscious message, attacking the flaws of mankind and pushing for better, while remaining cool, calm, and collected in interviews (sort of the opposite of Kanye West... Kanye does drop some knowledge every now and then, but because he's so out of control about it, people pass it off as him being crazy).
Jhene Aiko
(*Jhene begins to discuss her message at the 5:18 mark*)
Jhene's ENTIRE LIFE MESSAGE is love. No, seriously. In the interview above Jhene talks about what she feels her goals in life are and the message she feels she needs to spread to the world. How can you hate someone who preaches love all of the time (plus she's just so damn cute, but that's another conversation for another day)? Jhene is known to be very into horoscopes and spiritual readings of that nature, so for her to preach love and positivity is no surprise (especially when you see what she posts on her Twitter and Tumblr pages). I know Jhene isn't exactly what you call hip hop, but she is always associated with hip hop acts, plus her message is too strong not to include.
Logic
(*I do not own these videos, or the rights to them*)
Logic has been a fantastic example of positivity, and (dare I say it) is one of the few artists that represents rap in a truly respectable, and mature fashion. The interview above was given by DJ Booth (an incredibly dope website, shout out to their great writers Brendan Varan, Yoh, and Nathan Slavik, who gave this interview), and Logic discusses his lifestyle, his adjusting to rap stardom, and how many people he has in his close circle, and basically sums it all up in one perfect sentence; "I don't fuck with nobody." That message may not be so positive, but Logic is not only expressing his views on how stardom has changed how people see him, in a way he's also giving an important life lesson that many other people need to know; people change.
Hip hop has evolved, and if you don't think so, you probably haven't listened recently. Most people who believe it hasn't evolved simply haven't given it the chance it deserves. I preach a lot about hip hop and what's best for it I know, but this time I'm not talking about the actual music; I'm talking about the way it's "constituents" make it look as a genre. Listen to Jhene Aiko sing a soulful hook on a hip hop song (or listen to her love anthem "In Love We Trust"), listen to the way Kendrick Lamar or J. Cole talks about society today, or hell, even listen to the way Logic talks about the perception of life. It's all about perception, and these amazing artists not only show us why it is so important, but they set an example for how people should live their lives; filled with nothing but love and positivity.
J. Cole
Cole is one of the 2 prime examples of rappers who promote love, positivity, and happiness in not only his music, but his way of living. He doesn't just talk about making the world a better place, he sets the example on being a good person overall. In case you didn't hear about his campaign for his last album 2014 Forest Hills Drive, Cole used his old house (at 2014 Forest Hills Drive) to rent out to families in need for one whole year, so the man literally has been putting roof's over peoples heads. Not only this, but one of Cole's friends from North Carolina also told a story about J. Cole paying for a FULL RIDE SCHOLARSHIP for a girl (named Cierra Bosarge) to attend college (although no word on what school she's attending). Word is that Bosarge wrote a letter to Cole talking about the struggles of school and how Cole's music inspired her, so Cole promised to attend her graduation if she got into a 4 year university. Cole not only attended Bosarge's graduation, but is paying for all of her books and her tuition for all 4 years. If that's not a heartwarming story, I don't know what is.
Kendrick Lamar
https://twitter.com/DailyRapFacts/status/638973428515520512
(*Saw this video on Twitter so I posted a link, if it doesn't show up, let me know in the comment section below, Facebook, or on Google+ and I'll re share the video)
Kendrick Lamar is the other prime example of positivity and love in hip hop. In the link above, Kendrick talks about his thoughts on the real reason people are put here on Earth, and his answer is very Tupac-esque; nothing short of compassion and understanding. Funny how a kid from Compton is more for peace and love than say, the government (*Cue Kermit the frog and coffee cup emoji's*). Kendrick Lamar sits back and lets his music tell a socially conscious message, attacking the flaws of mankind and pushing for better, while remaining cool, calm, and collected in interviews (sort of the opposite of Kanye West... Kanye does drop some knowledge every now and then, but because he's so out of control about it, people pass it off as him being crazy).
Jhene Aiko
Jhene's ENTIRE LIFE MESSAGE is love. No, seriously. In the interview above Jhene talks about what she feels her goals in life are and the message she feels she needs to spread to the world. How can you hate someone who preaches love all of the time (plus she's just so damn cute, but that's another conversation for another day)? Jhene is known to be very into horoscopes and spiritual readings of that nature, so for her to preach love and positivity is no surprise (especially when you see what she posts on her Twitter and Tumblr pages). I know Jhene isn't exactly what you call hip hop, but she is always associated with hip hop acts, plus her message is too strong not to include.
Logic
Logic has been a fantastic example of positivity, and (dare I say it) is one of the few artists that represents rap in a truly respectable, and mature fashion. The interview above was given by DJ Booth (an incredibly dope website, shout out to their great writers Brendan Varan, Yoh, and Nathan Slavik, who gave this interview), and Logic discusses his lifestyle, his adjusting to rap stardom, and how many people he has in his close circle, and basically sums it all up in one perfect sentence; "I don't fuck with nobody." That message may not be so positive, but Logic is not only expressing his views on how stardom has changed how people see him, in a way he's also giving an important life lesson that many other people need to know; people change.
Hip hop has evolved, and if you don't think so, you probably haven't listened recently. Most people who believe it hasn't evolved simply haven't given it the chance it deserves. I preach a lot about hip hop and what's best for it I know, but this time I'm not talking about the actual music; I'm talking about the way it's "constituents" make it look as a genre. Listen to Jhene Aiko sing a soulful hook on a hip hop song (or listen to her love anthem "In Love We Trust"), listen to the way Kendrick Lamar or J. Cole talks about society today, or hell, even listen to the way Logic talks about the perception of life. It's all about perception, and these amazing artists not only show us why it is so important, but they set an example for how people should live their lives; filled with nothing but love and positivity.
Thursday, September 17, 2015
Did Drake Really Let Someone Pee On Him? (T.I. Interview on Ebro In The Morning)
Drake and Meek's beef has seemed to die down just enough to let Drake's (rumored) joint mix tape with Future actually break the internet (even though any new Drake music breaks the internet already, Future would just be icing on the cake). The feud between the 2 had died down almost enough for Meek to put out music and not have rabid die hard fans at his neck in Instagram or Twitter comment sections talking about how Drake has ended his career. The two had almost gotten to the point where they could go about their careers and not care about headlines concerning their supposed "beef"; until Ebro pushed the agenda with his recent interview on "Ebro In The Morning" with T.I.
With Ebro being the always controversial, yet somehow balanced enough to see both sides of the story type of interviewer that he is, he continued to ask Tip the question that everybody wants to know about Drake vs. Meek; did Drake really get peed on in a movie theater as Meek said in his diss track "Wanna Know"? T.I. dodges the question just as a G rightfully does when faced with a tough question (because Tip is just that cool), but is his question dodging to avoid getting involved in the beef, or is it because he doesn't want to expose Drake? Peep the full interview below.
(*I do not own this video, or the rights to it*)
With Ebro being the always controversial, yet somehow balanced enough to see both sides of the story type of interviewer that he is, he continued to ask Tip the question that everybody wants to know about Drake vs. Meek; did Drake really get peed on in a movie theater as Meek said in his diss track "Wanna Know"? T.I. dodges the question just as a G rightfully does when faced with a tough question (because Tip is just that cool), but is his question dodging to avoid getting involved in the beef, or is it because he doesn't want to expose Drake? Peep the full interview below.
Saturday, September 12, 2015
(Late) Throwback Thursday: Just Blaze Discusses the Making Of Exhibit C
I have this philosophy when it comes to posting that basically goes like this; it's never a bad time to show appreciation to greatness. It was over 6 years ago that Jay Electronica dropped his ground breaking Just Blaze produced song "Exhibit C". (And because it's Jay Elec) There's always some sort of aura that surrounds the song (not to mention Jay Electronica himself) and many questions are always asked when his name comes up (like who is Jay Elec, where did he come from, why did Jay Z sign him and when is the album dropping just to name a few that come straight to mind), but somehow whenever a story about Jay Electronica is given from someone close to him (such as Jay Z, or his legendary producer Just Blaze) we feel at ease at least for a little bit. So, I thought this little interview with Just Blaze about the making of "Exhibit C" could hold you over just a little longer while you wait for Jay Electronica to start taking his music seriously. Enjoy.
(*I do not own this video, or the rights to it*)
Thursday, September 3, 2015
Watching Movies With The Moon Man: My Infatuation With "Weird" Hip Hop
I put quotes around the word "weird' in the title because many people's definition of the word is not always self explanatory. A person's definition of weird is only explainable when you truly don't understand what the fuck they are talking about. Weird can be defined by something you don't understand, weird can be defined by something you don't find okay to talk about normally, or it can be defined simply by opposing the norm; the abnormal. Other synonyms include uncanny, eerie, unnatural, supernatural, unearthly, otherworldly, ghostly, mysterious, strange, or unusual. So what is weird to you? Probably a lot of different things; some people don't like insects, others don't understand the thought of supernatural beings (see "weird" synonyms) such as aliens, and then when it comes to music, you probably wouldn't be surprised how many people are afraid to exit the comfort zone that they call "my playlist." I've been one of these people for so long, I've become a robot where the only music that is visual to me is from my favorite artists, whether I feel they're going in the right direction or not (see B.o.B or Slaughterhouse, shaking my head at both for different reasons). But when someone puts out a project that draws a lot of criticism for how "weird" it sounds, you truly need to ask yourself why you call it weird; is it because the music, or because you're not used to what they're saying? Is it because the artist has changed, or is it because you're not ready for this certain artist's transcendence as a human being? It's time for music fans to understand the differences.
We are all human. Every human being on this planet is from a different city or state (for the most part), born on a different date, at a different time, in a different country, in a different hospital, we're all different. Artists are human beings that go through rough patches, different time periods, people, places, and things just as you and me go through, and some people forget that. Some people (such as myself, the angry rap nerd that I am) criticize their favorite artists constantly because one project doesn't sound like the last, or one song isn't as catchy as the last, or because their favorite artist isn't talking about the same things that he/she did on the last project. People create memories with certain music which could be a huge reason why they get so defensive and angry about the "new" music, but these people don't take into account that their favorite musicians have to move on, and tackle the next obstacle... whether that be the next allegation, the next interview, or the next instrumental.
(*The real conversation starts at the 1:09 mark*)
Here's a test (watch the video above on Kid Cudi's comments); what do you think about this? Are Cudi's comments, is his topic of conversation "weird" to you? Forget that Cudi has made a staple in this game and has been one of the most influential "rappers" (parenthesis because he truly is an artist, in every sense of the word) of this generation. Forget about Cudi's music and pretend it doesn't exist for a second; if Jay-Z, Lil Wayne or even 50 Cent were to make these exact same comments, would you still think of them as the hard kings of "the rap lifestyle"? Would they still be as influential to you? Do you view your favorite rapper as a person, or a persona?
We are all human. Every human being on this planet is from a different city or state (for the most part), born on a different date, at a different time, in a different country, in a different hospital, we're all different. Artists are human beings that go through rough patches, different time periods, people, places, and things just as you and me go through, and some people forget that. Some people (such as myself, the angry rap nerd that I am) criticize their favorite artists constantly because one project doesn't sound like the last, or one song isn't as catchy as the last, or because their favorite artist isn't talking about the same things that he/she did on the last project. People create memories with certain music which could be a huge reason why they get so defensive and angry about the "new" music, but these people don't take into account that their favorite musicians have to move on, and tackle the next obstacle... whether that be the next allegation, the next interview, or the next instrumental.
Here's a test (watch the video above on Kid Cudi's comments); what do you think about this? Are Cudi's comments, is his topic of conversation "weird" to you? Forget that Cudi has made a staple in this game and has been one of the most influential "rappers" (parenthesis because he truly is an artist, in every sense of the word) of this generation. Forget about Cudi's music and pretend it doesn't exist for a second; if Jay-Z, Lil Wayne or even 50 Cent were to make these exact same comments, would you still think of them as the hard kings of "the rap lifestyle"? Would they still be as influential to you? Do you view your favorite rapper as a person, or a persona?
(You'd have to be on drugs to understand some things Mac says in this song, then again he says some not-so-crazy things in his verses as well. *I do not own these videos or the rights to them*)
Mac Miller (as I've posted about a few days prior and whom has been the biggest inspiration for this post) has become one of the most different rap artists out there. Is that good, or is that bad? I've been listening to Watching Movies With The Sound Off a lot lately, another project I slept on during the time of its release, and I couldn't help but connect to Mac, no matter how drugged up, drugged out, high, low, or drunk he was. Mac talks about doing literally every drug in the book if you've seen some of his recent interviews, and most of it seems to be the inspiration for projects like Watching Movies With The Sound Off and his 2014 mix tape Faces (because who could write or rap like this sober?). Why I connect with this Mac Miller (is not because I'm on drugs) is because he's making himself vulnerable. He needed drugs to do it, but would it be bad to say that drugs have made Mac Miller relatable, or even great? The music is insane on WMWTSO, but the album got rave reviews from fans, and commercially has been Mac's most successful album, (debuting at #3 on the Billboard 200 and selling 101k copies first week). Forget the album sales and the Billboard charting... Did Mac not make himself more relatable to you when you listened to WMWTSO? Mac (like Kid Cudi) is his own, fantastic form of WEIRD, and I love it. Weird works in music, and it's not because 100,000 people out there think that it's weird, but because 10,000 people out there connected to it, and it has somehow changed their lives. This is how albums, music, and artists become unforgettable.
Weird can be the type of person that annoys you, it can be when you don't understand someone's thoughts or actions, weird can be when you don't have a clue what the fuck someone is talking about, or weird can be defined by opposing the norm; doing, saying, or being something that is not seen or heard every day. But a lot of "weird" things happen every day, a lot of not so normal things occur on the daily, and people say and do things every day that are not set to the "politically correct" standards that society holds. So does that really make it all weird at the end of the day? Weird is awesome, weird is a change of pace from the same crap you hear from the same people.Weird is not always going to make an appearance at the interviewer's table, but weird is another weird way of saying that you exist. Weird is not so bad after all, because weird is genuine. We need more weird people in the world, let alone weird artists.
Sunday, August 30, 2015
Kanye West; Enough Said
Nicki tried to steal the internet away with her (definitely fake) Miley Cyrus hate (which I didn't oppose, because Miley killed these VMA's and not in a good way), but did she REALLY think she was going to take the spotlight away from Kanye West? Not even if Kanye had booty shots. Posting for Kanye West appreciation; currently I'm sitting (about an hour after the actual speech) re-watching Kanye's 2015's VMA speech. I'm almost in tears (again) at how awesome this shit is (don't judge me, sometimes I cry at awesomeness). I'll admit, I don't listen to Kanye's music willingly, and I don't like to say Kanye is one to rant just for the sake of ranting, I've always listened to what Kanye has had to say. I don't like to say I'm a fan of Kanye West because of his "artistry", I don't preach about how "deep" Kanye is, and I will never kiss the ground that a man wearing a fucking ADIDAS YEEZY BOOST walks on... don't get it twisted. Kanye fucked up with "New Slaves", and lot of other shit, I'm not going to suck up. But when it come to genuine people, when it comes to appreciating the art of it all, and when it comes to putting rap on the map (whether good attention or bad attention), Kanye NEVER disappoints, and his 2015 VMA's speech might be the realest I have ever heard. Nothing else to say here, full screen it and enjoy.
(*I do not own this video, or the rights to it*)
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