A message from Yasiin Bey (formerly known as Mos Def) on Kanye's website (kanyewest.com) clarifies that The Mighty Mos is putting the mic down after his next album. That's right, Mos Def is retiring, and the hip hop world is distraught with this news, as am I. The reason for his retirement, however, is confusing.
In the message that Yasiin released on kanyewest.com, Yasiin spoke of being detained in South Africa, as well as his ongoing problems with the government. He goes on to speak about his World Passport; "Anyone can do the research about the World Passport. It is not meant to deceive or derive any benefits from any nation state. I have made no false claims. I have not misrepresented myself... I am under unnecessary state supervision and scrutiny."
It seems due to this "unnecessary state supervision and scrutiny", Mos felt it would be a good time to hang it up and bring no further unwanted attention to himself or his family. Probably a good move, Mos, but we'll miss you. You can hear the message in full below.
(*I do not own this video message, or the rights to it*)
Simply expressing a deep passion for hip hop and welcoming anyone else who shares this passion. Let's talk rap!
Showing posts with label Mos Def. Show all posts
Showing posts with label Mos Def. Show all posts
Tuesday, January 19, 2016
Monday, April 13, 2015
Eminem's Rawkus Records Stint
If you haven't heard of Rawkus Records then you're certainly missing out on some hip hop GEMS. The hip hop label Rawkus Records was founded in 1996, and even though their hip hop domination didn't last for long, they certainly brought up big names that are still giants in the game even today, such as Mos Def, Talib Kweli and Hi-Tek, and they've also had multiple legendary names record to their production, such as Common and Pharoahe Monch, but probably the most notable rapper to make music with them is Eminem. When it comes to Eminem's career, obviously he is seen as one of the most decorated rappers ever, but not many people know about his (more so) underground stuff. Which is why I'm here to shed light on these things (being the rap nerd that I so claim to be). What contributions did Eminem give to Rawkus? You're about to find out (*Funk Flex bomb drop noise*).
Eminem's hardcore fan base (Stans) would know more than anyone, but before Dr. Dre and Aftermath Records, before D12, and before Shady Records was even a thought, Eminem recorded some pretty bombastic rhymes for Rawkus in the mid to late 90s. This to me seems like the perfect Eminem; very hard raps while still remaining hilarious, and Em rapping over some catchy boom bap production (which has always been a question to many, Em can rap hard and sound even better over the right production).
("I liked the shit you did with Rawkus too, that shit was fat." = Stan's complimenting Eminem's earliest work.)
Doesn't this sound more like the hungry, battle rap-ready Eminem? The high voice may have been more annoying to some, but Eminem is practically the rap game Joker; absolutely hysterical in his rhymes and can make you fall on the floor from laughing, but if you mess with him (diss him), he will MURDER you.
I found this track interesting and had to look into more, and when I did I was hooked. You could ask anyone who calls themselves an Eminem fan, whether that means they've been listening since Infinite or the Slim Shady EP, whether that means they love Relapse and Recovery or they don't, Eminem's work with Rawkus Records is some truly special stuff, and it surely seems like Em is still pretty salty about them not making any offers to sign him, as made evident on the Marshall Mathers LP 2 bonus track "Don't Front." All we are left to wonder is "what could have been?" Surely Rawkus is kicking themselves for not seeing the potential Em had (that is, if they still exist).
So that's the post on Eminem and his little known (again, not to Stans', because they know everything Eminem) Rawkus Records stint. It's definitely something interesting to know if you like to dig into rappers' pasts and like to know how they really got to where they are at (in other words, if you're a proud rap nerd). Plus if you're a Stan (or know about any of Eminem's diss track history), you know that Eminem does not take others' disrespect very lightly, and he actually goes at Rawkus on a track on Marshall Mathers LP 2. Check out "Don't Front" below (you hear the diss around the 2:48 mark).
(*I do not own these songs, or the rights to them*)
Eminem's hardcore fan base (Stans) would know more than anyone, but before Dr. Dre and Aftermath Records, before D12, and before Shady Records was even a thought, Eminem recorded some pretty bombastic rhymes for Rawkus in the mid to late 90s. This to me seems like the perfect Eminem; very hard raps while still remaining hilarious, and Em rapping over some catchy boom bap production (which has always been a question to many, Em can rap hard and sound even better over the right production).
Doesn't this sound more like the hungry, battle rap-ready Eminem? The high voice may have been more annoying to some, but Eminem is practically the rap game Joker; absolutely hysterical in his rhymes and can make you fall on the floor from laughing, but if you mess with him (diss him), he will MURDER you.
I found this track interesting and had to look into more, and when I did I was hooked. You could ask anyone who calls themselves an Eminem fan, whether that means they've been listening since Infinite or the Slim Shady EP, whether that means they love Relapse and Recovery or they don't, Eminem's work with Rawkus Records is some truly special stuff, and it surely seems like Em is still pretty salty about them not making any offers to sign him, as made evident on the Marshall Mathers LP 2 bonus track "Don't Front." All we are left to wonder is "what could have been?" Surely Rawkus is kicking themselves for not seeing the potential Em had (that is, if they still exist).
So that's the post on Eminem and his little known (again, not to Stans', because they know everything Eminem) Rawkus Records stint. It's definitely something interesting to know if you like to dig into rappers' pasts and like to know how they really got to where they are at (in other words, if you're a proud rap nerd). Plus if you're a Stan (or know about any of Eminem's diss track history), you know that Eminem does not take others' disrespect very lightly, and he actually goes at Rawkus on a track on Marshall Mathers LP 2. Check out "Don't Front" below (you hear the diss around the 2:48 mark).
Wednesday, May 21, 2014
A B.I.G Birthday: My Top 5 Notorious B.I.G Tracks
Arguably one of the best, unarguably one of the biggest to ever do it, today we celebrate the birthday of the one and only Notorious B.I.G. The ups and downs of such a life and career cannot begin to be documented in just one post. His momentous influence on hip hop still stands today and his lyricism and flow almost stand unmatched by anyone. Born and bred in the mecca of a very large portion of hip hop roots, Brooklyn, New York, from which has produced other gigantic names in hip hop such as Jay-Z, Mos Def, Talib Kweli, and many more. But enough of all this hoopla, here are in no specific order my top 5 favorite tracks Big Poppa has blessed us with.
1. Unbelievable
Okay, so this song is simply great. Everything about it from the beat to B.I.G.'s flow, is just remarkable. His stylish, wordy vocabulary makes it almost seem as if he could keep one actual flow going the entire song.
2. Dead Wrong (ft. Eminem)
What isn't there to say about this song that you couldn't say about a serial killer? And who better to join Mr. Smalls than the always descriptive, "don't bring him around you mother" Eminem? A truly fantastic song by all means. The beat, lyrics, and flow all get an A+ in my book.
3. Microphone Murderer (Freestyle)
Okay, so this one might not count as an actual song to most, but as Biggie says, "spit yo game, talk yo shit." That might not have made sense, but nonetheless, I love this mix. What we have here is the actual basement freestyle from the man himself with the rapping over the instrumental from the movie "Notorious." I find in this particular freestyle that B.I.G's powerful voice shows very thoroughly here.
4. Notorious Thugs (ft. Bone Thugs-n-Harmony)
This one has a quite different feel to it, but there is no reason it shouldn't make my list. Starting off with a chilling piano going into those vocals we all got to know and love from Bone Thugs, Big has no problem expanding his range and sound and it shows in this cut. What I love most about this song is its range. You can chill to it, party to it, or even get a nice pump up out of it if you need it.
5.Victory - Puff Daddy (ft. Notorious B.I.G & Busta Rhymes)
Even though this isn't necessarily a Biggie track, he surely claims this song like a proper emcee does. With more of his endless wordplay and rhythm, he destroys this track punch line after punch line. I personally love this beat, and Busta's constant energy throughout the hook just adds that much more. With Biggie delivering what are allegedly his last verses ever recorded, this video also stands as one of the most expensive music videos ever made, or at least at that time, with a production value of over $2.7 million.
Well that about sums it up in this edition of paying homage to "the real life Frank White." No, I don't even know who Frank White is or even if he's a real person or some sort of movie character. But we do know Notorious called himself this at times, at least multiple times in the last song. Anyways, thanks for reading, and feel free to let me know your favorites Biggie verses in the comment section below. We must keep the spirit alive. Brooklyn!
(**Disclaimer-- All the video links above were taken from Youtube. I do not own any of these videos, or the rights to them.**)
1. Unbelievable
Okay, so this song is simply great. Everything about it from the beat to B.I.G.'s flow, is just remarkable. His stylish, wordy vocabulary makes it almost seem as if he could keep one actual flow going the entire song.
2. Dead Wrong (ft. Eminem)
What isn't there to say about this song that you couldn't say about a serial killer? And who better to join Mr. Smalls than the always descriptive, "don't bring him around you mother" Eminem? A truly fantastic song by all means. The beat, lyrics, and flow all get an A+ in my book.
3. Microphone Murderer (Freestyle)
Okay, so this one might not count as an actual song to most, but as Biggie says, "spit yo game, talk yo shit." That might not have made sense, but nonetheless, I love this mix. What we have here is the actual basement freestyle from the man himself with the rapping over the instrumental from the movie "Notorious." I find in this particular freestyle that B.I.G's powerful voice shows very thoroughly here.
4. Notorious Thugs (ft. Bone Thugs-n-Harmony)
This one has a quite different feel to it, but there is no reason it shouldn't make my list. Starting off with a chilling piano going into those vocals we all got to know and love from Bone Thugs, Big has no problem expanding his range and sound and it shows in this cut. What I love most about this song is its range. You can chill to it, party to it, or even get a nice pump up out of it if you need it.
5.Victory - Puff Daddy (ft. Notorious B.I.G & Busta Rhymes)
Even though this isn't necessarily a Biggie track, he surely claims this song like a proper emcee does. With more of his endless wordplay and rhythm, he destroys this track punch line after punch line. I personally love this beat, and Busta's constant energy throughout the hook just adds that much more. With Biggie delivering what are allegedly his last verses ever recorded, this video also stands as one of the most expensive music videos ever made, or at least at that time, with a production value of over $2.7 million.
Well that about sums it up in this edition of paying homage to "the real life Frank White." No, I don't even know who Frank White is or even if he's a real person or some sort of movie character. But we do know Notorious called himself this at times, at least multiple times in the last song. Anyways, thanks for reading, and feel free to let me know your favorites Biggie verses in the comment section below. We must keep the spirit alive. Brooklyn!
(**Disclaimer-- All the video links above were taken from Youtube. I do not own any of these videos, or the rights to them.**)
Labels:
Big Poppa,
Biggie,
Bone Thugs-n-Harmony,
Busta Rhymes,
Dead Wrong,
Eminem,
Frank White,
Jay Z,
Microphone Murderer,
Mos Def,
New York,
Notorious B.I.G.,
Notorious BIG,
P. Diddy,
Puff Daddy,
Talib Kweli,
Unbelievable
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